Rococo Revival Tableware

Rosenthal, Germany. "Sanssouci" coffee pot, sugar bowl and creamer decorated with flowers and gold. Approx. 1930s. In perfect condition. First factory quality. Coffee pot dimensi...

An elegant vintage tray hand-crafted in Italy circa 1960, flaunts a seductive outline sculpted by the carved edges with a foliate motif that continues in delicate floral carvings enr...

Antique Meissen sauce boat in hand painted porcelain with purple flowers and gold edge, circa 1900. Measures: 24.5 x 10 cm. 1st factory quality. In excellent condition. Stamped.  

Danish silversmith. Three serving parts in silver. Rococo style, 1940s. The cake knife measures: 23.5 cm. In excellent condition. Stamped.

Antique Meissen sauce boat in hand painted porcelain with purple flowers and gold edge, circa 1900. Measures: 24.5 x 10 cm. 1st factory quality. In excellent condition. Stamped.  

Rosenthal Classic rose coffee service for six people, mid-20th century. Consisting of six coffee cups with saucers, coffee pot, sugar bowl, vase, bo...

Early 20th century carved Italian walnut tazza, circa 1920. Fantastic quality scalloped shaped walnut tazza dish, standing on a fluted base. Original color and patina. Great examp...

The silver sugar pot is beautifully hammered. It is in the Rococo style of the 1930s. The pieces is marked with the goldsmith and silver title of 800.

A sophisticated set of 6 antique Vienna porcelain plates. Each having a green and white border with floral cartouches and finely painted Deutsche Blumen...

Danish silversmith. Cake knife in silver, 1943. In very good condition. Measures: 23.5 cm. Stamped: JS and three towers.

We are pleased to offer this set of four antique dinner plates made by Coalport n England circa 1820. We also have a set of four matching large soup bowls...

Solid silver writing set with clock. France, 19th century. With hallmarks. Writing set enhanced by a base slightly elevated by pieces decorated with stems and volutes with motifs that show Rococo influence. The front of this lower area, curved gently on the fronts and sides, has human masks and mirrors with plant motifs, as well as Rococo-style “shell shapes” in the central part, raised to highlight the clock. This one has a white dial with Roman numerals for the hours and lines for the minutes, and it is highlighted with a band of pearls in front and a winged mask in relief on the back, as well as a vase top that serves as a base for the bell, topped by a half-naked lady holding something like a tambourine. The inkwell and the sandbox, located on the sides of the base, have a vase shape similar to that of the bell but less decorated (engravings of scallops, bands, smooth shields ...), and are topped by two human figurines (a lady holding a bird, and a gentleman, dressed "in the manner of the Renaissance"). Both the decoration of the piece, of great quality and detail, as well as the curves and counter curves that it presents, are a good example of the influence of several artistic styles of different centuries, something common in 19th century silverware throughout Europe. The figure of the bell reminds of Classic Greek sculptures of Venus whose influence is habitual in the neoclassicist art, the smooth mirrors and the bands that enhance them can be seen in Renaissance examples, the movement that provides the curves and counter curves and the shapes that remind Rockies can be related to the Rococo. The decorative details of the piece and its compositional lines are reminiscent of a piece preserved in a French private collection, Napoleon III era and made by Emile Hugo...