Muller Frères Floor Lamp

A Muller Fres cameo glass and iron three-arm chandelier. The central shade and three satellite shades in gray glass mottled with orange, overlaid with purple and cut with branches of...

Floor lamp, partially gilt wrought iron by Raymond Subes.

French Art Deco black wrought iron floor lamp with trailing vines and leaves and single frosted glass bowl with leaf pattern.

A single black wood standing torchiere with an oval woven shade.

Single Torchere in maple with a scalloped glass shade

Opalescent glass acid-etched with butterflies. Overlaid and carved with flowering stems. Engraved daum Nancy France with the cross of Lorraine.

Floor lamp Jugendstil, Art Nouveau, Liberty Materials: Iron and Art Glass You want to live in the golden years, those are the floor lamps that your project needs. We have specialize...

Monumental rare Art Deco table lamp. Muller Freres Luneville, France, circa 1920s attributed to Edgar Brandt Bubbles decorations on pink glass. Hand decorated iron. Importan...

Set of four iron and glass floor lamps signed Müller Frères Luneville. Art Deco period, France, circa 1930. Each glass signed Müller Frères Luneville.

French Art Deco Polychromed Floor Lamp with Muller Frères Cameo Glass Shade France, circa 1930s This French Art Deco floor lamp from the 1930s is a rare and unique example of ligh...

Brisé Floor Lamp by ROCHE & FRÈRES Limited Edition Of 8 Pieces + 4 A.P. Dimensions: Ø 36 x H 200 cm. Materials: lyocell and mirror polished and brushed stainless steel. Weight: 6 kg....

Art deco hanging lamp, circa 1920. Wrought iron frame. Decorated with ginkgo biloba leaves of very good workmanship. Basin in speckled glass paste. Signed on the bowl Muller Frères Luneville. Electrified and in perfect condition. Total height : 85 cm Total diameter : 54 cm Diameter of the bowl : 34 cm Weight : 8 kg Possible to reduce the height to adapt to the ceiling. You can contact me for more information and for the delivery costs. he Muller brothers, founders of the Muller Frères glassworks in Luneville, are French art glassmakers of the Art Nouveau and Art Deco periods. The family includes nine brothers and one sister. They were all trained in the art of glassmaking. The best known are Eugène Muller (1883-1914), Désiré Muller (1877-1952) and Henri Muller (1868-1936). Although several works state that the Muller brothers, originally from Kalhausen (Moselle), settled in Lunéville in 1870, recent research has established that the older brothers of this family left the Moselle for Nancy for a very specific purpose: they were recruited in 1894 by Emile Gallé. Indeed, the master glassmaker from Nancy changed his manufacturing strategy and broke his commercial ties with the Meisenthal glassworks in 1894. That same year, Emile Gallé had his own glass furnaces built in Nancy and recruited workers: the older brothers of the Muller family, Emile, Henri and Désiré, were hired by Emile Gallé as clerks or engravers-decorators on glass. The older brothers of the Muller family had been trained in glassmaking at the Saint Louis crystal factory and at the Meisenthal glassworks alongside Désiré Christian. But in 1897, Henri Muller left Emile Gallé, perhaps taking with him some of his manufacturing secrets. He started a partnership with the Croismare glassworks. His production is in direct competition with those of Emile Gallé and the Daum factory. At that time, the glasses are blown in Croismare, in the glass factory called Hinzelin gobeleterie. A second glass factory was established in Lunéville itself in 1910. Both factories specialize in art glass. Numerous pieces were produced, of good technical quality and very similar to those produced in the Gallé factory in Nancy: vases, lamps and trinkets typically Art Nouveau. The production is most often in multi-layered glass, cut with a wheel or engraved with hydrofluoric acid with naturalistic representations. The most beautiful pieces are finished by fire polishing to give them a beautiful shine. From 1905 to 1908, Désiré and Eugène Muller were recruited by Léon Ledru, director of the decoration workshop of the Val-Saint-Lambert crystal works in Seraing, Belgium. Their work consisted of creating a series of decorative glassware in the Art Nouveau and Ecole de Nancy style. After the First World War, the Muller company became prosperous and the factory employed up to three hundred people. Production then evolved towards the Art Deco style, creating in the 1920s many ceiling lights in marmorated glass (glass of several colors, pigments being incorporated) or pieces of molded glass, the mounts being in brass, bronze or wrought iron. Toilet brushes...