Antique Flower Print 'Anemone' by P. Miller, 1755

Plate XXI 'Amaranthoides', originates from 'Figures of the most beautiful, useful and uncommon plants described in the Gardener's Dictionary (..)' by P. Miller. Philip Miller was the principal horticulturalist in England in the mid-18th century.  As the curator of the Chelsea Physic Garden and an active member of the Society of Gardeners, he had the opportunity to interact with important naturalists as well as some of the best botanical artists of the period including Georg Ehret and Robert Furber...

Antique print titled 'Le Blanc Nez'. Original antique print of the lesser spot-nosed monkey (cercopithecus petaurista). This print originates from 'Histoire Naturelle Générale et Par...

Rare, original antique print of a bouquet of feverfew (Tanacetum species), tulip (Tulipa variegata) and anemone (Anemone flore simplici). Handcoloured copperplate botanical engraving...

Antique print titled 'Entstehung der Gartenpflanzen'. Original antique print of various flowers. This print originates from the 5th edition of Meyers Konversations-Lexikon, published...

Antique map titled 'Bouquet No. 4'. Beautiful color lithograph by Villain of a flower bouquet. Published by Schroth, Paris.

Antique print titled 'Dahlia à feuilles Panachées, madame aglaé pélissier'. Original antique print of a dahlia flower. Source unknown, to be determined. Published circa 1880. Arti...

Antique hand colored riverscape / landscape copperplate engraving based on a painting by Jacob Maurer and engraved by Paul Fourdrinier - A View of Westminster Bridge from Lambeth, published according to Act of Parliament 1754 for Stowe’s Survey of London. BIO: Paul Fourdrinier sometimes referred to as Peter or Pierre Fourdrinier, was an 18th Century engraver in England. Paul Fourdrinier, engraver and printseller, was born on 20 December 1698 in Groningen in the Netherlands, the son of Jacques Fourdrinier and his wife, Jeanne Theroude, Huguenot refugees from Dieppe, Normandy. He was a pupil of Bernard Picart at Amsterdam for six years, and came to England in 1720. He was employed in engraving portraits and book illustrations. He also engraved two works by Peter Monamy, marine paintings displayed in Vauxhall Gardens. The engravings were published in 1743, but may have been executed earlier. Starting in 1742 Fourdrinier produced a series of books consisting of numerous folding charts showing "The Succession of Colonels to all his Majesties Land Forces from their Rise to 1742", as well as many other details of British military and naval personnel. The 2004 edition of the Oxford Dictionary of National Biography makes it clear that in the 19th century edition of the Dictionary of National Biography this engraver's works and career were assigned to two individuals, Peter (or Pierre) and Paul Fourdrinier. Peter/Pierre is now seen to be a fictitious individual resulting from an accidental misnaming of Paul. Paul Fourdrinier is mentioned as the engraver of some of the works listed above, and he has been identified with the Paul Fourdrinier who was of the parish of St. Martin's-in-the-Fields, married to Susanna Grolleau, and who died in January or February 1758. The couple had at least five children, including a son Henry Fourdrinier, whose daughter, or granddaughter, Jemima Fourdrinier was the mother of Cardinal John Henry Newman...

Wonderful Gothic architectural print. Steel engraving by R.P. Cuff after the original drawing by John Ruskin. Published circa 1880. On wove quality paper. Unframed.

Wonderful Gothic architectural print. Window from Ca Foscari, Venice Steel engraving by R.P. Cuff after the original drawing by John Ruskin Published, circa 1880 On wove ...

Wonderful Gothic architectural print. Tracery from the Campanile of Giotto, at Florence. Steel engraving after the original drawing by John Ruskin. Published, circa 1880 ...

Wonderful Gothic architectural print. Fragments from Abbeville, Lucca, Venice and Pisa Steel engraving by R.P. Cuff after the original drawing by John Ruskin Published, circ...

Wonderful Gothic architectural print. Pierced ornaments from Lisieux, Bayeux, Verona and Padua. Steel engraving by R.P. Cuff after the original drawing by John Ruskin. Publi...