Vaso Venini "Tessuto lucido" di Carlo Scarpa e Paolo Venini
View Similar Items
Vaso Venini "Tessuto lucido" di Carlo Scarpa e Paolo Venini
About the Item
- Creator:
- Dimensions:Height: 9.26 in (23.5 cm)Diameter: 4.73 in (12 cm)
- Materials and Techniques:
- Place of Origin:
- Period:1980-1989
- Date of Manufacture:1985
- Condition:
- Seller Location:Rivoli, IT
- Reference Number:1stDibs: LU7863237409822
Carlo Scarpa
Carlo Scarpa was born in Venice in 1906 and became one of the leading figures of architecture and international design during the 20th century. At merely 21 years old — and still a student at the Academy of Fine Arts — Scarpa began working as a designer for master Murano glassmaker M.V.M. Cappellin. Within a few years, he completely revolutionized the approach to art glass.
In a short time, under the guidance of Scarpa, the Capellin furnace not only established itself as the top glass company, but above all it introduced modernity and international fame to Murano glassmaking. Scarpa created a personal style of glassmaking, a new vision that irreversibly changed glass production.
The young Scarpa experimented with new models and colors: his chromatic combinations, impeccable execution and geometric shapes became his modus operandi. Thanks to Scarpa’s continuous research on vitreous matter, Cappellin produced a series of high-quality glass objects, that saw the company revisiting ancient processing techniques such as the watermark and Phoenician decoration.
When he encountered the challenge of opaque glass, Scarpa proposed introducing textures of considerable chromatic impact, such as glass pastes and glazed glass with bright colors. Scarpa also collaborated in the renovation of Palazzo da Mula in Murano, the home of Cappellin. At the academy, he obtained the diploma of professor of architectural design and obtained an honorary degree from the Venice University Institute of Architecture of which he was director.
In 1931, Scarpa's collaboration with Cappellin ended, following the bankruptcy of the company because it was not able to withstand the economic crisis linked to the Great Depression. But Scarpa did not go unnoticed by Paolo Venini — in 1933, the young designer became the new artistic director of the biggest glass company in Murano.
Master glassmakers thought Scarpa's projects and sketches were impossible, but the passionate and curious designer always managed to get exactly what he wanted. Until 1947 he remained at the helm of Venini & Co., where he created some of the best known masterpieces of modern glassmaking. Scarpa’s work with Venini was characterized by the continuous research on the subject, the use of color and techniques that he revisited in a very personal way, and the development of new ways of working with master glassmakers.
At the beginning of the 1930s, "bubble", "half filigree" and "submerged" glass appeared for the first time on the occasion of the Venice Biennale of 1934. A few years later, at the Biennale and the VI Triennale of Milan, Venini exhibited its lattimi and murrine romane pieces, which were born from a joint idea between Scarpa and Paolo Venini.
In 1938 Scarpa increased production, diversifying the vases from "objects of use" to sculptural works of art. In the same year he laid the foundation for the famous "woven" glass collection, exhibited the following year. In the subsequent years, Scarpa–Venini continued to exhibit at the Biennale and in various other shows their the "black and red lacquers," the granulari and the incisi, produced in limited series, and the "Chinese," which was inspired by Asian porcelain.
Scarpa's creations for Venini garnered an international response and were a great success, leaving forever an indelible mark on the history of glassmaking. The last Biennale in which Carlo Scarpa participated as artistic director of Venini was in 1942. He left the company five years later.
The time that Scarpa spent in the most important glass factory in Murano would attach a great artistic legacy to the company. His techniques and styles were resumed in the postwar period under the guidance of Tobia Venini, Paolo's son. In the 1950s, after the departure of Scarpa, Fulvio Bianconi was the new visionary at the Biennials with Venini.
On 1stDibs, vintage Carlo Scarpa glass and lighting are for sale, including decorative objects, tables, chandeliers and more.
(Biography provided by Ophir Gallery Inc.)
Paolo Venini
While Venini & Co.'s co-founder, Paolo Venini (1895–1959), was himself a highly talented glassware designer, his true genius was to invite forward-thinking Italian and international designers to Murano’s hallowed workshops to create Venini pieces — among them Gio Ponti, Massimo Vignelli, Finnish designer Tapio Wirkkala, Thomas Stearns of the United States and Fulvio Bianconi.
Beginning in the 1930s — and throughout the postwar years especially — Venini & Co. played a leading role in the revival of Italy’s high-end glass industry, pairing innovative modernist designers with the skilled artisans who created extraordinary chandeliers, sconces and other lighting in the centuries-old glass workshops on the Venetian island of Murano.
Paolo Venini trained and practiced as a lawyer for a time, though his family had been involved with glassmaking for generations. After initially buying a share in a Venetian glass firm — he and antiques dealer Giacomo Cappellin established Vetri Soffiati Cappellin Venini & C. in 1921 — Venini took over the company as his own in 1925, and under his direction, it produced mainly classical Baroque designs.
In 1932, Venini hired the young Carlo Scarpa— who would later distinguish himself as an architect — as his lead designer. Scarpa, working in concert with practiced glass artisans, completely modernized Venini, introducing simple, pared-down forms; bright primary colors; and bold patterns such as stripes, banding and abstract compositions that utilized cross sections of murrine (glass rods).
Paolo Venini’s best designs are thought to be his two-color Clessidre hourglasses, produced from 1957 onward, and the Fazzoletto (“handkerchief”) vase, designed with Bianconi in 1949. Bianconi’s masterworks are considered by many to be his Pezzato works — colorful vases with patterns that resemble those of a patchwork quilt.
Other noteworthy and highly collectible vintage Venini works include Ponti’s dual-tone stoppered bottles (circa 1948); rare glass sculptures from the Doge series by Stearns, the first American to design for the firm; Vignelli’s striped lanterns of the 1960s; the Occhi vases with eyelet-shaped patterns by Tobia Scarpa (son of Carlo); and, with their almost zen purity, the Bolle (“bubbles”) bottles designed by Wirkkala in 1968.
With these works — and many others by some of the creative titans of the 20th and 21st centuries — Venini has produced one of the truly great bodies of work in modern design.
Find antique and vintage Paolo Venini chandeliers, serveware, table lamps, decorative objects and other furniture on 1stDibs.
- Grande vaso in ceramica, Victor Cerrato, anni '60By Victor CerratoLocated in Rivoli, ITGrande vaso da fiori in ceramica di Victor Cerrato (1917 - 2008), Italia 1960. Victor (Vittorio) Cerrato era sia scultore che ceramista e aprì il suo laboratorio di ceramica a Torino...Category
Vintage 1960s Italian Vases
MaterialsCeramic
- Coppia di Vasi in ceramica Bitossi, anni '60By BitossiLocated in Rivoli, ITCoppia di vasi portafiori firmati Bitossi. Realizzati in ceramica smaltata nei toni del verde - bianco e rosso -nero Entrambi firmati sotto la baseCategory
Vintage 1960s Italian Vases
MaterialsCeramic
$1,104 / set - Set di 24 bicchieri mod. "High Society", Ludovico Diaz de Santillana per VeniniBy Venini, Ludovico Diaz de SantillanaLocated in Rivoli, ITThe ‘High Society’ set of glassware designed by Ludovico Diaz de Santillana in 1962 represents the most costly series of glassware ever produced by Venini. The production of the mode...Category
Vintage 1960s Italian Mid-Century Modern Crystal Serveware
MaterialsMurano Glass
- Sedie di Robert Mallet-Stevens, set di 10By Robert Mallet-StevensLocated in Rivoli, ITSet di 10 sedie color grigio scuro in ferro disegnate da Robert Mallet-Steven Ideale per un ambiente stile industrial o utilizzabile all'esterno, come sedie da giardino Buone condiz...Category
Vintage 1970s European Chairs
MaterialsIron
$3,314 / set - Lava" vase L by Gaetano PesceBy Gaetano Pesce, Corsi Design FactoryLocated in Rivoli, ITBeautiful and rare vase from Gaetano Pesce's "Lava" series made since 1995 for Fish Design. The salmon-pink color goes well with the ocean blue interior. Branded. Accompanied by cert...Category
2010s Italian Vases
MaterialsResin
- Table Artona Collection Afra and Tobia ScarpaBy Max Alto, Afra & Tobia ScarpaLocated in Rivoli, ITExtendable dining table top veneered with walnut slats with solid wood edges layered with different essences finish to brass base. Prod. Maxalto 80s 71x110x110 cm (open) 71x220x1...Category
Vintage 1980s Italian Modern Tables
MaterialsBrass
- Venini Murrine Romane Multi-Color Vase by Carlo ScarpaBy Venini, Carlo ScarpaLocated in Brooklyn, NYVenini Murrine Romane vase in multi-color by Carlo Scarpa. Numbered Edition. These Murrine are called “roman” due to their graphic signs and because the...Category
21st Century and Contemporary Italian Modern Vases
MaterialsGlass
- Venini Murrine Romane Multi-Color Vase by Carlo ScarpaBy Carlo Scarpa, VeniniLocated in Brooklyn, NYVenini Murrine Romane vase in multi-color by Carlo Scarpa. Numbered Edition. These Murrine are called “roman” due to their graphic signs and because the...Category
21st Century and Contemporary Italian Modern Vases
MaterialsGlass
- Venini Tessuti Battuti Vase in Red by Carlo ScarpaBy Carlo Scarpa, VeniniLocated in Brooklyn, NYTessuti Battuti vases, designed by Carlo Scarpa and manufactured by Venini, feature a blown handmade glass body with bicolored “Filigrana” stripes then...Category
21st Century and Contemporary Italian Modern Vases
MaterialsBlown Glass
$6,050 / item - Venini Tall Tessuti Battuti Vase in Red by Carlo ScarpaBy Venini, Carlo ScarpaLocated in Brooklyn, NYTessuti Battuti vases, designed by Carlo Scarpa and manufactured by Venini, feature a blown handmade glass body with bicolored “Filigrana” stripes then...Category
21st Century and Contemporary Italian Modern Vases
MaterialsBlown Glass
- 1930 Carlo Scarpa Venini "A Bollicine" Vetro Murano Art Deco BottigliaBy Carlo Scarpa, VeniniLocated in Brescia, ITBottiglia "A Bollicine" Carlo Scapa, Venini Italy, 1930 Bottiglia Art Deco in Vetro Murano verde. Raro oggetto. Originale degli anni 30 Perfette condizioni Bibliografia: "Carlo Sc...Category
Vintage 1930s Italian Art Deco Bottles
MaterialsMurano Glass
- Venini Carlo Scarpa Mezza Filigrana BottleBy Carlo ScarpaLocated in Doraville, GAA bottle designed by Carlo Scarpa for Venini in the mid 1930s. The bottle is a very faint blue green color and displays the mezza filigrana method of glass ...Category
Vintage 1930s Italian Modern Bottles
MaterialsBlown Glass