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Erte - Romain de TirtoffSalade de Fleurs de Lotus by Erté1929
1929
About the Item
Erté (Romain de Tirtoff)
1892-1990 | Russian-French
Salade de fleurs de lotus
(Lotus Flower Salad)
Inscribed “n°1.497” (en verso)
Gouache on paper
In 1929, Erté embarked on the creative journey of designing stage settings and costumes for Aladin, a theatrical production that found its inspiration in the captivating stories of Arabian Nights. Presented at the illustrious Folies Bergère, this production became the nexus where Erté's artistic ingenuity met the allure of Eastern culture, converging the worlds of art and theater. This particular gouache on paper entitled Salade de fleurs de lotus, emanates an almost sculptural aura, characterized by the subject's profound black silhouette adorned with lustrous gilded accents resembling the delicate petals of a lotus flower. Representing the epitome of the Art Deco era's audacious patterns and opulent embellishments, Salade de fleurs de lotus by the "Father of Art Deco" stands as an extraordinary testament to Erté's artistic vision.
Paris witnessed a remarkable cultural synthesis during the Art Deco period, and Orientalism played a significant role in shaping the city's artistic and intellectual milieu. At the same 1925 Paris Exposition Internationale des Arts Décoratifs et Industriels Modernes, often considered the naissance of the Art Deco style, many artisans prominently showcased Eastern-inspired designs and a growing appreciation for non-Western aesthetics. Productions like Aladin melded Orientalist aesthetics into Paris' artistic output in a new way.
Russian-French visionary Romain de Tirtoff (1892-1990), popularly known as Erté, began his artistic journey in the culturally rich city of St. Petersburg, where he developed an early fondness for ballet and theatrical performances. He moved to Paris in 1912 to study architecture, and quickly found his creative niche in crafting fantastical costumes for the city’s bustling nightlife. Erté‘s expertise, refined under the guidance of the famed Paul Poiret, captured the attention of Harper’s Bazaar, marking the beginning of a significant partnership that spanned from 1915 to 1936. The artist also designed sets for notable cinematic masterpieces including Ben Hur and La Bohème, and created sets and costumes for cabarets, operas and other performances at the Folies-Bergères, Bal Tabarin, the Théâtre du Bataclan and Le Casino de Paris. Often remembered as the “Father of Art Deco,” Erté was a trailblazer whose colorful creations shaped the groundbreaking Art Deco era more than any other, leaving an indelible mark on the history of art and design. His artworks reside in prestigious museum collections worldwide, including the Metropolitan Museum of Art in New York, the Victoria & Albert Museum in London and the Los Angeles County Museum of Art.
Painted 1929
Paper: 11“ high x 9” wide
Frame: 17 1/8“ high x 14 1/8” wide x 3/4" deep
Provenance:
Private collection, Paris
M.S. Rau, New Orleans
- Creator:Erte - Romain de Tirtoff (1892 - 1990, Russian)
- Creation Year:1929
- Dimensions:Height: 17.125 in (43.5 cm)Width: 14.125 in (35.88 cm)Depth: 0.75 in (1.91 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:New Orleans, LA
- Reference Number:
Erte - Romain de Tirtoff
Erté, Romain de Tirtoff, (1892–1990) was a Russian-born French artist and designer who is equally famous for his elegant fashion designs and his artwork, both of which capture the art deco period in which he worked. Diversely talented, Erté was born in Saint Petersburg to a distinguished family with roots tracing back to 1548. After moving to Paris, he secured his first substantial contract with Harper's Bazaar magazine, and thus launched an illustrious career that included designing costumes and stage sets. Between 1915–1937, Erte designed over 200 covers for Harper's Bazaar, and his illustrations would also appear in such publications as Illustrated London News, Cosmopolitan, Ladies' Home Journal, and Vogue. Erté flourished and was renowned in an array of fields, including fashion, jewelry, graphic arts, costume and set design for film, theater, and opera, and interior decor.
After designing apparel for the French dancer Gaby Deslys, Erté went on to design costumes, program designs, and sets which were featured in the Ziegfeld Follies of 1923, many productions of the Folies Bergère, and George White's Scandals. On Broadway, the celebrated French chanteuse Irène Bordoni wore Erté's designs. His delicate figures and sophisticated, glamorous designs are instantly recognizable, and his ideas and art still influence fashion into the 21st century.
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