Harry Wood & Iron Coat Hanger, Designed by Carlesi Tonelli, Made in Italy

Table with a solid wood top with glued slats, characterized by a thin thickness thanks to the bevelled and rounded edges, which give it a light and sinuous design, and paired with wi...

Table with a solid wood top with glued slats, with rounded corners, characterized by two legs, each composed of two volumes with soft contours, one in iron and the other in wood, mee...

Table with a solid wood top with glued slats, with rounded corners, characterized by its legs, born from the union of iron and wood and created to look different depending on which a...

Scroll down and click "view all from Seller" to see more than 400 other unique products. (1.8) This Bar stool is characterized by curves and harmonious lines which create a contempo...

Scroll down and click "view all from Seller" to see more than 400 other unique products. The "Path" chair is characterized by curves and harmonious lines which create a contemporary...

Coat hanger made entirely of solid wood, it takes inspiration from the oars of Venice gondolas, which are dynamically joined in the center through a cross support also in solid wood....

A pair of black-painted iron coat hangers designed and produced in Milan, Italy, 1930s.

Freestanding coat hanger of dark lacquered wood and chromed metal knobs. Made in Italy in the 1970s.

A pair of wood and brass coat hangers, designed and produced by an Italian designer, Italy, 1940s.

Chrome and wood hanger from Italy, produced in the 1970's. Good vintage condition with some signs of use, see photo.

A Space Age design with the coat hanger by Studio BBPR. Graduates of the Milan Polytechnic, the four designers in their early work followed the themes of Italian Rationalism of the 1930s, although they were not an integral part of the main 'Group 7' Movement and MIAR, they collaborated on some projects with Figini and Pollini; these compositional canons can be clearly read in an exemplary building such as the colonia elioterapica in Legnano (1938), where they also realised popular housing units, the so-called Le Grazie working-class neighbourhood (1940-1942). They distinguished themselves for various town-planning schemes, the Pavia Master Plan (1932), the Tourism Plan for the Island of Elba (1939), and above all for the most important and far-reaching, the Valle d'Aosta Master Plan (1936-1937). During this period they took an active part in the controversy that arose between rationalists and traditionalists and at first, like others, felt they could support the clash for freedom of expression and the triumph of modern architecture within fascism, but after the introduction of the racial laws of 1938 that also affected one of their collaborators, the BBPR architects...

Wall coat hanger from the 1950s.