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Maria Sibylla Merian - D. Stoopendaal - Yellow mombin plum blue butterfly Nr.13
About the Item
From Metamorphosis Insectorum Surinamensium, first published 1705
Engravings by J. Mulder, P. Sluyter (Sluiter) and D. Stoopendaal after Maria Sybilla Merian.
This plate is part of a comprehensive collection comprising 17 plates. Check out other listings to view the entire series.
1964 Hoffman and Campe Verlag, Hamburg Complete production Mladinska Knjiga, Ljubljana/Yugoslavia.
This 1964 official reproduction table come from the editions: Dissertation sur la génération et les transformations des insectes de Surinam, The Hague, Pierre Gosse, 1726, and Over de Voortteeling en Wonderbaerlyke Veranderingen der Surinaamsche insects, Amsterdam, Jean Frederic Bernard, 1730.
YELLOW MOMBIN PLUM AND BLUE
Here again the constitution of the two diagonals, one made up of the fruit cluster and the two delicate blue butterflies, the other made up of the branch of the plant, Spondias mombin from the Anacardiaceae family, the sumac or terebinth family, of which we have the wig bush, the poison sumac and the vinegar tree can be planted in systems.
The yellow mombin plum, also known as yellow plum, is native to tropical America, but has also become naturalized in West Africa and Java. The author did not know anything about a yellow plum culture in Suriname, and she blames the Europeans there for this omission. The juice of the fruit is tart, astringent. I point out the structure, from the fruit cluster to the undeveloped and unfolded leaf all the way up to the flower.
The butterfly is a hairstreak, subfamily Theclinae, family Bluelings, Lycaenidae - the species cannot be identified. According to Maria Sibylla's comments, the heavily spined caterpillars live on the fruit; they only gnaw the leaves when they have no fruit.
(Original plate no. 13)
____________________________________
Maria Sibylla Merian (1647-1717)
Joseph Mulder, Pieter Sluyter, and D. Stopendael worked as engravers from the original drawings by Merian, who oversaw all aspects of the publication of her works during her lifetime. The Metamorphosis is Merian's most famous work, resulting from her journey with her daughter Dorothea to Surinam in 1699. The two women spent two years studying and recording insects and plants, returning to Amsterdam with a series of finished drawings on vellum, sketches and specimens, from which they continued to work. The work first appeared simultaneously in Latin and Dutch in 1705 with 60 plates. Later editions all included 12 additional plates after Merian's elder daughter Johanna.
MARIA SIBYLLA MERIAN, born in 1647 in Frankfurt on the Main, was a daughter of the renowned engraver and publisher, Matthaeus Merian. From childhood she showed a vivid interest in the world of plants and insects. In her engravings an eminent artistic talent meets with scientific accuracy. First she worked in Nuremberg, the birthplace of her husband, and at a later period in the Netherlands. From 1690 to 1701 she stayed, as a member of the Labadist congregation, in Surinam (Dutch Guiana), exploring the hitherto unknown beauties of tropical plants and butterflies; her most significant work, the METAMORPHOSIS INSECTORUM SURINAMENSIUM, was the result of this voyage. After her return to Europe, the artist died in 1717 in Amsterdam.
MARIA SIBYLLA MERIAN
THE MOST BEAUTIFUL PLATES FROM THE BIG BOOK OF BUTTERFLIES AND PLANTS
METAMORPHOSIS OF SURINAMESE INSECTS
SELECTED
INTRODUCED AND DESCRIBED
BY GERHARD NEBEL
MERIAN LIBRARY
FROM HOFFMANN AND CAMPE PUBLISHING
HAMBURG MCMLXIV
- Creator:Maria Sibylla Merian (Artist)
- Dimensions:Height: 17.72 in (45 cm)Width: 11.93 in (30.3 cm)Depth: 0.04 in (1 mm)
- Style:Other (Of the Period)
- Materials and Techniques:Paper,Other
- Place of Origin:
- Period:
- Date of Manufacture:1964
- Condition:Wear consistent with age and use.
- Seller Location:EINDHOVEN, NL
- Reference Number:1stDibs: LU9046237942462
Maria Sibylla Merian
Maria Sibylla Merian (1647—1717) was a naturalist and artist. Her contributions to entomology were never appropriately recognized in her lifetime. She is now considered to be a pioneer in the fields of botany and zoology. She made detailed observations of live specimens, which was a departure from previous studies that used preserved specimens. She focused great detail on the processes of metamorphosis, which had not been studied so comprehensively before her work. The engravings for the publication were done by J. Mulder, P. Sluyter and A. Stopendaal, all after paintings on vellum by Merian. The work is considered to be one of the most beautiful, and famous illustrated natural history works of the 18th century. The work was the result of Merian's trip in 1699 with her daughter Dorothea to Surinam, a Dutch colony on the northeastern coast of South America. The pair studied and recorded plants and insects for two years under difficult conditions. They came back to Amsterdam with specimens, notes and drawings and there completed their astounding work. One naturalist proclaimed "Her portrayals of living insects and other animals were imbued with a charm, a minuteness of observation and an artistic sensibility that had not previously been seen in a natural history book; if Gould and Audubon have 'a spiritual ancestor, then it is difficult to think of a more worthy claimant to the title than Maria Sibylla Merian." On the day Maria Sibylla Merian died, Tsar Peter the Great purchased a two-volume collection of her unbound paintings, as well as her journal. Born in Frankfurt am Main, Maria Sibylla Merian was the daughter of Matthaus Merian the Elder (1593—1650), a famous German-Swiss painter, engraver and publisher. Her father died when she was three and her mother remarried Jacob Marrel (1614-1681), who was a still-life painter. From the time she was eleven, Marrel schooled Maria Sibylla Merian in the tradition of northern European still life painting, working directly from life. As her interests evolved toward the study of insects, she employed these artistic skills to create her outstanding scientific and esthetically beautiful works. She was truly at the crossroads of art and science.
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