Pair of Antique George III Glass Decanters with 3 Neck Rings & Mushroom Stoppers

This pair of antique amber blown glass bottle flasks, or decanters were made in circa 1870 in the period Victorian style and originate from England. These decanters are hand formed, ...

This antique liquor bottle decanter is unsigned, but presumed to have been made in circa 1880 in the Victorian style. The decanter is done in a ...

This pair of antique liquor bottle decanters are unsigned, but presumed to have originated from France and date to approximately 1900 and done i...

This antique decanter stand is signed by an unknown maker, but believed to have originated from the United States and date to approxiately 1900. The decanter bottle is presumed to have originated from Bohemia, now the Czech Republic and dating to the same period, both being done in a Victorian style. The decanter and stopper and done in a deep ruby cut to clear...

This antique sherry stand is unsigned, but presumed to have originated from England and date to approximately 1920 and done in an Edwardian style. The s...

950 Fine Silver overlay decanter, circa 1930. The silver overlay is a wonderful medley of flowers in repose work over a four sided pinched glass bottle, with a sterling silver overl...

Pair of antique George III quality cut glass decanters having original cut glass mushroom shaped stoppers In mint original condition H 19.5 x W 12 x D 12cm Date 1800.  

A rare Georgian Period decanter of exceptional size, the decanter of shoulder form finely engraved with a 'PUNCH' cartouche and fruiting vines, fitted with a facet cut stopper.

A fine pair of antique glass ship decanters. Each with a square base and stoppers with circular knob handles. Each has a polished pontil mark to the base. Simply a great pai...

Elegant Mid-Century Modern vintage crystal decanter with stopper by Orrefors (Swedish, founded 1898), c. 1960's. Engraved signature to base Orrefors HM 2498 - this particular style was by Edvard Hall. Includes original red Orrefors Sweden sticker with logo. "Orrefors HM 2498" etched into base. Measures 11.5" H x 3" W x 3" D. Orrefors Glassworks was founded in 1898 on the same site where ironworks operations had been run since 1726. In the same year that the glassworks was founded, a hot shop was built for making technical, medical and household glass and stemware to make use of waste wood and labour. Glass now replaced the less profitable ironworks operations. In 1913, Consul Johan Ekman from Gothenburg became the new owner of Orrefors Glassworks. He appointed Albert Ahlin as manager of the glassworks and this marked the start of a new era. In 1914, Orrefors started manufacturing crystal products, and as well as cut crystal according to purchased patterns and samples, Orrefors made art glass using the overlay technique with etched decoration. The new management quickly saw that artists were needed in the business, so Simon Gate was employed in 1916 and was joined by Edward Hald a year later. That same year, Gate and Hald made their first tentative attempts at figure engraving. They also experimented with the new innovative graal (grail) glass technique that was developed at Orrefors by the master glassblower Knut Bergqvist. The major successes were achieved a few years later at the Gothenburg Exhibition in 1923, and in particular at the Paris Exhibition in 1925. The thin engraved glass was admired by the surrounding world, and both Orrefors and the artists themselves were awarded the Grand Prix. The successes of Simon Gate and Edward Hald in Paris in 1925 constituted the start of the long Orrefors tradition of creative design closely combined with genuine and innovative craftsmanship. Since then, new designers and skilled glassmakers have continued in the spirit of Gate and Hald. Vicke Lindstrand and Edvin Öhrström with the new glass technique called Ariel in the 1930s. Sven Palmqvist with Kraka and Ravenna in the 1940s. And in the 1950s with Fuga, which, along with Nils Landberg’s slender tulip-shaped glass “Tulpan” and Ingeborg Lundin’s apple-shaped vase “Äpplet”, are now seen as symbols of the renaissance of Swedish design. The 1960s are associated with Gunnar Cyrén’s Pop glass, and in the 1970s, Eva Englund, Olle Alberius, Lars Hellsten and Jan Johansson as well as Cyrén worked at the glassworks. Since the 1980s, designers such as Anne Nilsson, Erika Lagerbielke, Helen Krantz, Matz Borgström, Per B Sundberg, Martti Rytkönen, Lena Bergström, Ingegerd Råman, Malin Lindahl and Efva Attling...

A rare Georgian decanter of shoulder form wheel engraved with a BEER cartouche surrounded with hops and vines, The reverse engraved with exotic game birds identical to those used by James Giles...

English 1810 George III cut glass ships decanter. All-over faceted cut glass pattern. No makers mark or signature. Purchased at Taylor B. Williams antiques...