Engraving of Tienen in the province of Flemish Brabant, in Flanders, Belgium

Untitled map of the region of Flanders, Belgium. This map originates from 'Nieuw en beknopt Kaart-Boekje vertoonende de XVII. Nederlandse Provintien (..)'. Artists and Engravers: A...

Antique map titled 'Quarta pars Brabantiae cujus Sylvaducis Willebordus vanderBurgt desrib'. Highly detailed original antique map of the province of Noord-Brabant, the Netherlands. It shows the cities of 's-Hertogenbosch, Eindhoven and surroundings. Includes a decorative cartouche, 6 coats of arms, topped by winged cherubs and two larger coats of arms...

Antique map titled 'Comitatus Flandria'. Original antique map of Flanders, Belgium. This map originates from 'Vyerige Colom verthonende de 17 Nederlandsche Provintien' published 1630...

Antique map titled 'Fiandra Parte Occidentale (..)'. Depicts northern part of Flanders, from North Sea, extends through the northern region of France to the cities of Douai and V...

Antique print titled 'La récréation Flamande'. Original antique print of people playing games in Flanders, Belgium. Published 1774. Artists and En...

Antique map titled 'Kaart van Zuid Braband (..).' Uncommon map showing the province of Zuid-Brabant in Belgium. Source unknown, to be determined. Artists and Engravers: Daniel Vee...

"Antique hand colored map of Flanders, Belgium, circa 1630, engraved by Henricus Hondius. “Henricus Hondius II (1597 – 16 August 1651) was a Dutch eng...

A fine antique of the colony of Pennsylvania. Noted at the top of the sheet as a 'Map of the province of Pensilvania'. This undated and anonymous map is thought to be from the Gentleman's Magazine, London, circa 1775, although the general appearance could date it to the 1760's. The southern boundary reflects the Mason-Dixon survey (1768), the western boundary is placed just west of Pittsburgh, and the northern boundary is not marked. The map has a number of reference points that likely refer to companion text and appear to be connected to boundaries. The western and southern boundaries are marked Q, R, S, for example. A diagonal line runs from the Susquehanna R to the Lake Erie P. A broken line marked by many letters A, B, N, O, etc., appears in the east. There are no latitude or longitude markings, blank verso. Framed in a shaped contemporary gilt wooden frame and matted under a cream colored matte. Bearing an old Graham Arader Gallery...

This original wood engraving is titled “The Restaurant of the House of Representatives, Washington, DC.” It was published as a double-page image, in the August 12, 1893 issue of the famous 19th century newspaper Harper’s Weekly. The print was illustrated by Charles Stanley Reinhardt. The House Restaurant, a unique part of life in the Capitol, has been in the same location since the 1857 Capitol Expansion. Congressional members’ busy work schedule made the availability of food on site a necessity. But the restaurant also served as an informal meeting spot for members to continue conversations and deal making. This 1893 print illustrates the convivial atmosphere. Details including elegantly dressed tables...

Presented here is an 1876 engraving of John B. Bachelder and James Walker’s Gettysburg. The Repulse of Longstreet’s Assault. The engraved scene depicts the decisive battle on the final day of the Battle of Gettysburg. Researched by the photographer and topographer John B. Bachelder and painted by James Walker, the original painting was created in 1870. This detailed engraving was done by H. B. Hall Jr. and published by James Drummond Ball. Otherwise called Pickett’s Charge, the battle occurred on July 3, 1863. Pickett’s corp commander, Lieutenant General James Longstreet was placed in charge of the attack despite his hesitations. Longstreet’s central role led to the title of the work, Repulse of Longstreet’s Assault. In an attempt to gain control of an important supply route, nine Confederate brigades charged across three-quarters of a mile of open ground against cannon fire to take Cemetery Ridge from the defending Union Army. Despite their overwhelming numbers, the Confederate forces were repelled with considerable casualties marking not only a decisive victory for the Union, but also the beginning of the slow defeat of Lee’s Army. The furthest the charging forces advanced before being repulsed would forever be known as the “High Water Mark of the Confederacy.” The Confederate army never recovered from the losses at Gettysburg and it effectively ended Lee’s campaign into Pennsylvania. The engraving gives the perspective from the Union rear, one that encompasses most of the battlefield, from Big Round Top on the left to the northern reaches of Cemetery Ridge on the right. The Confederate lines at Seminary Ridge are in the far distance, partially obscured by bursting shells. The image centers on the main Confederate assault, in the vicinity of what today are known as "The Copse" and "The Bloody Angle." The composition has elemen...

By John Pine considered the foremost heraldic and decorative engraver of his generation. Depicting the defeat of the Spanish by the English Fleet in 1588. These are after a set of tapestries that hung in the House of Commons...

An original 17th century map entitled "Leodiensis Episcopatus in omnes Subjacentes Provincias distincté divisusVisscher, Leodiensis Episcopatus" by Nicolaes Visscher II, published in Amsterdam in 1688. The map is centered on Liege, Belgium, includes the area between Antwerp, Turnhout, Roermond, Cologne, Trier and Dinant. This attractive map is presented in a cream-colored mat measuring 30" wide x 27.5" high. There is a central fold, as issued. There is minimal spotting in the upper margin and a tiny spot in the right lower margin, which are under the mat. The map is otherwise in excellent condition. The Visscher family were one of the great cartographic families of the 17th century. Begun by Claes Jansz Visscher...