Traco Brown Sofa by Paolo Cappello

Nothing says understated luxury quite like this Traco Gray Leather Sofa. Sculpted, cool and modern, it provides a wow effect to any setting, whether private or public. The clean line...

The sculpted look distinuishing this armchair merges clean lines softend by smoothed corners. Raised on four egg-shaped ash feet (also in polished aluminum upon request), the design ...

Synthesizing modern luxury and comfort, this refined armchair flaunts a rigorous profile with smoothed edges. The frame in directional European plywood stands on four, egg-shaped ash...

A delightful combination of a seat, cushion and relaxation paradise, the Disfatto Sofa by Dennis Guidone is exceptionally comfortable and playful. Featuring a directional bamboo plywood platform...

The slim silhouette of the Bad Sofa by Vanessa Tambelli is somewhat deceiving. Due to its super-thick seat, this sofa is ultra comfortable and features height-adjustable back cushion...

This elegant sofa is a delightful combination of a 42cm-high, plush seat and height-adjustable back cushions in a sleek design. Exceptionally comfortable, it features an inner beech ...

Sculptural, Minimalist 1980s sofa by famed Italian designer Paolo Deganello (b. 1940). The sofa is discussed in “Repertorio del Design Italiano 1950-2000,” by G. Gramigna, p. 212 (2003). In 1966 Deganello cofounded the Archizoom Associati in Florence. The collective was named after the British group of architects known as Archigram and the journal “Zoom.” Part of the radical design movement in Italy, Archizoom created anti-design furniture, such as the corner set “Safari” and the “San Remo” palm-frond lamp (both 1968 for Poltronova). After the group ended in the early 1970s, he continued with his private practice as an architect and designer in Milan, with commissions in Italy and abroad. Deganello’s work was featured in numerous exhibitions, including the Museum of Modern Art, New York’s groundbreaking, “Italy: The New Domestic Landscape,” in 1972. The Squash sofa...

Three-seat sofa with a sinuous shape and ample dimensions, supported by a structure with legs made of discarded eco-friendly solid ash with an acetic finish, whose imperfections give...

Two-seater sofa by the Italian designer Paolo Buffa, featuring a wooden structure and cushions in texture. Made in Italy, circa 1950.

Sofa from the 1950s in cherry wood, upholstered in cotton with a pattern of leaves, a harmonious interplay of beige and wheat tones with hints of green.

A stylish Italian sofa by Paolo Buffa. In walnut and blondwood and newly upholstered in dusty pink boucle. En suite with a matching pair of armchairs.

Paolo Piva Alanda A rectangular two-seater sofa with mobile headrests and armrests covered with its multicolored original fabric upholstery. Original edition by B&B Italia. With B&B Italia label. Italy. Circa 1980. Dimensions Height : 74 cm     With headrests raised : 88 cm Width : 210 cm  With armrests raised : 194 cm Depth : 106 cm With headrests raised : 86 cm Height of seat : 42 cm Literature Domus 633, November 1982, p.26-29 Domus 634, December 1982, p.22-23 Giuliana Gramigna, Repertorio del design italiano 1950-2000 per l'arredamento domestico, Umberto Allemandi, 2003, p.277 Mario Mastropietro, Rolando Gorla, Un’industria per il design : la ricerca i designers, l’immagine B&B Italia, Edizioni Lybra Immagine, Milano, 1986, p.394-397. Paolo Piva Paolo Piva was born in Adria in 1950. He studied architecture at the Venice Istituto Universitario di Architettura under the direction of Carlo Scarpa and Carlo Aymonino. He practiced architecture and industrial design mainly in Italy and Austria. In 1990, he became a professor at the Hochschule für Angewande Kunst in Vienna. He designed factories in Italy, such as in Misinto for B&B Italia, galeries such as Schullin in Vienna for which he was awarded the « Adolf Loos » prize in 1994. In 1996, he designed book-shops and cafeterias for the Venetian Civic Museums. The same year, he participated in the 6th International Exhibition of Architecture at the Venice Biennale. Alanda The idea behind the Alanda was to create a « mobile » piece of furniture. Developed with the B&B Research Centre, the mechanism allows different positions following the changing needs of the user. « Alanda was conceived as an open object...