Mun Floor Lamp 170 (High)

As its name suggests, Everyday is inspired by the quotidian objects in our lives. It is reminiscent of the reading light next to our beds in our childhood homes, or the lamp above th...

As its name suggests, Everyday is inspired by the quotidian objects in our lives. It is reminiscent of the reading light next to our beds in our childhood homes, or the lamp above th...

This solid wood and grained leather bar chair is built to last and is often used in hospitality projects but would fit just as well in someones home...

Modernity reigns in the Taylor Collection. Beginning with a sleekly profiled wood frame that cradles sporty upholstery on the seat and back, this chameleon-like chair effortlessly...

Following the Utility series, Industry is a collection that is both easy to use and utilitarian in essence. Designed with simple and modern lines, it is clean and industrial in s...

Freja is a collection of stools and benches that comes out of a wish to create sculptural furniture with the soothing visual appeal of Scandinavian furniture-making traditions and a ...

Floor lamp bamboos high with black bamboo, with solid painted brass rod with opal glass shade. Wiring 14W bulb, 220Volt and switch included, lamp holder type E27, bulb not include...

Floor lamp stand Art High with solid ash wood pole on metal base in bronze finish. With frosted white spherical shade diffuser in glass. With 1 bulb, lamp ...

Floor lamp model “Totem” Manufactured by Sabine Marcelis Produced in exclusive for SIDE GALLERY Rotterdam, The Netherlands 2021 Resin, Neon (+transformer) Measurements 18 cm x 17 cm x 170h cm 7,08 in x 6,69 in x 66,92h in Edition Limited edition of 12 + 2AP Since graduating, she has been operating Studio Sabine Marcelis, working within the fields of product, installation and spatial design with a strong focus on materiality. Her work is characterized by pure forms and natural elements such as the reflections of light and water, which she believes highlight material properties. Growing up in New Zealand Sabine was surrounded by dramatic landscapes, always sensitive to the light of the sky, the ocean and the snow on the mountains, the artist was inspired by the communication of the natural elements. Her work captures these beautiful moments in nature on a smaller scale, as objects or installations. Over the last decade, the award-winning designer has become known for her work with resin and glass. Her receptiveness for these two materials is due to their manipulability; sharp angular shapes as well as spineless curves can be protracted giving the artist endless scope for form. Moreover, the translucency of the both materials can be adjusted from sheer transparency to milky or solid opaque finishes. Working in collaboration with industry specialists, Marcelis intervenes in the manufacturing processes using material research and experimentation to achieve new and surprising visual effects, applying a strong aesthetic point of you to the material development processes. The series Candy Cubes is an example of the designer’s complex material investigation; a polyester resin mold is used to cast the piece, followed by an intensive polishing process. The cast resin is light sensitive, as sun rays shine down onto the solid blocks, the light illuminates the edges, sugar coating the sides, making the aptly named “marshmallow” colored candy cube appear edible. As well as playing with natural light, Marcelis also experiments with artificial lighting in her work. The introduction of neon light to her material combinations expresses the relationship between light, color and transparency in a more constant context. In 2015 Marcelis produced the series Dawn Light whereby the introduction of a white neon tube to a series of different geometric resin objects was used to reflect a unique moment in nature; when the sun, clouds and sky all join together, creating a momentary riot of hues. The series was on show at the Museum Boijmans Van Beuningen in Holland. Since then Marcelis has continued to work with neon and resin developing complex colour recipes and finishes, resulting in her Totem Series commissioned and sold exclusively by Side Gallery in 2019. The collection is composed of four different sized lighting elements, two table and two standing lamps. The Totems are built with several stacked translucent resin volumes which are slightly rotated on a central axis. The carved-out void where the neon light is inserted allows for a multifaceted play between the twisted planes of polished resin and light reflections. Every angle of the lights is a unique visual experience. As well as designing object pieces, the Dutch designer has a series of impressive installation projects associated with her profile including, the Aesop Vedovelle Fountain, the Dutch Pavilion at Cannes Film festival 2017, a Light installation at Biennale Interieur 2018, The Solo Sun Dial project 2018, Burberry x OC in 2018 and De/Coding ‘Alcantara in the tapestry Rooms’ in 2019. Perhaps her most famous installation was her Shapes of Water or Fendi Fountains installation, first exhibited at Design Miami 2018. The ten water sculptures designed from cast resin were a continuation of Marcelis experience and experimentation in material practices, projecting her own vision her elegant avant-garde creativity corresponded directly with the Fendi philosophy. The designers most prestigious exhibition yet, was her museum show “NO FEAR OF GLASS” in December 2019. The intervention commissioned by Side Gallery in collaboration with the Mies Van de Rohe Foundation, consisted of five original works by the Dutch designer, meticulously placed within the Pavilion. The five pieces were designed to extrude from the architecture itself; two large chaise lounges...

Attributed to Josef Frank. Brass and silk shade. Measures: High adjustable 110cm - 172cm.

2 switches for up and down light can be used separately. Amazing gilded bronze base. Can be adjusted from 153cm - 203cm !

The Gravity XL Floor Lamp, designed by Space Copenhagen, is aesthetically contrasting strength and fragility. Taking its name from the lamp’s distinctive balance between the anchorin...