Wood Living Room Sets

Mid-Century Modern Italian three-seat flamingo pink velvet "Coronado" sofa by Tobia Scarpa for B&B. Project from 1960s The sofa can come as a living room set together with its pair ...

Mario Marenco dining room set, Postmodern, beech, tan leather, Italy, 1970s Impressive and tall chairs made in solid beech. Rectangular table with asymmetrical lines, also in sol...

Beautiful Napoleon III period living room in blackened wood garnished with a velvet decorated with bouquets of flowers, including a bench and two armchairs. The very original movemen...

Rare dining set designed by J.J.P. Oud and manufactured by Kollektor Perpetuel Den Haag, Holland 1979. This set was originally designed for eissenhof Siedlung Stuttgart in 1927. This...

Incredible Mid-Century Modern sculptural garden seating group from Italy 1970s. This set can transform any outdoor or indoor space into a surreal lounge. The set consists of a two seater lounge...

We are delighted to offer for sale this stunning very rare handmade in England fully restored Bordeaux leather Gentleman's club suite with hand turned legs ...

Grands fauteuils by Olivier de Schrijver (born in 1958) in teak. Model Zen with teak wavy headband, comfortable armrests and base, curved seats, Belgium, 2020.

Cornaro two-seater sofa, designed by Carlo Scarpa and manufactured by Studio Simon in 1974. Made of Iroko wood, foam, and azure chenille velvet. Excellent vintage condition. Born in Venice on June 2nd, 1906, Carlo Scarpa began working very early. Only a year after he had first qualified as an architect in 1926, he began working for the Murano glassmakers Cappellin & Co. in a consultative capacity; from 1927, he began to experiment with the Murano glass, and this research not only gave him excellent results here but would also inform his progress for many years to come. Between 1935 and 1937, as he entered his thirties, Carlo Scarpa accepted his first important commission, the renovation of Venice’s Cà Foscari. He adapted the spaces of this stately University building which stands on the banks of the Grand Canal, creating rooms for the Dean’s offices and a new hall for academic ceremonies; Mario Sironi and Mario De Luigi were charged with doing the restoration work on the frescos. After 1945, Carlo Scarpa was constantly busy with new commissions, including various furnishings and designs for the renovation of Venice’s Hotel Bauer and designing a tall building in Padua and a residential area in Feltre, all worth mentioning. One of his key works, despite its relatively modest diminished proportions, was the first of many works which were to follow in the nineteen fifties: the [bookshop known as the] Padiglione del Libro, which stands in Venice’s Giardini di Castello and shows clearly Scarpa’s passion for the works of Frank Lloyd Wright. In the years which were to follow, after he had met the American architect, Scarpa repeated similar experiments on other occasions, as can be seen, in particular, in the sketches he drew up in 1953 for villa Zoppas in Conegliano, which show some of his most promising work. However, this work unfortunately never came to fruition. Carlo Scarpa later created three museum layouts to prove pivotal in how twentieth-century museums were set up from then on. Between 1955 and 1957, he completed extension work on Treviso’s Gipsoteca Canoviana [the museum that houses Canova’s sculptures] in Possagno, taking a similar experimental approach to the one he used for the Venezuelan Pavilion at [Venice’s] Giardini di Castello which he was building at the same time (1954-56). In Possagno Carlo Scarpa was to create one of his most incredible ever works, which inevitably bears comparison with two other museum layouts that he was working on over the same period, those of the Galleria Nazionale di Sicilia, housed in the Palazzo Abatellis in Palermo (1953-55) and at the Castelvecchio in Verona (1957- 1974), all of which were highly acclaimed, adding to his growing fame. Two other buildings, which are beautifully arranged in spatial terms, can be added to this long list of key works that were started and, in some cases, even completed during the nineteen fifties. After winning the Olivetti Award for architecture in 1956, Scarpa began work in Venice’s Piazza San Marco on an area destined to house products made by the Industrial manufacturers Ivrea. Over the same period (1959-1963), he also worked on renovating and restoring the gardens and ground floor of the Fondazione Querini Stampalia in Venice, which many consider one of his greatest works. While he worked on-site at the Fondazione Querini Stampalia, Carlo Scarpa also began building a villa in Udine for the Veritti family. To shed some light on how much his work evolved over the years, it may be useful to compare this work with that of his very last building, villa Ottolenghi Bardolino, which was near completion at the time of his sudden death in 1978. Upon completion of villa Veritti over the next ten years, without ever letting up on his work on renovation and layouts, Scarpa accepted some highly challenging commissions which were to make the most of his formal skills, working on the Carlo Felice Theatre in Genoa as well as another theatre in Vicenza. Towards the end of this decade, in 1969, Rina Brion commissioned Carlo Scarpa to build the Brion Mausoleum in San Vito d’Altivole (Treviso), a piece he continued to work on right up until the moment of his death. Nevertheless, even though he was totally absorbed by work on this mausoleum, plenty of other episodes can offer some insight into the final years of his career. As work on the San Vito d’Altivole Mausoleum began to lessen in 1973, Carlo Scarpa started building the new headquarters for the Banca Popolare di Verona. He drew up plans that were surprisingly different from the work he carried out simultaneously on the villa Ottolenghi. However, the plans Carlo Scarpa drew up, at different times, for a monument in Brescia’s Piazza della Loggia commemorating victims of the terrorist attack on May 28th, 1974, make a sharp contrast to the work he carried out in Verona, almost as if there is a certain hesitation after so many mannered excesses. The same Pietas that informs his designs for the Piazza Della Loggia can also be seen in the presence of the water that flows through the Brion Mausoleum, almost as if to give a concrete manifestation of pity in this twentieth-century work of art. Carlo Scarpa has put together a highly sophisticated collection of structures occupying the mausoleum’s L-shaped space stretching across both sides of the old San Vito d’Altivole cemetery. A myriad of different forms and an equally large number of different pieces, all of which are separate and yet inextricably linked to form a chain that seems to offer no promise of continuity, arising out of these are those whose only justification for being there is to bear the warning “si vis vitam, para mortem,” [if you wish to experience life prepare for death] as if to tell a tale that suggests the circle of time, joining together the commemoration of the dead with a celebration of life. At the entrance of the Brion Mausoleum stand the “propylaea,” followed by a cloister that ends by a small chapel, with an arcosolium bearing the family sarcophagi, the central pavilion, held in place on broken cast iron supports, stands over a mirror-shaped stretch of water and occupies one end of the family’s burial space. The musical sound of the walkways, teamed with the luminosity of these harmoniously blended spaces, shows how, in keeping with his strong sense of vision, Carlo Scarpa could make the most of all his many skills to come up with this truly magnificent space. As well as an outstanding commitment to architectural work, with the many projects we have already seen punctuating his career, Carlo Scarpa also made many equally important forays into the world of applied arts. Between 1926 and 1931, he worked for the Murano glassmakers Cappellin, later taking what he had learned with him when he went to work for the glassmakers Venini from 1933 until the 1950s. The story of how he came to work on furniture design is different, however, and began with the furniture he designed to replace lost furnishings during his renovation of Cà Foscari. The later mass-produced furniture started differently, given that many pieces were originally one-off designs “made to measure.” Industrial manufacturing using these designs as prototypes came into being thanks to the continuity afforded him by Dino Gavina, who, as well as this, also invited Carlo Scarpa to become president of the company Gavina SpA, later to become SIMON, a company Gavina founded eight years on, in partnership with Maria Simoncini (whose own name accounts for the choice of company name). Carlo Scarpa and Gavina forged a strong bond in 1968 as they began to put various models of his into production for Simon, such as the “Doge” table, which also formed the basis for the “Sarpi” and “Florian” tables. In the early seventies, other tables that followed included “Valmarana,” “Quatour,” and “Orseolo.” While in 1974, they added a couch and armchair, “Cornaro,” to the collection and the “Toledo” bed...

Counter chair Gropius CS1 Designer: Kateryna Sokolova Model in the main picture Wool, Calico 29. Dimensions: Height: 101 cm / 29,13 in Width: 57 cm / 22,44 in Depth: 57 cm ...

This rare five-piece (5) living room suite by Giuseppi Pagano, designed in 1939 for Bocconi University in Milan, is comprised of two oak bentwood upholstered open armchairs with otto...

Beijinho 4-seat sofa, Contemporary Collection, Handcrafted in Portugal - Europe by Greenapple. The Beijinho leather sofa seamlessly combines the soft texture of high-quality leather...

Beijinho Armchair, Contemporary Collection, Handcrafted in Portugal - Europe by Greenapple. The Beijinho leather sofa seamlessly combines the soft texture of high-quality leather an...

Modular system that can be use as a sofa, bench or other options designed by Charlotte Perriand in 1953. Relaunched by Cassina in 2004. Manufactured by Cassina in Italy. A modul...

A very fine French 19th century Louis XV style three-piece giltwood carved and silk Aubusson tapestry three-piece salon suite, comprising of a settee and two fauteuils (armchairs), the Aubusson silk...

An extremely rare and extraordinary set of 4 dining chairs in solid ash, highlighted details such as the butterfly shaped back rest. Seats and the curved back reupholstered in a grea...

A set of four chairs, designed in the 1960s by Antonin Suman. The chairs are made of beech wood, the backrests are bent plywood with oak veneer. The chairs have been restored - have ...

Set of 2 beige Sahco Zero The Tired Man lounge chairs by Lassen. Flemming Lassen designed the upholstered armchair The Stanco in 1935 for the Copenhagen cabinetmakers' guild competit...

Absolutely stunning pair of vintage "Safari" chairs in deeply patinated red oxhide and solid ash. Designed by Kaare Klint in the 1930s and manufactured by cabinetmaker Rud. Rasmussen...

This set of lounge chairs and footstool embodies the essence of mid-century modern design, seamlessly blending elegance with functional comfort. The construction of these stunning ch...

Seating group consisting of two armchairs, a stool and a side table. The group is made of bentwood and covered with hemp ropes. Unrestored original condition. Dimensions: Armchairs:...

The set consists of square walnut table and 4 armchairs produced by Bernini in 1980’s. The chairs have a walnut frame with black leather upholstery. Table top can be turned around an...

Living room consisting of pair of armchairs and sofa bed, in gray-brown fabric, 1970s, Italian design. CONDITION: In very good condition, may show slight signs of wear given by time...

This vintage Art Deco living room set from the 1930s features a beautiful cube style design with a cream colour finish and Rosewood veneer. This set includes three chairs made of Ros...

A French 19th-20th century Belle époque Louis XVI Style bergère giltwood carved three-piece salon or parlor set, comprising of a two-corps settee and two armchairs, all upholstered i...

An exquisite suite of richly carved giltwood salon furniture in the Louis XVI style, comprising four oval back 'Fauteuil Cabriolet' armchairs and a matching two-seater sofa. Each cha...

Objekt: Secessionistische Sitzgruppe (2 x Fauteuil, 1 x Canapé) Entwurf: Gustav Siegel (Wien, um 1902) Modell-Nummer: unbekannt Ausführung: Jacob & Josef Kohn (Wien, um 1902) Maße in...

Set of two wingback lounge chairs designed by Ib Kofod-Larsen in 1954. The chairs are reclinable and it can be adjusted in three positions, as seen in the pictures. The chairs have b...

Sofa dimensions: Height: 77 cm (30.3 in) Width: 120 cm (47.2 in) Depth: 60 cm (23.6 in) Seat: 45 cm (17.7 in) Chair dimensions: Height: 77 cm (30.3 in) Width: 57 cm (22.4 in) Depth:...

Elegant pair of armchairs Italian midcentury design in the Guglielmo Ulrich design style.   

Gorgeous Vintage 3 Piece French Style Parlor Set, Upholstered Absolutely gorgeous Sofa and 2 Armchairs Carved wood frames Removable seat cushions Button tufting Fronts are upholstere...

Italian Baroque sofa and armchairs, 1970s A richly carved wood sofa set consisting of a sofa and two armchairs in Baroque style. Italian, 1970s The pine sofa, colored in walnut, ric...

Boucle Champanhe Agnes Sofa by Nelson Araujo Dimensions: W 80 x D 68 x H 58 cm Materials: Wood, Velvet and Foam. Also Available: Misty Beige colour. Please...

Scandinavian easy chair; model 46 designed by Olav Haug and produced at Elverum Møbel - og Trevarefabrikk, Norway The chair is reupholstered in woolen fabric from Gudbrandsdalens Uld...

Introducing the Florida sofa and armchair, crafted by the designer Johannes Andersen and manufactured by AB Trensums Fåtöljfabrik. Despite their vintage status, they remain in good c...

Gorgeous rattan sofa and loveseat settee pair handcrafted in Italy by wicker works. Made in the organic modern California coastal style and manner of Michael Taylor. Known as the cla...

A rare 1940s, curved walnut dining chairs set, designed by Guglielmo Ulrich in the 1940s. Manufactured in Italy in refined Art Deco style. The eight chairs have been fully restored b...

Restored Mid-century Rattan side table set includes a 31" wide square corner table and two matching side tables, each adorned with a tiered lamp stand and a Paul Frankl styled stacked rattan base. The tables boast matching mahogany tops with cut rattan along the edges and cutouts along the base. Elevate your living space with this modernist set featuring a post-war Hawaiian charm...

Beautiful set of French Napoleon III seats, Louis XVI style, with dry green upholstery. The set is made up of an armchair, a charmeuse, which is lowe...

Ole Gjerløv-Knudsen & Torben Lind for France & Søn, modular lounge set, Denmark, design 1962 Modern and beautiful colored modular lounge set designed by Ole Gjerløv-Knudsen & Torbe...

Fantastic Italian Mid-Century organic sofa and matching coffee table, fully made in bamboo, leather, and maple wood. The coffee table is completed by its original smokey bronzed glas...

Sofa with asymmetrical arm- and backrests, upholstered in a beige, tightly woven boucle fabric. Model "Koala". Sofa: Height: 43” back, 17” Seat Width: 64” Depth: 33”  

Product Description Full: Daybed/ 3-seater ‘Model Z’ designed by Poul Jensen and produced by Selig in Denmark in 1957 newly upholstered in faux fur. This lovely 3 seater couch also d...

Modular system that can be use as a sofa, bench or other options designed by Charlotte Perriand in 1953. Relaunched by Cassina in 2004. Manufactured by Cassina in Italy. A modular ...

Pair of Svante Skogh 1957 “Bodo” armchairs in Swedish oak PRODUCT DETAILS Dimensions: 75w x 72h x 62dcm Materials: oak wood, fabric Production: Saffle Mobler 1957 The coordinate...

An art deco set of a sofa with two armchairs by the world renowned former Czechoslovakian designer - Jindrich Halabala. Incredible restoration work. A strikingly beautiful set of v...

Upgrade your living space with the stunning Maison Regain sofa set. This large set surely is an eye-catcher and will beautifully merge comfort and style. Whether you're entertaining ...

Silk 3-seater sofa and armchair, Tommaso Barbi, 1970s Elegant, very sturdy. Only a few slight tears on the base, burns, and slight stains on the fabric. DESIGN PERIOD 1970...

Modular system that can be use as a sofa, bench or other options designed by Charlotte Perriand in 1953. Relaunched by Cassina in 2004. Manufactured by Cassina in Italy. A modular ...

A rare walnut sofa and armchair by Sapporo for Mobil Girgi, made in the 1970's, Italy. Beautifully designed with angled front legs which extend to the sides and back, the back suppo...

A nine piece Italian, Louis XV style, gilt-wood Suite. This masterfully handcrafted set includes one sofa, two armchairs with matching footstools, and four chairs, all unified by a a...

New Stock ✅ Mid Century Ekornes Amigo Matching Stressless Two Seater Sofa and Armchair In Cream Leather Handsome and comfortable “Amigo” armchai...

Illum Wikkelsø for CFC Silkeborg, pair of lounge chairs with ottoman and side table, leather, lacquered wood, metal, Denmark, 1970s Exiting and rare to come by modular sitting set d...

Circa 1970, We offer this Mexican Miguelito Living Room Set in the style of Michael Van Beuren. Made in pine wood and recently professionally restored.

Selling this rare amazing big and cozy chair designed by Fredrik Kayser at Rastad & Relling Tegnekontor in 1952. This chairs is one of a few produced and was only sold at the Rastad ...

Beautiful Set of six Biedermeier board chairs from Vienna, Austria, circa 1830. Wonderful bright cherry veneer (shovel) and solid wood (frame and legs). Book-matched cherry veneer ...

Wonderful living room set designed by Illum Wikkelsø for C.F. Christensen, Silkeborg, in Denmark, 1960, consisting of two armchairs, a three-seater sofa (with additional possible con...

Embrace the charm of the 19th century with this elegant French Rocaille Salon Set. Crafted from high-quality walnut with Cane Seat and Backrests, this Louis XV style set includes a s...

A fine French Louis XVI style 19th century giltwood carved three-piece salon suite, comprising of a three-corps settee and...