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Corneille Lithograph, Tribu IV, 171/ 200, 1992
About the Item
Corneille Lithograph, Tribu IV, 171/ 200, 1992
Guillaume Cornelis van Beverloo (1922-2010)
Litho in color
Tribu IV
171/ 200, signed in pencil and dated 1992
Framed behind glass
Litho itself measures 61 cm x 50 cm and total framed 91 cm x 82 cm
Corneille was born as Guillaume Cornelis van Beverloo on 3 July 1922 in Liège (Belgium).
He had Dutch parents.
He was active as a painter and poet. In 1937 he took advertising drawing lessons in Haarlem and from 1940-1943 attended the drawing course at the Rijksacademie in Amsterdam,
where he met Karel Appel (1921-2006).
Corneille was self-taught as a painter
Corneille developed, before Cobra, in 1947, his mythical figuration inspired by children’s drawings with exuberantly cheerful and brightly colored forms during a stay in Budapest.
There he discovered the work of Paul Klee (1879-1940), Joan Miró (1893-1983) and the writings of the surrealist poets and met the painter Jacques Doucet (1924-1994). Under the influence of these impressions, Corneille began to work from his imagination and to paint myths.
In 1948 Corneille founded the Experimental Group in Holland with Appel and Constant and were co-founders of Cobra
Corneille his work has been included in many collections and has been exhibited all over the world.
- Creator:
- Dimensions:Height: 32.29 in (82 cm)Width: 35.83 in (91 cm)Depth: 0.6 in (1.5 cm)
- Materials and Techniques:
- Place of Origin:
- Period:
- Date of Manufacture:1992
- Condition:
- Seller Location:Delft, NL
- Reference Number:
Guillaume Cornelis van Beverloo (Corneille)
Corneille was born in Liege, Belgium, although his parents were Dutch and moved back to the Netherlands when he was 12. He studied art at the Academy of Art in Amsterdam, in the Netherlands. He was one of the founders of the REFLEX movement in 1948 and in 1949 he was also one of the founders of the COBRA movement, which has had great influence on Scandinavian art.[3] He was active within the group from the beginning, not only painting but also publishing poetry in the Cobra magazine. He was a cofounder of the Experimentele Groep in Holland [nl].
The poetic Corneille was strongly influenced by Miró and Klee. After the group dissolved in 1951 he moved to Paris and began collecting African art. These artifacts became evident in his works, which began to take on a more imaginative style, like landscapes seen from a bird's eye view, exotic birds and stylised forms. His work is in the collection of the Centre Georges Pompidou.
Until his death Corneille lived and worked in Paris, and made visits to Israel where he worked with the Jaffa Atalier. On 24 September 2003 an exhibition of his prints opened at the Ramat-Gan Museum of Art, Israel. He died at Auvers-sur-Oise, France.
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