Rare French Ormolu and Diamond-Cut Crystal Figural Inkwell Encrier by Baccarat

A Rare Art Nouveau French Ormolu and crystal inkwell Encrier by Baccarat, circa 1900, the ormolu possibly by Francois Linke. Depicting a reclined winged maiden...

An Exquisite and Rare French Louis XVI Style Ormolu-Mounted Bloodstone Inkwell, circa 1875. A truly exceptional and jewel like quality inkwell encrier, made with the finest ormolu, mounted on bloodstone. A true collectors and one of a kind piece. Revival of the ancient régime in the late 19th century was paramount to the French furniture and bronze casting firms of the Belle Epoque. Imitation in the highest regard and replication of those tastes and styles was prevalent throughout the Paris Faubourg, where the most talented bronziers and ébénistes established their workshops. The present inkwell encrier recalls the late 18th century's obsession with hardstones - a taste expounded above all by the duc d'Aumont and, subsequently Marie-Antoinette. Such hardstone-mounted pieces, reminiscent of Renaissance schatzkammer objects, enjoyed a revived popularity at the end of the 18th century through the impetus of both the marchands-mercier and, more importantly, the hôtel des Menus-Plaisirs, where the duc d'Aumont himself established a workshop in 1770 specializing in the cutting and polishing of precious hardstones. This exceptional inkwell encrier, sumptuously-mounted with finely chased gilt-bronzes, incorporates a highly-prized material such as bloodstone. Sometimes called the Sunstone, the meaning of Bloodstone comes entangled in fascinating history. The Ancient Greeks held the Bloodstone as a gem with glorious powers. They referred to it as Heliotrope, which directly translates to Sunstone. It was believed to have heavenly healing powers gifted by the gods and most certainly when it came to healing all things related to the blood. Even as we move forward into the Middle Ages, the Bloodstone takes another mystical story under its wing. It was believed to be formed from Christ's blood. It was said that during the Crucifixion, a few red spots of his blood dripped...

Cristalleries De Baccarat, a Large French Green and Clear Cut-Crystal 12 Light Chandelier, circa 1870. Step into the timeless allure of 19th-century luxury with the Cristalleries De...

Cristalleries De Baccarat, A Large French Cut-Crystal Twenty-Four Light Tsarine Torcheres, Standing Floor Chandelier. "A Magnificent Chandelier" Each central stem issuing twenty-four out-scrolled candle branches suspending prisms and bell-flowers, on four splayed supports, in the Indian Maharaja style, stamped BACCARAT throughout. 86" high x 33" wide Wired for electricity. In overall excellent condition. The torchère is fully complete and there are no damages associated.Ready to place. Comparative Literature: Lerch, Moscou, Splendeurs des Romanov, Exhibition catalogue, 11 July – 13 September 2009, Monaco, pp. 214-217. M. Lerch, Baccarat: la légende du cristal, Exhibition catalogue, 15 October 2014 – 4 January 2015, Paris, pp.68-69. D. Sautot, The Story of Baccarat, Paris, 1993. Cristalleries de Baccarat: The origins of the manufacture, also known as the Compagnie des Cristalleries de Baccarat, can be traced to 1764. On this year, King Louis XV accorded to the Bishop of Metz permission to establish a glass factory on his land, in the small village of Baccarat in Lorraine, in order to compete with the celebrated Bohemian production. Lorraine is traditionally a glass-making region, due to the abundance of silica in the soil and due to its large forests, which supplied the wood to fuel the ovens. Francois-Eugène de Fontenay, who joined the company in 1841, discovered that the addition of nickel oxide in the manufacturing process resulted in a perfectly clear product, 'crystal glass', that was free of discoloration and that imitated precious rock crystal. For this discovery, the Baccarat company was awarded a gold medal at the French Expositions des Produits de l'Industrie in 1844. Continually experimenting with their manufacturing process, the quality of Baccarat's 'crystal glass' improved, reaching the highest level by the end of the century. The Baccarat manufacture rapidly became a leading producer with highly skilled maître-verriers. In 1823, Baccarat participated for the first time at the National Exhibition. Louis XVIII was seduced by the quality of the pieces presented, which received the praise of the jury and the first gold medal. As a result of their success and innovations, the manufacture gradually consolidated its reputation, which allowed it to dominate the French market. The Russian fascination for Baccarat: In 1867, Tsar Alexander II visited the Exposition Universelle in Paris and fell in awe in the sight of Baccarat’s stand...

A Large French Baccarat Opaline Glass Hand-Painted "Bacchanale" Vase, by Roussel, circa 1885. Presenting an exquisite and highly coveted piece of artistry, behold the large French O...

An exquisite French Empire ormolu and cut-crystal clock, c. 1815, attributed to Baccarat. Made from the finest quality mercury gilding ormolu, this c...

c1840 French Antique Louis Philippe Crystal Inkwell. 3 piece and a very rare item. Great accessory for your desk.

This extraordinary crystal inkwell from the renowned Baccarat is a piece of exquisite charm and grace. Featuring a doré bronze mermaid languishing upon the crest of a rolling wave, i...

This exquisite inkwell exhibits the mastery of Baccarat's workmanship. The molded crystal body is decorated in one of their more rare Classic patterns Moulure Russe with concentric swirling spirals...

French midcentury (1980s-1990s) limited edition (28/450) " Victor Hugo" crystal inkwell with a six-sided shape and a cut star base (signed BACCARAT). Baccarat Crystal has, from the...

Extremely fine cherub figural two-tone doré bronze with original crystal inkwells and ink inserts attributed to F. Linke. The two cherubs sit atop this beautiful bronze piece which i...

An early 19th century Regency period bronze and ormolu encrier, having inkwells and star pierced sander, contained in Gothic fret body, supported on leaf decorated plinth base.