Poster from the Nordiskt 60-tal exhibition at Kulturhuset Stockholm, 1990

Original poster from the exhibition of Aurelio Teno's work, from October 6 to 20, 1965 in Copenhagen. The exhibition included sculptures, jewelry, collages, drawings and paintings by the author. The poster has the author's signature and date. Aurelio Teno (1927 - 2013) was a Spanish painter and sculptor. He started as an apprentice in the workshop of the sculptor Amadeo Ruiz Olmos, then in a goldsmith's workshop, and from 1939 at the School of Arts and Crafts in Cordoba, where he studied painting and drawing. In 1965, he began a series of international exhibitions in Copenhagen, Paris, New York, Rabat and St. Louis (Missouri). In 1976, he established his international prestige as a monumental sculptor by winning the competition for a sculpture of Don Quixote that was to be placed in front of the Kennedy Center in Washington, competing with Salvador Dalí and José de Creeft. He was a member of the Royal Academy of Cordoba. He received the Gold Medal in Jewelry...

Original poster from the Andy Warhol - Marilyn Monroe RETROSPECTIVE exhibition, from November 21, 1989 to February 11, 1990 at the Museum Ludwig Köln in Germany. The original paintin...

Original poster from 1960s by the prestigious Galerie Berggruen in Paris, printed on the occasion of the exhibition of works by Paul Klee and Wassily Kandinsky. The poster shows Paul...

The poster from the 1953 exhibition of Joan Miró's work at the Solomon R. Guggenheim Museum in New York. Printed in Italy in 1986 by Arti Grafiche Ricordi. Poster by Joan Miró, a Catalan painter, sculptor and ceramicist. The surrealist master is one of the most important Spanish artists of the 20th century and one of the greatest artists of contemporary art. A picture is made of brushstrokes, just as a poem is made of words. - Joan Miró Miró's works are interpreted as belonging to surrealism, as an expression of a return to childhood and as sandboxes for the subconscious. The Miró style consists of vivid colors combined with simplified forms, reminiscent of drawings of a small child. Initially, Miró created in various fashionable styles, for example, Fauvist and Cubist. In 1920 he traveled to Paris several times, and a year later he settled there permanently. He met Pablo Picasso, Vasily Kandinsky and many other outstanding artists. In 1924 he joined the surrealists of André Breton's circle, but - despite the fact that he worked under their influence - he remained on the outskirts of this trend, maintaining the position of an outsider. Influenced by Surrealist poets and writers, he began to develop his own style: a map of weightless colored signs and poetic forms that evoke both the seemingly naive freshness of invention and the exuberant and baroque Catalan...

Björn Rönnquist, Composition, 1980s Original painting in acrylic on hand-pressed Asian paper. This work is signed by the artist. Sheet dimensions 41/29 The work is framed Dimens...

Knut Grane, Manhattan Swing, 1990 Color lithography Number 125/150 The work is signed by the artist, dated and individually numbered (pencil) Work dimensions 39/36 The work is framed...

Original Silkscreen Poster from Steinberg exhibition at Galerie Maeght, 1953. Printed by Mourlot. In perfect condition, it was always protected with a wood back and covered with ...

Fornasetti panel, printed silk enclosed between 2 Plexiglas panels, Compagnia del Tabacco 1990. Below left the Fornasetti brand and Tobacco Company.  

Print is titled “ Willow Thicket “ Circa 1964. Poster was made for Stanford Art Gallery in 1967. Vintage Condition Consistent with Age as Pictured. Dimensions. 17 W ; 22 H

Rare Man Ray at Alexandre Iolas gallery exhibition poster, elegantly framed in a wood frame that echoes the wood frame of the Man Ray work depicted on the poster.

Framed, signed poster by Alvin Loving (1935-2005). Below is an excerpt from an online source. Detroit-born Loving earned an MFA from the University of Michigan in 1965. He began hard edge painting of cubes and hexagons in 1967. After his first one-person exhibition at Gertrude Kasle gallery in Detroit in 1969, Loving launched his New York career. Gertrude Kasle provided Loving with letters of introduction to Harold Hart of Martha Jackson Gallery and Steven Wilde and Bert Walker, curators at the Whitney Museum of American Art, where he was given a critically acclaimed, one-person exhibition in 1969. Loving was the first of a group of African-American artists whose work was shown at the Whitney during the 1970s, including Frank Bowling, Frederick Eversley, Melvin Edwards...

Monochromatic Print on paper, exhibition was Titled “ drawings and watercolors “ Originally created for the Stanford Art Gallery. Print shows a feminine figure. Vintage Condition Con...