59 Pieces of Glassware and a Copper Stove from a Scientific Laboratory in Milan

An early 19th-century transparent blown glass laboratory retort used for distillation, it has an ovoid body and long downward-bent neck that gradually narrows toward the mouth. Very...

Crystal and chromed metal glass for travel or hunting, early 1900s, with leather case. Nightcap, the last drink before farewell. Good condition. Case size: 25.5 cm, diameter 5 cm. S...

Transparent blown glass laboratory retort from the early 19th century, used for distillation, has a spherical body and long neck in the center. Very Good Condition. Measures length ...

An early 19th-century transparent blown glass laboratory retort used for distillation, it has a pyriform body and long neck bent downward that gradually narrows toward the mouth. Bo...

Taxus baccata, enlarged and removable didactic model of the yew seed, tree very used as hedge, belonging to the order of the conifers. German manufacture of the twenties made of papi...

Boatswain's whistle made of brass and copper English manufacture of the 1920s, on the sides anchor. Length 13.x2.5x1.8 cm - inches 5.3x0.8x0.7. Good condition. This type of whistle i...

“Semainier” refers to a French piece of furniture with seven drawers (Fr. Semaine = week). It is part of the Louise Collection designed by renowned designer Paul Mathieu. A remarkabl...

The Mini Aid Wellness Cabinet from SoShiro’s Ainu collection, a collaboration between award-winning artist Toru Kaizawa and Shiro Muchiri, was initially imagined as a large-scale med...

This elegant and wood, metal, and copper cabinet adorned with blackened copper low-relief motifs is created with expert construction by the design duo Rooms Studio from Tbilisi, Georgia. Each door of the handmade black metal cabinet features a striking hand-carved relief showcasing traditional Georgian and Soviet iconography with a beautiful patina, making the blackened metallic and copper cabinet an exquisite piece for any home. The interior behind the unique doors of each of the 9 compartments is finished in a cheerful salmon color, in contrast to the dark exterior. About the Design Studio: Works of Rooms Studio refer to the sculptural forms and abundant materials in juxtaposition with the feminine instincts. Born and raised in Tbilisi, Georgia, the duo behind the Rooms, Nata Janberidze and Keti Toloraia, lean towards preserving the inherited craftsmanship techniques unique to the region. Massive wood and stone objects are handcrafted using traditional techniques to create raw and symbolic forms often rooted in the designers' childhood memories. Growing up in a culturally diverse environment, where the two worlds - Western and Eastern collide, remarkably influenced their design language. Over the years, Rooms has created eight independent collections and collaborations equally memorable and representative of the duo's perpetual mission to bring life to omitted elements of a former life. Through their series of works, Janberidze and Toloraia try to examine the boundaries between the public and private. Experiencing adolescent years in the 90s - a significant decade of cultural and societal shifts - their work is a narrative of personal experiences of womanhood. By contrasting the new feminine monumental shapes with architectural brutality, Rooms challenges the status quo and also bridges the conventional and contemporary design with a confluence of female energy. The work of Rooms Studio has concerned itself with questions of nomenclature since the Tbilisi-based design atelier was co-founded by Nata Janberidze and Keti Toloraia in 2007. Take, for instance, the studio’s name: in adopting the basic unit of interior space as the title of their practice, Janberidze and Toloraia also emphasized the emotional force of interiority and inner life in determining their creative output. The studio’s largest U.S. exhibition to date, Distant Symphony expands upon this impulse to focus inward. The title is again a chief concern—some of the objects included here were designed during the global pandemic, under a regime of forced isolation that made the studio’s typically collective work process untenable. The pieces shown here are the results of Rooms’ search for a way forward. The first room, an antechamber of sorts, evokes the intimate quality of a private home. Shown here are trinkets and personal effects chosen by Janberidze and Toloraia for their emotive qualities; a low background noise emphasizes the climate of urban domesticity. The ensuing gallery space features highlights of Rooms’ recent design output. Here, the subtle scent of organic materials provides a sensory indication of the atelier’s interest in dichotomies: natural and man-made, personal and collective, local and cosmopolitan.   In light of the global circumstances, Janberidze and Toloraia felt it was especially important to pursue collaborative work. Rooms invited three artists—Shotiko Aptsiauri, Salome Chigalashvili and Mariana Chkonia—to conduct a dialogue and shared design process. As such, this exhibition is a kind of polyphonic meditation on a need for solitude and desire for companionship. The practice of polyphonic singing, essential to Georgian folk culture, is reinterpreted here as a design endeavor. Chigilashvili, working with unprocessed yarn, interpreted folk motifs by adapting embroidery to the scale of furniture with expansive stitches applied to painted boards...

“Semainier” refers to a French piece of furniture with seven drawers (Fr. Semaine = week). It is part of the Louise Collection designed by renowned designer Paul Mathieu. A remarkabl...

“Semainier” refers to a French piece of furniture with seven drawers (Fr. Semaine = week). It is part of the Louise Collection designed by renowned designer Paul Mathieu. A remarkabl...

A large bank of drawers in rustic pine. Imposing and charming at the same time. The drawers are hand wrought and have mismatched knobs. The origi...