Mnemosyne - Bill Henson - 1st Edition, Scalo, 2005

First edition, published by Rodney Phillips & Co, 1949. A very important book of Picasso's sculptures beautifully photographed by the renowned French photographer Brassaï, a close f...

First Edition, published by Concordia Publishing House, St Louis & London 1969. An important and appreciative visual study of Christian artists across Africa, Asia and with several ...

Published by Les Editions de L’Amateur 1997 preface by Karl Lagerfeld French text. Beautiful images of the Villa Kerylos in the South of France ...

First edition, published by Batsford, 1960. Braissais's mesmeric photographs captures the everyday essence of Paris lead by John Russelli's elegant and erudite tour of the city, i...

First edition, published by Rizzoli, 1984 ‘Research, Experiences, Result, Failures and Successes of New Design’ Founded in 1981 by designer Ettore Sottsass, the Italy-based Mem...

Patrick Hamilton -The Slaves of Solitude Published by Constable, London 1947. First edition. Hamilton, cult author of Hangover Square and denizen of seedy pre-war literary Lond...

Mallett Catalog 2005. 1st Ed softcover catalog illustrated in color with all the objects fully described. Typical Mallett catalog showcasing important furniture, porcelain etc. Alway...

Clive Barker - Visions of Heaven and Hell, 2005 Rizzoli International Publications - 1st Trade Edition. Hardcover black cloth book with red and gilt lettering / tipped in illustratri...

A sublime collector’s item for classic rock fans – a vintage 1st edition concert poster from 1978 featuring two iconic headliners, Grateful Dead and Blues Brothers. Poster was printe...

A sought-after collector’s item for classic rock fans – a vintage 1st edition concert poster from 1968 featuring two iconic headliners, The Who and Grateful Dead. Poster was printed on mat uncoated stock and it measures 21 15/16" x 28 5/16". Published before the concert in 1968. Featured venue is the Fillmore West (San Francisco, CA). Produced by Bill Graham (BG133-PO). The poster advertised four consecutive Fillmore West mid-week and weekend concerts in August 1968. Featured performers: The Who, James...

Willard Metcalf, Yankee Impressionist. New York: Spanierman Gallery, LLC, 2003. 1st Ed hardcover with no dust jacket as issued. 151 pp. Exhibition catalogue on the work of Willard Me...

Van Gogh a Retrospective 1986 1st edition. Large beautiful heavy hardcover coffee table book. New York: Hugh Lauter Levin Associates, 1986. First Edition; First Printing. Hardcover. Very Good in a Very Good dust jacket. Dimensions:13.50 X 10.5 X 1.50 inches. * Publisher ‏ : ‎ Hugh Lauter Levin Associates; First edition. (January 1, 1986) * Language ‏ : ‎ English * Hardcover ‏ : ‎ 385 pages Synopsis: This is a very useful book. If you are interested only in the reproductions (good drawings as well as paintings), you will enjoy their high quality--and the breadth of Vincent's work that they cover. If you are interested in primary resources about van Gogh's life--newspaper articles; letters and reminiscences from friends, fellow artists, relatives--this volume is a real treasure. Between the excellent reproductions and the extraordinarily fine collection of biographical materials, this must be the best one-volume source on van Gogh. By the time he died in 1890 at the age of thirty-seven Vincent van Gogh had painted hundreds of pictures, yet sold only a few. Today his paintings sell for millions of dollars each, and his life as an artist is legendary. He is the quintessential modern artist, operating on the edge of his sensibilities, where life and art are inextricably bound together. Van Gogh : a retrospective tells the story of the great Dutch artist as a single volume has never told it before, illuminating his work with a fascination selection of primary texts, including some of Van Gogh's letters. In 125 superb color reproductions and 103 black-and-white illustrations, the struggles and triumphs of Van Gogh's art are surveyed from the early dark landscapes and paintings of Dutch and Belgian laborers to the bright, intense visions of Paris, Arles, Saint Remy, and Auvers, where he took his life. Complementing the works are pertinent photographs from the period and portraits of the artist by Toulouse-Lautrec, Emile Bernard, Paul Gauguin, and others. Vincent Willem van Gogh was a Dutch Post-Impressionist painter who posthumously became one of the most famous and influential figures in Western art history. In a decade, he created about 2,100 artworks, including around 860 oil paintings, most of which date from the last two years of his life. From Publishers Weekly "He did not paint his pictures; it was like he exhaled them in a gasping, boiling breath," one German critic aptly wrote of Van Gogh. Reminiscences of the artist by friends and passing acquaintances, letters from his brother Theo and appreciations by critics and artists make up the text of this handsomely packaged potpourri. For Margritte, the blind force of Van Gogh's obsessions made the tortured artist an unfree man. To Kokoschka, the tension in the painter's famous sunflowers and undulating cypresses speak of the fragility of an easygoing lifestyle in a mechanized age. Each artist seems to confront his or her own concerns when analyzing Van Gogh. Jean Renoir, Francoise Gilot, Gauguin and Klee are among the commentators. One hundred twenty-five superior color reproductions and 103 halftones remind us that Van Gogh could do a very formal Still Life with Coffeepot, a street scene ablaze with fauve-like color or the solemn, biblical Raising of Lazarus...