Sculptural Cast Iron Incense Burner with Low Relief Decorative Motifs

This is a sculptural chair of cast iron that serves as statement anywhere in the home, or as a functional outdoor sculpture. Listed price is for piece as shown, which is not in an ou...

Earthy and grounded cast iron chair with striking Kintsugi-inspired bronze "vein" detail by Chen Chen and Kai Williams. This leathered cast iron and bronze chair...

Fantastical and surrealistic floor lamp that stands on two legs, entitled 'Bionic Knees for Atlas' by American artist Ryan Decker. This preternatural piece comes from a virtual worl...

Capturing the visual functionality of iron work from the industrial revolution period (where bolts are used to physically hold iron parts together, but also as a form of industrial d...

This elegant and wood, metal, and copper cabinet adorned with blackened copper low-relief motifs is created with expert construction by the design duo Rooms Studio from Tbilisi, Georgia. Each door of the handmade black metal cabinet features a striking hand-carved relief showcasing traditional Georgian and Soviet iconography with a beautiful patina, making the blackened metallic and copper cabinet an exquisite piece for any home. The interior behind the unique doors of each of the 9 compartments is finished in a cheerful salmon color, in contrast to the dark exterior. About the Design Studio: Works of Rooms Studio refer to the sculptural forms and abundant materials in juxtaposition with the feminine instincts. Born and raised in Tbilisi, Georgia, the duo behind the Rooms, Nata Janberidze and Keti Toloraia, lean towards preserving the inherited craftsmanship techniques unique to the region. Massive wood and stone objects are handcrafted using traditional techniques to create raw and symbolic forms often rooted in the designers' childhood memories. Growing up in a culturally diverse environment, where the two worlds - Western and Eastern collide, remarkably influenced their design language. Over the years, Rooms has created eight independent collections and collaborations equally memorable and representative of the duo's perpetual mission to bring life to omitted elements of a former life. Through their series of works, Janberidze and Toloraia try to examine the boundaries between the public and private. Experiencing adolescent years in the 90s - a significant decade of cultural and societal shifts - their work is a narrative of personal experiences of womanhood. By contrasting the new feminine monumental shapes with architectural brutality, Rooms challenges the status quo and also bridges the conventional and contemporary design with a confluence of female energy. The work of Rooms Studio has concerned itself with questions of nomenclature since the Tbilisi-based design atelier was co-founded by Nata Janberidze and Keti Toloraia in 2007. Take, for instance, the studio’s name: in adopting the basic unit of interior space as the title of their practice, Janberidze and Toloraia also emphasized the emotional force of interiority and inner life in determining their creative output. The studio’s largest U.S. exhibition to date, Distant Symphony expands upon this impulse to focus inward. The title is again a chief concern—some of the objects included here were designed during the global pandemic, under a regime of forced isolation that made the studio’s typically collective work process untenable. The pieces shown here are the results of Rooms’ search for a way forward. The first room, an antechamber of sorts, evokes the intimate quality of a private home. Shown here are trinkets and personal effects chosen by Janberidze and Toloraia for their emotive qualities; a low background noise emphasizes the climate of urban domesticity. The ensuing gallery space features highlights of Rooms’ recent design output. Here, the subtle scent of organic materials provides a sensory indication of the atelier’s interest in dichotomies: natural and man-made, personal and collective, local and cosmopolitan.   In light of the global circumstances, Janberidze and Toloraia felt it was especially important to pursue collaborative work. Rooms invited three artists—Shotiko Aptsiauri, Salome Chigalashvili and Mariana Chkonia—to conduct a dialogue and shared design process. As such, this exhibition is a kind of polyphonic meditation on a need for solitude and desire for companionship. The practice of polyphonic singing, essential to Georgian folk culture, is reinterpreted here as a design endeavor. Chigilashvili, working with unprocessed yarn, interpreted folk motifs by adapting embroidery to the scale of furniture with expansive stitches applied to painted boards...

This elegantly sculptural slip-cast stoneware vessel by San Francisco-based ceramicist Dana Harel is inspired by natural pools and water wells. The hand-carved, unglazed exterior com...

Wonderful large cast iron Japanese vessel to be used as an incense burner or a heavy ashtray, perfect for outside.  The vessel's design consists of a ...

Antique print titled 'Egiptisch Wierookvat (..)'. Old print depicting an Egyptian incense burner and various other Egyptian objects. Originates...

1950s continental incense burner in brass. The plain design testifies that it has been in use. Age consistent ware and patina are present to both the burner and pendulum chain.

Censer. Bronze. XIX century. Bronze censer with circular base and cup shape with lid of elaborate lines and simple openwork elements inspired by antique pieces. It has metallic chai...

Elegant late 19th-early 20th century cast iron cannon from England. We can find the inscription RM1 on its side very decorative canon side that can ...

- Quirky bronze Chinese temple incense burner - In the shape of a dragon turtle creature out of which sprouts the cranes - Good size at over three feet tall - 96 cm - Would have p...