Andre Kertesz 'Montmarte', Paris, 1963

Andre Kertesz (Hungarian/American 1894-1985) Title: 'Melancholic Tulip', 1929 Gelatin silver print Signed in ink titled, dated 'Feb 10 1929' in ink 'Corkin Gallery' and 'Niko...

Horst P. Horst (German/American 1906-1999) Title 'Electric Beauty', (Blanche Grady), Paris, 1939. Signed in Pencil. Edition 5 of 10. Platinum Print Refere...

Michael Kenna (American/British, born 1953) Title: Trees-Richmond-Surrey-England, 1975 Medium: Selenium tone gelatin silver print. Artist signed and dated in pencil. No. 43 of 90. Print Date: 1981. Sheet size: 6.6" x 8.5" Frame size: 16.75" x 20.75" Biography: Michael Kenna is a photographer who was born in Widnes, England, and is best known for his photographs of black-and-white landscapes. In his early years of education, he attended the Banbury School of Art, where he took up studies in painting and photography. He later became a student at the London College of Printing, where he began working as an artist and a photographer. Kenna is one of five children born to Irish-Catholic parents. Before discovering his passion for art, he aspired to enter the priesthood because of his Irish-Catholic background. Kenna moved to San Francisco in 1977. The photographer took his first trip to Japan in 1987, and he was deeply impressed by the terrain of the country. Over the years, Kenna has visited and photographed almost every part of Japan. These visits spawned the book Japan, which featured more than 95 photographs of the country. This book is one of 18 published works by Kenna. Some of his other photography collections includeMont-Saint-Michel, Montecito Garden, Hokkaido, The Rouge, and The Hound of the Baskervilles...

Weegee (Ukranian/American 1899-1968) Title: 'Cafe Romance', New York 1953 Gelatin silver print Signed, titled, dated in ink au verso 'Corkin Gallery' label au verso stamped "weegee the famous" au verso Image size: 11" x 13.5" Mat size: 21" x 24" Biography: Probably few policemen have seen as much violent sin as Arthur Fellig, better known as Weegee, did. Specializing in crime and catastrophe, Weegee’s work is regarded as some of the most powerful images of the 20th century. His profound influence on other photographers derives not only from his sensational subject matter and his use of the blinding, close-up flash, but also from his eagerness to photograph the city at all hours, at all levels: coffee shops at three in the morning, hot summer evenings in the tenements, debutante balls, parties in the street, lovers on park benches, the destitute and the lonely. No other photographer has better revealed the non-stop spectacle of life in New York City. During the 1930s and 1940s Weegee worked as a freelance news photographer in New York City, and was the first private citizen to gain access to police radio transmits. He lived across the street from Manhattan police headquarters waiting for the inevitable call that would announce another gangland execution, botched hold-up, or crime of passion. Weegee’s first book, Naked City, was a runaway success, making him an instant celebrity who suddenly had assignments from Life and Vogue. He was among the first to fully realize the camera’s unique power to capture split-second drama and exaggerated emotion. By the mid-40s, Weegee photographed...

Linda McCartney (American 1941-1998) "Autumn" 1987 From the Sun Prints series 9.5 x 8 blue cyanotype signed on the image sheet size 14.5 x 16 matt size 15 x 18.75 used for book Sun Prints page 64 Jane Corkin gallery label on verso. Biography: Linda Louise McCartney (née Eastman) was born in Scarsdale, New York, on 24th September 1941. She graduated from Scarsdale High School, Westchester County, New York in 1960, and went on to study at the University of Arizona, where she majored in art history. Although her formal training extended to just two lessons on photography that she attended at a night school whilst studying as an art history major at the University of Arizona, the pictures by Walker Evans, Dorothea Lange and Edward Weston that she discovered there – along with her later introduction to the photography of Edward Steichen – inspired and influenced Linda’s work. Linda was also fascinated by the history of photography and honoured the early photographic pioneer William Henry Fox by producing handcrafted cyanotype prints. Linda experimented with other printing processes throughout her career as well as producing thousands of Polaroids. Linda got her first big break as a photographer while working as an editorial receptionist at Town and Country Magazine. She used an unwanted invitation to a Rolling Stones promotional party on the SS Sea Panther on the Hudson River to document the event and photograph the band. The magazine was so impressed with Linda’s candid, intimate and relaxed photographs of the Rolling Stones that they published her images in an editorial feature – her first of many magazine commissions. Linda became a professional photographer in the mid-sixties. Her pictures during this period chronicled the musical revolution of the decade. Whilst working as the house photographer at the Fillmore East in New York City she photographed many iconic musicians including; The Rolling Stones, Otis Redding, B.B. King, The Doors, The Grateful Dead, Frank Zappa, The Beach Boys, The Who, Cream, The Kinks, Traffic, The Byrds and Jimi Hendrix. Linda’s photograph of Eric Clapton for Rolling Stone magazine’s 11th May 1968 issue made her the first female photographer to have work featured on the magazine’s cover In 1967, after being named US female photographer of the year, Linda was in London to shoot an assignment on the ‘Swinging Sixties’. Linda met Paul McCartney at the Bag O’Nails Club and then again four days later at the launch of Sgt. Pepper’s Lonely Hearts Club Band at Brian Epstein’s house in Belgravia. A year later they married at Marylebone Registry Office, London, March 12th, 1969. After receiving credits on Paul’s solo album RAM, Linda joined Paul on stage, as keyboard player and vocalist, in Wings. Throughout her time in Wings Linda documented her travels and family life on and off stage. She went on to write and record several songs of her own, including ‘Seaside Woman’, released in 1977 through Epic Records in the US, under the band name Suzy and The Red Stripes. Linda’s album Wide Prairie was release posthumously in 1998. In 1989, Linda began to pioneer another passion, to save the lives of animals through promoting the vegetarian lifestyle that she and Paul and long embraced. Her first two vegetarian cookbooks...

Ralph Gibson (American born 1939) Title: 'Artifacts' Full portfolio containing 10 photographs on fibre based silver gelatin photographic paper and clamshell box Each piece signed ...

A vintage gelatin silver print photograph by celebrated Hungarian-born photographer André Kertész (1894-1985). Entitled "Martinique", printed in 1972, this is an iconic image by the ...

Andre Kerstesz Photography Measures: 30 x 22 whitout frame 47.5 x 41 x 3 cm Framed André Kertész (1894-1985) Kertesz as a Hungarian-born photographer distinguished by haunting composition in his photographs and by his early efforts in developing the photo essay. In his lifetime, however, his then-unorthodox camera angles, which hindered prose descriptions of his works, prevented his work from gaining wider recognition, as well as his use of symbolism also became unfashionable later in his life. Born in Budapest, the son of a bookseller, Kertész taught himself how to use a camera and had his first photos published while a member of the Austro-Hungarian army during World War I. Even as early as 1914, his distinctive and mature style was already evident. Kertész emigrated to Paris in 1925, changed his first name from Andor, and became acquainted with members of the Dada movement. One of them dubbed him “Brother Seeing Eye”, an allusion to a medieval monastery where all the monks were blind except one. His greatest journalistic collaboration was with the French editor and publisher Lucien Vogel...

Stunningly atmospheric Xteriors IX, 2004 photograph in colors by Desiree Dolron (1963) (coupler print, diasec mounted), size: 100 x 80 cm.

Vogue March 1963 framed original cover. Featuring cover model Burke Amey and a Cartwheel Hat by Halston by Irving Penn. newly framed in blue glossy wood frame.

Watercolor on paper, signed. Lower left and on reverse. Provenance: Sothebys London 1989 Measures 11.5" x 13.75" painting and 17.5" x 20.25" including the frame. Elisée Maclet...

Portrait of Paul Eluard and André Breton photographed by Man Ray, 1932. A posthumous print from the original negative in 1977 by Pierre Gassmann. Gel...