Bali Hindu Textile Framed 'Kamasan' Painting, Indonesia, Early 20th Century

A mid-20th century 'Kamasan' cotton textile painting from Bali, Indonesia. The hand-painted image has great detail and depicts Balinese Hindu mythology. Key features of this image ar...

A Mid-20th Century 'Kamasan' cotton textile painting from Bali, Indonesia. The hand painted image has great detail and depicts Balinese Hindu mythology. This textile painting is stre...

An early 20th century 'Kamasan' cotton textile painting from Bali, Indonesia. The hand-painted image has great detail and depicts Balinese Hindu mythology. Dimensions: Height 84c...

This Chinese portrait depicts a young woman and was painted using a reverse glass painting technique. Painting in reverse on the opposite side of a piece of glass meant the painter h...

This pair of Chinese portraits depicting young women & their dogs were painted using a reverse glass painting technique. Painting in reverse on the opposite side of a piece of glass ...

A pair of vintage framed Chinese pen & ink paintings from early 20th century with stunning detailing. The paintings have been framed with a glass front and...

A pair of vibrantly colored Burmese water color paintings of Deities. The early 20th century paintings in mid 20th century professionally framed giltwood frames.

Kasahara Seiken White peacocks, circa 1916 Framed painting. Ink, color and gofun on silk. A Taisho period Japanese nihonga painting depicting a pair of white peacocks re...

Drawn with a fine line and fresh, sketched quality, this folk hanging unites two scenes of lucky hoho lotus boys circumscribed in frames punctuated with fruits such as pomegranate, symbolic of prosperity and good fortune. On top, the two explore the natural wonders of the world...

CHI SHING - 'River Boats I' - Vintage watercolor landscape painting - vintage gold tone metal frame - finished with double matte boards - signed lower left -...

CHI SHING - 'River Boats II' - Vintage watercolor landscape painting - vintage gold tone metal frame - finished with double matte boards - signed lower right...

Cherry Blossoms Kano Sanrakuki (1898-1981) Showa period, circa 1930 2-panel Japanese Screen Color, gofun and gold leaf on paper Against a backdrop of gold-leafed ground, the lichen covered trunk and branches of the life-sized cherry blossom tree reach out and beyond the confines of the pictorial surface. The overall composition has a feeling of flatness which draws emphasis to the surface and the three-dimensionality of the cherry blossoms. Painstakingly built-up layers of thickly applied shell-white gofun detail the voluminous blossoms and cover large areas of this tour-de-force of Japanese Nihonga painting. By simplifying the background, minimizing the number of colors and depicting the blossoms with such heavy relief, the artist has emphasized the stunning presence of the cherry tree. The type of tree depicted is the Yae-Zakura; a double-layered type of cherry blossom famed for its beauty and strength. When we think of Japanese cherry blossoms, the first thing that comes to mind is Somei Yoshino variety, which has a single flower with five almost white petals. This type is fragile and easily blown away by strong wind or rain. Most of the double-flowered cherry blossoms begin to bloom when the Somei-Yoshino falls, and the flowering period lasts longer than that of the Somei-Yoshino. Kano Sanrakuki originally studied painting at the Kyoto City Arts and Crafts School under the tutelage of Yamamoto Shunkyo...