Antique Engravings of 'Chinese' Priests and Beggars, circa 1728

Antique Print titled 'Michiel Adriaensz Ruyter, Ridder, Lt. Admiraal van Holland en Westvriesland'. Signed under the oval on the left: "B. Picart sculp. dir. 1728". This print origin...

Antique print titled 'Lamas Prêtres des Tartares - Prêtres Mendians de la Chine (..)'. Original antique print with two images on one plate. The first image shows Lamas, Tatarian prie...

Beautiful antique print titled 'Ceremonie Nuptiale du Japon - Ceremonie Funebre du Japon'. This print shows Japanese wedding and funeral cermonies and originates from: 'Naaukeurige b...

Antique religious print titled 'Geslachtboom der Priesteren en Leviten'. This antique print depicts the family tree of the Priests and Levites, as described in Exodus 6:16 and 3:18. ...

The way of burying the Kings and Priests of Florida. A small mound surrounding by arrows sticking out from the ground, and a shell placed on the centre of the mound. This print origi...

Antique print titled 'Afbeeldingen der Muzykale Instrumenten, van welke gesproken wert in de H. Schrift'. Beautiful print of various musical instruments mentioned in the bible like c...

Selection of Modern Engravings, from a limited edition published in the December 1938 issue of the ground breaking modern art magazine XXe. They are framed in clean lined black lacquered wood gallery frames. They are priced at $550 each. From left to right, top to bottom, they are: 1) Henri Matisse 2) Henri Laurens 3) Juan Miro...

Wonderful print of a Chinese and Japanese plate Lithograph Published by A.Morel, Paris, France, circa 1860 Unframed.

Wonderful print of a famille noire Chinese vase. Lovely colors. Chromolithograph Published by Connoisseur, circa 1900 Unframed.

Madam Knipp engraving of pigeon, From Les pigeons par Madame Knip, ne´e Pauline de Courcelles ; le texte par C.J. Themminck, Paris France, 1809-1811. A remarkable large engraving of a pigeon- The Colombe Ramier or Columba Cenea or Wood Pigeon floating within a gilt frame and white matte and with UV Tru-view Clear UV Glass. From a large collection of framed...

Set of 3 Architectural ornament engravings from the folio by James Gibbs. Published by Bowyer, London, 1728. Unframed, age toning, edge wear, small edge loss.

Antique engraving of a Tucano Mangiapepe, by Saverio Manetti Circa 1776 A fine hand colored engraving of a Tuscan Magpie by the Italian artist Saverio Manetti. Manetti drew his work predominantly from real specimens. The work was one of the largest ornithology undertakings to that point in time. Dimensions: 25 inches high x 22 inches wide x 1 1/4 inches deep. (frame); (63.5cm high x 55.88cm). 18 x 14 in. (sheet) Reference: Wikipedia Manetti was born in Brozzi to Giovanni Bernardo and Maria Teresa Nesiscolt of Prague. His early studies were in Florence and later at Pisa where he studied botany under Pier Antonio Micheli. He graduated in medicine in 1745 and worked in Florence. In 1758 he joined the National Medical College where he studied anatomy under Antonio Cocchi (1695–1758), conducting the autopsy of Cocchi. Manetti was Professor of Botany of the "Società Botanica Fiorentina", a member of the German Academy of Sciences Leopoldina, a Fellow of the Royal Society, learned societies in Göttingen and Montpellier, an Accademico dell'Istituto di Bologna and he maintained scientific contacts with the Swedish botanist Carl Linnaeus and with the main scientific circles of the second half of the 18th century. He was supervisor of the Orto Botanico di Firenze in Florence from 1749 to 1782 succeeding to Giovanni Targioni Tozzetti and Secretary of the Accademia dei Georgofili. With remarkable organizational effort, he secured the publication of Storia naturale degli uccelli, Natural History of the birds, a monumental work in five volumes illustrated with 600 hand-coloured engravings based on watercolor paintings. The book was commissioned by Maria Luisa, Grand duchess of Tuscany and the first volume was dedicated to Grand Duke Pietro Leopoldo. The third volume was dedicated to Ferdinando di Brobone and the fourth to Giorgio Nassau Clavering. The engravings were made by Tuscan abbot and engraver Lorenzo Lorenzi and Violante Vanni who had studied under British engraver Robert Strange...