19th Century French Bronze of Setter with Hare, Jules Moigniez, C.1835-1894

Antique 19th Century French patinated bronze by Pierre Jules Méne (French, 1810-1871), of 'Valet de Limier (The Bloodhound Handler)', the huntsman led by his dog on oval naturalistic...

Description:  Antique 19th century Victorian solid silver important figural hunting statue, dipicting a huntsman holding a fox and his hounds at his ...

Antique 19th Century French bronze of of a polo player signed J Cuvelier and cast and inscribed to base by H Lippens & CIE. Cuvelier began exhibiting at the Paris Salon in 1867, and ...

A stunning 19th Century bronze sculpture. Prosper Lecourtier (1851-1924) crafted this bronze sculpture depicting a stag and a doe in a floral forest. At the feet of the animals are a...

Antique 19th Century French pair of life-sized bronze, depicting partially nude maidens elevating a torch. These statues, boasting a commanding stature and large presence, are elegan...

Antique late 19th Century Japanese, grand bronze sculpture of an eagle from the Meiji period, poised atop rocky formations, with its wings gracefully extended. The majestic bird appe...

Large Statue in patinated spelter. Hunting dog holding a pheasant, signed Jules MOIGNIEZ (1835-1894). 31 cm high x 37 cm width. Jules Moigniez was a 19th-century French animal scul...

An untitled bronze sculpture depicting a horse and greyhound. Beautiful bronze work, standing on realistic base, signed on the back of the base: J. Moigniez (French 1835-1894). This ...

Spanish Cocker figure in patinated bronze signed by Jules Moigniez, 19th century French bronze by the Artist Jules Moigniez, in this beautiful piece an old Spanish Cocker is represen...

This antique bronze sculpture was created in France, circa 1880. Standing on a bronze dore base, the composition features a patinated bronze Labrador dog standing on rocky ground and...

This large antique bronze sculpture was created in France, circa 1880. Standing on a patinated walnut base, the composition features a setter walking on rocky ground and looking ahea...

An excellent mid 19th Century French Animalier bronze study of a falcon perched on a branch using its outspread wings to balance and with its beak open. The bronze exhibiting excellent intricate hand chased surface detail and very fine rich brown lightly rubbed patination, signed J Moigniez. ADDITIONAL INFORMATION Height: 23 cm Width: 23 cm Condition: Excellent Original Condition Circa: 1870 Materials: Bronze Book reference: Animals in Bronze by Christopher Paine Page no. 79 SKU: 9000 ABOUT Jules Moigniez (French, 1835 ~ 1894) Moigniez was a French animalier sculptor of the 19th century. He worked primarily in bronze and frequently exhibited his sculptures at the Paris salon. He was best known for his bronzes depicting birds, although his skill and versatility enabled him to produce quality horse sculptures (primarily racehorses), dog sculptures and hunting scenes. His bird sculptures were among the finest ever created in his time. Moigniez was born at Senlis, Oise, France in 1835, the son of a metal gilder. Moigniez’s father bought a foundry to cast his sculptures, which was of great benefit to Moigniez as he didn’t have the added foundry costs that most of his contemporaries had to pay. Moigniez studied sculpture under the tutelage of Paul Comoléra (a student of François Rude) in Paris. It is quite likely that Moigniez’s attraction to bird sculpture was a direct result of his education under Comoléra, who was himself a bird specialist. Over the course of his 40-year sculpting career Moigniez exhibited thirty works at the Salon between 1855–92. His first submission in a major art exhibition was his plaster, Pointer Stopping at a Pheasant, at the Exposition Universelle of 1855.[1][2] Moigniez was known for the fine detail and chiseling of his sculptures. His bronzes—usually cast using the lost wax method—were always immaculately chased and patinated, and were especially popular in England and Scotland.[2] More than half of his output during his lifetime was sold in the United Kingdom. By the end of the 19th century, his sculpture had become popular in the United States as well. In contrast with other animaliers of the period such are P.J. Mêne and Antoine-Louis Barye, Moigniez’s bird sculptures often incorporated highly detailed bases complete with bushes, extensive foliage and undergrowth. His castings were generally of excellent quality with a variety of patinas, the gilded and silvered patinas being the most desirable and sought after by collectors. His bronzes could be reproached for an excess of detail, a result of overly-finicky, over-worked chiseling. Moigniez received redemption, however, by portraying in his sculpture a certain “elegance of attitudes”. His Chien braque...