Vintage Molded White Plexiglass Lamp Designed by Neal Small, Circa 1965

Vintage Bulbous Greige Pietra Decor Series Textured Terracotta Lamp by Bitossi for Raymor, Circa 1950s. Bulbous bottle formed from textured terracotta mounted on a patinated steel cy...

Vintage Mid-Century White Metal Desk Lamp by Bill Scarlett for Swivelier, Circa 1950s/60s. White metal body with brushed nickel details. Plastic disc shade diffuser and press button ...

Vintage Black Glazed Ceramic Abstracted Cubist Bust Lamp Attributed to Yasha Heifetz, Circa 1950s. Abstract human torso posed in a twisted motion mounted on a rectangular self plinth...

Vintage Louvered Metal Lantern Lamp Attributed to Gerald Thurston for Lightolier, Circa 1960s. Cylindrical body with louvered aluminum fins alternating between gold-tone and cream, a...

Rare Vintage Jane + Gordon Martz for Marshall Studios Incised Stoneware Lamp 141/35/122, Circa 1960s/70s. A rare iteration from Jane and Gordon ...

Vintage Large Scale Ceramic Kifwebe-Inspired Mask Lamp on Mahogany Base, Circa 1950s. A gorgeous interpretation of a Congolese Kifwebe mask rendered in off-white stoneware with incised surface detailing in shades of tan and brown. Mounted on a solid mahogany base. We believe this piece to have inspired by an actual carved wood Kifwebe mask in the collection of the MET. Possibly produced by Heifetz, but likely a one-of-a-kind off piece. SOLD WITHOUT LAMPSHADE. “The striations on both male and female masks, which are a unique stylistic trait of all Songye masks, are derived from the markings and patterns of wild and dangerous animals, such as the zebra or striped antelope, crocodile, lion, porcupine, and snake. Bifwebe (Male masks) may be painted black, white, and red. The colors of black and white, however, refer to gender. Female masks are predominantly white, if they are painted at all.” - Dallas Museum of Art “Kifwebe masks played a central role in Songye society enacting control over the social order, and participating in crucial activities such as initiations. This face mask only formed part of a costume ensemble that also included a hood, shirt, and pants made of woven bark, completed by diverse implements in animal skins, furs, and feathers. Like most masks in Western collections, this example was separated from the rest of the costume following its collection from Africa. Once removed from its original context, it no longer formed part of a kinetic and multisensory environment but was admired as a static object of strong graphic qualities, particularly its contrasting white and black striations, stylized features, and overall sense of balance.” - Metropolitan Museum of Art, New York Condition: Excellent vintage condition. One tiny chip on the forehead ridge (barely noticeable and as detailed in photos...

Fantastic Area lamp in an unusual red model attributed to the nicknamed Prince of Plastic by the New York Times, Neal Small. Who spearheaded the design in the late 1960s thanks to hi...

Flower Design White Plexiglass Wonderful Pair of Table Lamps, 1970s, Italy Lampshade is in very good vintage condition. It has European plug. It can be converted to other countries...

These sculptural pair of vintage Neal small chrome-plated vintage floor lamps rest on a white resin base. The slat on the top allows light to come through. It has a halogen bulb. It is an inverted L form. Unusual pair of lamps...

Exceptional light object named 'Fifty Fifty’ in very good condition. The lamp can be used as a table lamp, floor lamp and sconce. Designed by Paul Talman...

Koch Lowey Arco style chrome and marble table lamp. Neal Small design that swivels and adjusts.

"Prince of Plastic" Neal Small for Nessen Miri Mushroom Chrome and Cream Lucite Lamp. Featuring a dome framework in bent chromed steel with smooth circular bent base, warm White acry...