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Large Original French Art Deco Bronze of a Semi-Nude Male Athlete by Le Faguays
About the Item
Pierre Le Faguays (1892-1962)
An Impressive and very large 43" high French Art Deco bronze figure of a young athletic man, adorned in scanty attire, almost nude, standing proudly atop a lofty and stylized rocky plinth. His stance exudes strength and confidence as he balances himself gracefully. With arms outstretched in a fluid movement, the sculptor portrays a sense of dynamic energy and prowess.
Beautifully cast in a dark green, brown /black variegated patina.
In his elevated grasp, the man holds a laurel wreath, raised high above his head. This symbol of victory and triumph represents the pinnacle of achievement. Through the artists eyes, it further conveys the athlete's exceptional skill and dedication to his craft.
The artist's attention to detail and skillful execution breathe life into the sculpture, capturing the essence of athleticism and the human form. This remarkable bronze figure epitomizes the grace, power, and triumphant spirit of Olympic competition. It stands as a testament to the artistic brilliance and mastery of Pierre Le Faguays and serves as a timeless tribute to the pursuit of
excellence in art as well as in sports.
Bibliography :
Bronzes, sculptors and founders by H. Berman, Abage, Vol 11, pg 425
Art Deco and other figures,by Bryan Catley,pgs 192-201
Art Deco sculpture by Victor Arwas, Academy Editions, 1992 pgs.121-127
Art Deco sculpture by Victor Arwas, Academy Editions,1975 pg. 38
Dictionnaire des peintres, sculpteurs, dessinateurs et graveurs” by E. Benezit. Gründ 1999, pg 426
The dictionary of sculptors in bronze” by James Mackay, Antique collectors club
Dictionnaire illustré des sculpteurs animaliers & fondeurs de l’antiquité à nos jours, by Jean Charles Hachet.
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Pierre Le Faguays, born 1892 in Nantes, France, gained renown for his innovative approach to sculpting dancers, drawing inspiration from the Tanagra statues. In 1927, he received a prestigious medal of honor for his exceptional work. A close companion of Max Le Verrier, Pierre collaborated extensively with the Le Verrier foundry, which produced numerous pieces of his art. In addition to his given name, he also employed two pseudonyms, Fayral and Guerbe, which were derived from the surnames of his mother and wife respectively.
As a leading sculptor, Pierre's creations earned consistent praise for their exceptional craftsmanship and meticulous attention to anatomical precision.
His artistic endeavors extended beyond sculpture, as he also designed pieces for Goldscheider in Paris, working under the label "La Stele." Pierre's versatility encompassed various mediums, including ivory, bronze, spelter, stone, wood, alabaster, and ceramics. Notably, he received artistic education alongside his friend Max Le Verrier, studying together at the Beaux Arts in Geneva. Throughout their lives, Pierre maintained strong friendships with both Marcel Bouraine and Max Le Verrier, with the latter's foundry being instrumental in producing many of Le Faguays' statues. The bond formed during their shared studies endured as a lifelong connection.
- Creator:Pierre Le Faguays (Sculptor)
- Dimensions:Height: 43 in (109.22 cm)Width: 8 in (20.32 cm)Depth: 17 in (43.18 cm)
- Style:Art Deco (Of the Period)
- Materials and Techniques:
- Place of Origin:
- Period:
- Date of Manufacture:1929
- Condition:Wear consistent with age and use. Minor, unremarkable imperfections, scuffs, specs, marks in the patina consistent with age and use.
- Seller Location:New York City, NY
- Reference Number:1stDibs: LU901334695512
Pierre Le Faguays
Pierre Le Faguays was a master at capturing the minute details of the female form in motion. His exceptional Art Deco style transcended sculptures with stunning table lamps, desk accessories and home accents. Le Faguays’s quality is remarkable, and his distinctive pieces are rare, making his works of art highly collectible.
Born in 1892, in Rezé, France, Le Faguays received formal training both in Paris and Switzerland. In Geneva, he met Marcel Bouraine and Max Le Verrier. The three remained lifelong friends, and together founded the Le Verrier foundry, which produced many of Le Faguays’s pieces. Le Faguays was a member of several artist groups, including La Stele, Evolution and the Salon, and designed many pieces for Goldscheider under the La Stele label.
Not all of Le Faguays’s pieces have a stamp with his name. Le Faguays used two other pseudonyms, Raymond Guerbe and Fayral, the family names of his wife and mother. While the name stamps differ, the style remains the same. Le Faguays used a range of media, such as spelter, stone, wood, alabaster, ceramics, terracotta, pâte de verre, zinc and wrought iron. His most popular items were portrayals of dancers sculpted in ivory and bronze.
Le Faguays was recognized with numerous awards and exhibitions. His works were on display at Le Salon d’Automne in 1920 and the Salon of French Artists in 1922. In 1925, Arthur Goldscheider’s pavilion showed his work at the International Exhibition of Modern Decorative and Industrial Arts. In 1927, he received the French Medal of Honor and an honorable mention at Le Salon des Artistes Français. In 1937, the Exposition Internationale in Paris exhibited his work. He was a member of the Legion of Honor and the Order of Leopold.
On 1stDibs, find a collection of Pierre Le Faguays decorative objects, lighting, collectibles and more.
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