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Medium: Graphite
Lonely Streets in Tokyo - Colorful Figurative Original Painting
Located in Los Angeles, CA
Italian artist Fabio Coruzzi merges painting and photography into one imaginative image that offers a new outlook on an otherwise ordinary urban scene. His artworks represent an auth...
Category
21st Century and Contemporary Pop Art Graphite Mixed Media
Materials
Oil Pastel, Ink, Mixed Media, Acrylic, Archival Paper, Graphite
Social Distancing #6 - Colorful Figurative Original Painting
Located in Los Angeles, CA
Italian artist Fabio Coruzzi merges painting and photography into one imaginative image that offers a new outlook on an otherwise ordinary urban scene. His artworks represent an auth...
Category
21st Century and Contemporary Pop Art Graphite Mixed Media
Materials
Oil Pastel, Ink, Mixed Media, Acrylic, Archival Paper, Graphite
Taraconte II, Piedra playa
Located in MADRID, ES
Frottage. Graphite on paper measuring 19 x 24 cm. From a series of frottage drawings, made over several natural textures encountered at Spanish Canary Islands nature environment on 2...
Category
2010s Graphite Mixed Media
Materials
Paper, Graphite
Taraconte I, Piedra playa
Located in MADRID, ES
Frottage. Graphite on paper measuring 19 x 24 cm. From a series of frottage drawings, made over several natural textures encountered at Spanish Canary Islands nature environment on 2...
Category
2010s Graphite Mixed Media
Materials
Paper, Graphite
Caldera, La Palma
Located in MADRID, ES
Frottage. Graphite on paper and watercolour measuring 19 x 24 cm. From a series of frottage drawings, made over several natural textures encountered at Spanish Canary Islands nature ...
Category
2010s Graphite Mixed Media
Materials
Paper, Graphite
La Gomera, Playa Lepe
Located in MADRID, ES
Frottage. Graphite on paper measuring 19 x 24 cm. From a series of frottage drawings, made over several natural textures encountered at Spanish Canary Islands nature environment on 2...
Category
2010s Graphite Mixed Media
Materials
Paper, Graphite
Zara Chica, La Palma
Located in MADRID, ES
Frottage. Graphite on paper measuring 19 x 24 cm. From a series of frottage drawings, made over several natural textures encountered at Spanish Canary Islands nature environment on 2...
Category
2010s Graphite Mixed Media
Materials
Paper, Graphite
Teide (3.260m), Alta Vista
Located in MADRID, ES
Frottage. Graphite on paper measuring 19 x 24 cm. From a series of frottage drawings, made over several natural textures encountered at Spanish Canary Islands nature environment on 2...
Category
2010s Graphite Mixed Media
Materials
Paper, Graphite
Zara Chica, La Palma, isla 3
Located in MADRID, ES
Frottage. Graphite on paper measuring 19 x 24 cm. From a series of frottage drawings, made over several natural textures encountered at Spanish Canary Islands nature environment on 2...
Category
2010s Graphite Mixed Media
Materials
Paper, Graphite
La Gomera, Playa Lepe, isla 1
Located in MADRID, ES
Frottage. Graphite on paper measuring 19 x 24 cm. From a series of frottage drawings, made over several natural textures encountered at Spanish Canary Islands nature environment on 2...
Category
2010s Graphite Mixed Media
Materials
Paper, Graphite
La Gomera, Da Mario (Prisma)
Located in MADRID, ES
Frottage. Graphite on paper and watercolour measuring 19 x 24 cm. From a series of frottage drawings, made over several natural textures encountered at Spanish Canary Islands nature ...
Category
2010s Graphite Mixed Media
Materials
Paper, Graphite
Girls
By Emily Payne
Located in Mill Valley, CA
A walnut ink artwork on book boards.
Category
2010s Contemporary Graphite Mixed Media
Materials
Board, Graphite
Marrow
By Emily Payne
Located in Mill Valley, CA
A graphite drawing on book boards.
Category
2010s Contemporary Graphite Mixed Media
Materials
Board, Graphite
Three Part Study Series for Robin Hood Mural
By Gerald Cassidy
Located in Milford, NH
This collection of three works is a study series for a Robin Hood mural in a Houston, Texas home by Gerald Ira Diamond Cassidy (1869-1934). Gerald Cassidy was an American artist best...
Category
Early 20th Century American Impressionist Graphite Mixed Media
Materials
Canvas, Ink, Oil, Watercolor, Gouache, Graphite
Cambium 1
By Emily Payne
Located in Mill Valley, CA
A framed relief ink print.
Category
2010s Contemporary Graphite Mixed Media
Materials
Graphite
Santa Cruz
Located in MADRID, ES
Frottage. Graphite on paper and watercolour measuring 19 x 24 cm. From a series of frottage drawings, made over several natural textures encountered at Spanish Canary Islands nature ...
Category
2010s Graphite Mixed Media
Materials
Paper, Graphite
Piedra Roca, Playa
Located in MADRID, ES
Frottage. Graphite on paper measuring 19 x 24 cm. From a series of frottage drawings, made over several natural textures encountered at Spanish Canary Islands nature environment on 2...
Category
2010s Graphite Mixed Media
Materials
Paper, Graphite
Taraconte III, Madera
Located in MADRID, ES
Frottage. Graphite on paper measuring 19 x 24 cm. From a series of frottage drawings, made over several natural textures encountered at Spanish Canary Islands nature environment on 2...
Category
2010s Graphite Mixed Media
Materials
Paper, Graphite
Blind Spot diptych
By Emily Payne
Located in Mill Valley, CA
A graphite drawing on book boards.
Category
2010s Contemporary Graphite Mixed Media
Materials
Graphite
Rockport, Massachusetts
By Gifford Beal
Located in Los Angeles, CA
Gifford Beal, painter, etcher, muralist, and teacher, was born in New York City in 1879. The son of landscape painter William Reynolds Beal, Gifford Beal began studying at William Merritt Chase's Shinnecock School of Art (the first established school of plein air painting in America) at the age of thirteen, when he accompanied his older brother, Reynolds, to summer classes. He remained a pupil of Chase's for ten years also studying with him in New York City at the artist's private studio in the Tenth Street Studio Building. Later at his father's behest, he attended Princeton University from 1896 to 1900 while still continuing his lessons with Chase. Upon graduation from Princeton he took classes at the Art Students' League, studying with impressionist landscape painter Henry Ward Ranger and Boston academic painter Frank Vincent DuMond. He ended up as President of the Art Students League for fourteen years, "a distinction unsurpassed by any other artist."
His student days were spent entirely in this country. "Given the opportunity to visit Paris en route to England in 1908, he chose to avoid it" he stated, "I didn't trust myself with the delightful life in ParisIt all sounded so fascinating and easy and loose." His subjects were predominately American, and it has been said stylistically "his art is completely American." Gifford achieved early recognition in the New York Art World.
He became an associate member of the National Academy of Design in 1908 and was elected to full status of academician in 1914. He was known for garden parties, circuses, landscapes, streets, coasts, flowers and marines. This diversity in subject matter created "no typical or characteristic style to his work."
Beal's style was highly influenced by Chase and Childe Hassam, a long time friend of the Beal family who used to travel "about the countryside with Beal in a car sketching local sights." Both Hassam and Chase were famous for their impressionist views of New York City and Connecticut and Long Island coastlines.
Beal's early work reflects his acquaintance with these painters and focused on the city's commercial and industrial growth. "Beal's major influence, however, remained Chase, whose "greatness" Beal attributed to the "sheer fullness of his naturehis store of energy," and his dedication to the profession of painting. "When the story of American art is finally told," Beal predicted, "Chase's name will be high on the list of the great."
Regarding his use of color, one art critic wrote: "On the whole he is inclined toward color that is rich and strong. The garden scenes have masses of deep and gleaming foliage over the gay...
Category
1940s Post-Impressionist Graphite Mixed Media
Materials
Watercolor, Gouache, Graphite
"Villa Adrienne #17" Constructivist, Architectural, Mixed media on canvas
By Georges Noel
Located in New York, NY
Georges Noel
Villa Adrienne #17, 1976
Graphite, pigment, sand, and vinyl binder on canvas
Signed to verso
76 3/4 x 51 inches
The Pace Gallery label to verso
Category
1970s Assemblage Graphite Mixed Media
Materials
Canvas, Vinyl, Graphite, Pigment
Shadow Play
Located in Columbia, MO
Lisa’s organic shapes and textures rotate and recombine deftly, jumping easily between prints. But the serendipitous quality of Lisa’s work belies the controlled, methodical nature o...
Category
21st Century and Contemporary Contemporary Graphite Mixed Media
Materials
Mixed Media, Watercolor, Archival Paper, Graphite, Screen
"Cronus Asleep in the Cave" Mixed Media Work on Paper by David Hare
By David Hare
Located in New York, NY
David Hare
Cronus Asleep in the Cave, 1971
Acrylic, ink wash, graphite, paper collage on paper on board
26 x 35 inches
“Freedom is what we want,” David Hare boldly stated in 1965, b...
Category
1970s Abstract Graphite Mixed Media
Materials
Acrylic, Paper, Ink, Graphite
"Cronus View from the Cave" Abstract Mixed Media Composition by David Hare
By David Hare
Located in New York, NY
David Hare
Cronus View from the Cave, 1971
Graphite, Ink wash, Paper Collage on Paper on Board
25 x 33 inches
“Freedom is what we want,” David Hare boldly stated in 1965, but then he added the caveat, “and what we are most afraid of.” No one could accuse David Hare of possessing such fear. Blithely unconcerned with the critics’ judgments, Hare flitted through most of the major art developments of the mid-twentieth century in the United States. He changed mediums several times; just when his fame as a sculptor had reached its apogee about 1960, he switched over to painting. Yet he remained attached to surrealism long after it had fallen out of official favor. “I can’t change what I do in order to fit what would make me popular,” he said. “Not because of moral reasons, but just because I can’t do it; I’m not interested in it.”
Hare was born in New York City in 1917; his family was both wealthy and familiar with the world of modern art. Meredith (1870-1932), his father, was a prominent corporate attorney. His mother, Elizabeth Sage Goodwin (1878-1948) was an art collector, a financial backer of the 1913 Armory Show, and a friend of artists such as Constantin Brancusi, Walt Kuhn, and Marcel Duchamp.
In the 1920s, the entire family moved to Santa Fe, New Mexico and later to Colorado Springs, in the hope that the change in altitude and climate would help to heal Meredith’s tuberculosis. In Colorado Springs, Elizabeth founded the Fountain Valley School where David attended high school after his father died in 1932. In the western United States, Hare developed a fascination for kachina dolls and other aspects of Native American culture that would become a recurring source of inspiration in his career.
After high school, Hare briefly attended Bard College (1936-37) in Annandale-on-Hudson. At a loss as to what to do next, he parlayed his mother’s contacts into opening a commercial photography studio and began dabbling in color photography, still a rarity at the time [Kodachrome was introduced in 1935]. At age 22, Hare had his first solo exhibition at Walker Gallery in New York City; his 30 color photographs included one of President Franklin Roosevelt.
As a photographer, Hare experimented with an automatist technique called “heatage” (or “melted negatives”) in which he heated the negative in order to distort the image. Hare described them as “antagonisms of matter.” The final products were usually abstractions tending towards surrealism and similar to processes used by Man Ray, Raoul Ubac, and Wolfgang Paalen.
In 1940, Hare moved to Roxbury, CT, where he fraternized with neighboring artists such as Alexander Calder and Arshile Gorky, as well as Yves Tanguy who was married to Hare’s cousin Kay Sage, and the art dealer Julian Levy. The same year, Hare received a commission from the American Museum of Natural History to document the Pueblo Indians. He traveled to Santa Fe and, for several months, he took portrait photographs of members of the Hopi, Navajo, and Zuni tribes that were published in book form in 1941.
World War II turned Hare’s life upside down. He became a conduit in the exchange of artistic and intellectual ideas between U.S. artists and the surrealist émigrés fleeing Europe. In 1942, Hare befriended Andre Breton, the principal theorist of surrealism. When Breton wanted to publish a magazine to promote the movement in the United States, he could not serve as an editor because he was a foreign national. Instead, Breton selected Hare to edit the journal, entitled VVV [shorth for “Victory, Victory, Victory”], which ran for four issues (the second and third issues were printed as a single volume) from June 1942 to February 1944. Each edition of VVV focused on “poetry, plastic arts, anthropology, sociology, (and) psychology,” and was extensively illustrated by surrealist artists including Giorgio de Chirico, Roberto Matta, and Yves Tanguy; Max Ernst and Marcel Duchamp served as editorial advisors.
At the suggestion of Jacqueline Lamba...
Category
1970s Abstract Graphite Mixed Media
Materials
Paper, Ink, Graphite
Unique signed pastel & graphite work Geometric Abstraction Minimalist painting
Located in New York, NY
Charles Hinman
Untitled Geometric Abstraction (Hand Signed), 1980
Pastel & Graphite painting on Paper
Signed and dedicated to "Michael and Rene" in graphite by the artist on the fron...
Category
1980s Abstract Geometric Graphite Mixed Media
Materials
Pastel, Pencil, Graphite
Free More, original Zabriskie Gallery & Reader's Digest Collection labels signed
By Pat Adams
Located in New York, NY
Pat Adams
Free More, 1989
Acrylic and encaustic painting with varnish on paper laid down on canvas
Hand signed and dated on the upper left front
Original artist's frame included
This...
Category
1980s Abstract Graphite Mixed Media
Materials
Varnish, Encaustic, Acrylic, Mixed Media, Pencil, Graphite
Annual Edition, Lt. Ed. 1970s mixed media Op Art silkscreen on board hand signed
Located in New York, NY
Richard Anuszkiewicz
Annual Edition, 1970
Silkscreen on Masonite
Signed and dated in graphite pencil lower right recto. Edition of 100
8 × 5 1/10 × 1/5 inches
Unframed
Signed and dat...
Category
1970s Abstract Geometric Graphite Mixed Media
Materials
Masonite, Screen, Graphite
Magic Realism Figurative Artwork, "Ritual (Devil)" by Evgeniya Golik
Located in San Diego, CA
A 16” x 16” x 1" Magic Realism Figurative Artwork by artist Evgeniya Golik. A certificate of authenticity will accompany the piece upon its purchase or delivery.
Evgeniya Golik (al...
Category
2010s Surrealist Graphite Mixed Media
Materials
Wood, Acrylic, Color Pencil, Graphite
Buoy Landscape IV, Mixed media signed/n limited edition Ab Ex relief print
By Sam Gilliam
Located in New York, NY
Sam Gilliam
Buoy Landscape IV, 1982
Color relief print, etching, screenprint, drypoint, aquatint and roulette all from deeply etched copper plates, on handmade wove paper
31 1/2 × 24 inches
Hand signed and numbered 3/25 in graphite pencil
Hand-signed by artist, Signed by artist, numbered, and dated in pencil and blind-stamped by printer-publisher on lower right, titled in pencil on lower left, recto
Unframed with elegant deckled edges
Rare vintage intaglio and relief, all from deeply etched copper plates. Other works from this series are in the permanent collections of major museums & institutions like the Smithsonian, so they are quite scarce on the open market.
Steven M. Andersen (Printer)
Philip Barber (Printer)
Hang Nguyen (Printer)
Stephanie Nowack (Printer)
Michael Reid (Printer)
Daniel Rounds (Printer)
Vermillion Editions Limited (Publisher)
Sam Gilliam Biography:
Sam Gilliam was one of the great innovators in postwar American painting. He emerged from the Washington, D.C. scene in the mid 1960s with works that elaborated upon and disrupted the ethos of Color School painting.
A series of formal breakthroughs would soon result in his canonical Drape paintings, which expanded upon the tenets of Abstract Expressionism in entirely new ways. Suspending stretcherless lengths of painted canvas from the walls or ceilings of exhibition spaces, Gilliam transformed his medium and the contexts in which it was viewed. As an artist in the nation’s capital at the height of the Civil Rights Movement, this was not merely an aesthetic proposition; it was a way of defining art’s role in a society undergoing dramatic change. Gilliam pursued a pioneering course in which experimentation was the only constant. Inspired by the improvisatory ethos of jazz, his lyrical abstractions took on an increasing variety of forms, moods, and materials.
In addition to a traveling retrospective organized by the Corcoran Gallery of Art, Washington, D.C. in 2005, Sam Gilliam was the subject of solo exhibitions at the Museum of Modern Art, New York (1971); The Studio Museum in Harlem, New York (1982); Whitney Museum of American Art, Philip Morris Branch, New York (1993); J.B. Speed Memorial Museum, Louisville, Kentucky (1996); Phillips Collection, Washington, D.C. (2011); and Kunstmuseum Basel, Switzerland (2018), among many other institutions. A semi-permanent installation of Gilliam’s paintings opened at Dia:Beacon in August 2019. His work is included in over fifty public collections, including those of the Musée d’Art Moderne de la Ville de Paris; Tate Modern, London; the Museum of Modern Art, New York; the Metropolitan Museum of Art, New York; and the Art Institute of Chicago.
Sam Gilliam, Green April, 1969, acrylic on canvas, 98 x 271 x 3 7/8 inches (248.9 x 688.3 x 9.8 cm), Collection of Kunstmuseum Basel, Basel, Switzerland, Courtesy of David Kordansky Gallery, Los Angeles, photography by Lee Thompson...
Category
1980s Abstract Expressionist Graphite Mixed Media
Materials
Mixed Media, Pencil, Graphite, Drypoint, Etching, Aquatint, Screen
Mixed Media Surrealist Portrait, "Mad Barber" by Christopher Polentz
Located in San Diego, CA
A 13” x 15” x 2” Surrealist Mixed Media Portrait Painting executed on Wood Panel by artist Christopher Polentz. A certificate of authenticity will accompany the piece upon its purchase or delivery.
“The Mad Barber is not quite ‘mad’ in the conventional sense, but rather exhibits a peculiar imbalance. With an eccentric flair reminiscent of characters like Sweeney Todd...
Category
2010s Surrealist Graphite Mixed Media
Materials
Acrylic, Wood Panel, Graphite
Surrealist Mixed Media Portrait, "'Prince' The Guide" by Christopher Polentz
Located in San Diego, CA
A 16” x 16” x 2” Surrealist Mixed Media Portrait Painting executed on Wood Panel with Acrylic and Graphite by artist Christopher Polentz. A certificate of authenticity will accompany...
Category
2010s Surrealist Graphite Mixed Media
Materials
Acrylic, Graphite
Ken Aptekar Contemporary Conceptual Judaica Art Drawing Go Study Chasidic Rabbis
By Ken Aptekar
Located in Surfside, FL
Ken Aptekar
American (b. 1950)
Go Know (Study)
1996
Graphite, white pigment, transparency film, and staples on paper
Hand signed lower right
sheet: 18 x 18 inches
frame dimensions:...
Category
Late 20th Century Conceptual Graphite Mixed Media
Materials
Paper, Film, Graphite, Pigment
Eggs
By Alex Corno
Located in Milano, IT
Eggs
2016
Acrilico e grafite su cartoncino
CM 49x34
Con la mano e con fuoco, sul metallo. Con la mano e col pensiero sulla carta.
Il disegno è inscindibile dalla scultura e non pu...
Category
2010s Abstract Graphite Mixed Media
Materials
Mixed Media, Acrylic, Graphite
3 Sculture
By Alex Corno
Located in Milano, IT
3 Sculture
2012
Acrilico e grafite su carta
CM 70x50
Con la mano e con fuoco, sul metallo. Con la mano e col pensiero sulla carta.
Il disegno è inscindibile dalla scultura e non ...
Category
2010s Abstract Graphite Mixed Media
Materials
Mixed Media, Acrylic, Graphite, Paper
MYSTERY, MEMORY, CONTRADICTION
Located in Oceanside, CA
Abstract mixed medium painting on archival 100% cotton rag paper. Unframed.
- Original one of a kind artwork
- Artist Signature on back
- Certificate of Authenticity provided
Why you...
Category
21st Century and Contemporary Abstract Graphite Mixed Media
Materials
Varnish, Oil Pastel, Archival Ink, Oil, Acrylic, Archival Paper, Graphite
Pansy 1
By Liz Barber
Located in Napa, CA
Liz Barber pursued painting while obtaining her degree from the Massachusetts College of Art and Moore College of Art. She currently resides in Marietta, Georgia. Barber’s paintings ...
Category
2010s Graphite Mixed Media
Materials
Ink, Acrylic, Graphite
Dark Moon 5
By Joe Brubaker
Located in Mill Valley, CA
A cedar, black paint, and graphite powder abstract mixed media piece by Joe Brubaker.
Category
2010s Contemporary Graphite Mixed Media
Materials
Cedar, Graphite
Promises
Located in Mill Valley, CA
A wood, graphite, and cork wall sculpture by Kevin Kennedy.
Category
2010s Contemporary Graphite Mixed Media
Materials
Wood, Graphite
Dark Moon 6
By Joe Brubaker
Located in Mill Valley, CA
A cedar, black paint, and graphite powder mixed media abstract piece by Joe Brubaker.
Category
2010s Contemporary Graphite Mixed Media
Materials
Cedar, Graphite
Physical Graffiti by Joseph ConradFerm Mixed Media Canvas REP by Tuleste Factory
Located in New York, NY
Physical Graffiti by Joseph Conrad-Ferm, 2022
Acrylic, spray paint, oil crayon, graphite, color pencil, paint marker on Canvas
W 60" x H 72" x D 1.5"
Mixed media abstract painting o...
Category
2010s Abstract Graphite Mixed Media
Materials
Oil Crayon, Spray Paint, Acrylic, Permanent Marker, Color Pencil, Graphite
Colliding, H13-9, from Where the Land Meets the Sea
By Damien Hirst
Located in New York, NY
Damien Hirst
Colliding, H13-9, from Where the Land Meets the Sea, 2023
Laminated giclée print on aluminium composite panel
35 11/25 × 53 1/5 in 90 × 135.1 cm
Edition 229/274
Hand-...
Category
2010s Photorealist Graphite Mixed Media
Materials
Metal
Sling Hash
Located in Boston, MA
collage created in 1998, from the artists studio, on archival paper, smudges, intentional with use of graphite. Mixed media, graphite, drawing, pastels, text. signed L.B. lower righ...
Category
1990s Other Art Style Graphite Mixed Media
Materials
Charcoal, Oil Pastel, Mixed Media, Color Pencil, Graphite
Swimming with Georgia
Located in Oceanside, CA
This 48 x 60 mixed mediums painting on canvas is stretched over a wood frame.
Why you will love this painting and why it will be perfect for your home:
This painting will make you f...
Category
2010s Abstract Graphite Mixed Media
Materials
Varnish, Coffee, Oil Pastel, Oil, Acrylic, Graphite
Focale Cósmica
Located in MADRID, ES
Oil and graphite over paper, measuring 66 x 85,5 cm, wood framed 69 x 89 x 3 cm, with glass.
Category
2010s Graphite Mixed Media
Materials
Oil, Graphite, Paper
Insediamento I
Located in MADRID, ES
Oil and graphite over canvas, measuring 130 x 130 x 3 cm.
Category
2010s Graphite Mixed Media
Materials
Paper, Graphite, Canvas, Oil
Eucalyptus Breath
Located in Oceanside, CA
This 48 x 60 mixed mediums painting on canvas is stretched over a wood frame.
Why you will love this painting and why it will be perfect for your home:
This painting will make you f...
Category
2010s Abstract Graphite Mixed Media
Materials
Varnish, Coffee, Oil Pastel, Oil, Acrylic, Graphite
Dark Moon VI
By Joe Brubaker
Located in Mill Valley, CA
A wall sculpture made using cedar, black paint, and graphite powder,
Category
2010s Contemporary Graphite Mixed Media
Materials
Cedar, Acrylic, Graphite
Tuffo
Located in MADRID, ES
Paper, enamel, oil and graphite on board, diptych measuring 130 x 200 x 4 cm.
Category
2010s Graphite Mixed Media
Materials
Enamel
Focale Terrena
Located in MADRID, ES
Oil and graphite over board, measuring 18,5 x 26,5 cm, wood framed 41 x 49 x 3 cm, with glass.
Category
2010s Graphite Mixed Media
Materials
Graphite, Oil, Board
Noite
Located in MADRID, ES
Enamel, oil and graphite on board, measuring 94 x 140 x 4 cm.
Category
2010s Graphite Mixed Media
Materials
Enamel
Brancusi's Shadow
By Gale Antokal
Located in Mill Valley, CA
A chalk and graphite drawing of a bird.
Category
2010s Contemporary Graphite Mixed Media
Materials
Chalk, Graphite
Casanova mixed media abstract
By Michele Zuzalek
Located in Washington, DC
16x20 Black frame white mat. Mixed media on paper
Category
20th Century Abstract Expressionist Graphite Mixed Media
Materials
Archival Ink, Acrylic, Graphite
"365 Vessels", Mixed technique on tissue white paper, Minimalist, 50 x 33 cm
Located in Carballo, ES
This series of works by the Danish artist Peter Kramer (Roskilde, 1959) with numerous exhibitions between Spain and Denmark are entitled "365 urns", in which the artist works with ti...
Category
21st Century and Contemporary Post-Modern Graphite Mixed Media
Materials
Organic Material, Monotype, Graphite, Tissue Paper, Handmade Paper, Acry...
"365 Vessels", Mixed technique on tissue white paper, Minimalist, 50 x 33 cm
Located in Carballo, ES
This series of works by the Danish artist Peter Kramer (Roskilde, 1959) with numerous exhibitions between Spain and Denmark are entitled "365 urns", in which the artist works with ti...
Category
21st Century and Contemporary Post-Modern Graphite Mixed Media
Materials
Organic Material, Monotype, Graphite, Tissue Paper, Handmade Paper, Acry...
"365 Vessels", Mixed technique on tissue white paper, Minimalist, 50 x 33 cm
Located in Carballo, ES
This series of works by the Danish artist Peter Kramer (Roskilde, 1959) with numerous exhibitions between Spain and Denmark are entitled "365 urns", in which the artist works with ti...
Category
21st Century and Contemporary Post-Modern Graphite Mixed Media
Materials
Organic Material, Monotype, Graphite, Tissue Paper, Handmade Paper, Acry...
"365 Vessels", Mixed technique on tissue white paper, Minimalist, 50 x 33 cm
Located in Carballo, ES
This series of works by the Danish artist Peter Kramer (Roskilde, 1959) with numerous exhibitions between Spain and Denmark are entitled "365 urns", in which the artist works with ti...
Category
21st Century and Contemporary Post-Modern Graphite Mixed Media
Materials
Organic Material, Monotype, Graphite, Tissue Paper, Handmade Paper, Acry...
Pair of Cut Paper Collages
Located in Buffalo, NY
A pair of original cut paper collages by Venezuelan American artist Ricardo Morin.
Each of these works measure 7" x 5" unframed and come housed in a...
Category
1980s Abstract Geometric Graphite Mixed Media
Materials
Paper, Acrylic, Graphite
Untitled, Plate Six from Novecento (Mixed media lithograph with chalk pastel)
Located in New York, NY
Nam June Paik
Untitled, Plate Six from Novecento, 1992
Mixed Media: Color offset lithograph with unique chalk pastel drawing
13 3/10 × 18 inches
Edition 104/130
Pencil numbered 104/130, hand signed in pastel chalk on the front
Edizioni Carte Segrete, Rome, Italy
Excellent condition; held in matting which can be easily removed
The matting measures 18" x 21"
This was part of a series of works produced for the Nam June Paik retrospective at the Palazzo delle Esposizioni, Rome, 1992, Nam June Paik: Arti Elletroniche.
This is one of the editions which bears unique hand coloring with pastel chalk.
A comparable work sold at auction in 2015 for US $12,583. (see details below):
Nam June Paik
Title Novecento
Description Nam June PAI K
Novecento 1930-1940, 1992 Pastel sur offset en couleurs, épreuve signée et numérotée 104/130 Edizioni Carte Segrete, Rome 23,5 x 39,5 cm EH Oeuvre réalisée a l'occasion de la rétrospective Paik au Palazzo delle Esposizioni, Rome, 1992, Nam June Paik: Arti Elletroniche, cinema e Media Verso il XXI Secolo
Medium pastel
Year of Work 1992
Size Height 9.3 in.; Width 15.6 in. / Height 23.5 cm.; Width 39.5 cm.
Misc. Signed
Sale of Millon & Associés: Monday, June 22, 2015 [Lot 00090]
Design
Sold For 11,057 EUR Hammer
(12,583 USD)
Nam June Paik Biography
Nam June Paik was born in 1932 in Seoul. He received a BA in aesthetics from the University of Tokyo in 1956 where he also studied music and art history. After graduating, he studied for a year with composer Thrasybulus Georgiades Georgiades at the University of Munich and for two years with composer Woflgang Fortner at the International Music College in Freiburg. He attended the International Summer Courses for New Music in Darmstadt in 1957, when he met Karlheinz Stockhausen, and in 1958, when he met John Cage. Cage, and through him Marcel Duchamp, had a significant influence on Paik as he became a major force in the avant-garde through performances. In Hommage à John Cage (1959), Paik employed audiotape and performance to attack traditional musical instrumentation and compositional practices, splicing together piano playing, screaming, bits of classical music, and sound effects. Realizing that taped sound was not enough, he decided to move into performance, first by introducing performative actions into his audio works. In 1961 Paik performed Simple, Zen for Head and Étude Platonique No. 3, in which he became a volatile figure, thrashing about in unexpected patterns and sudden movements to his signature soundtracks. In 1962 Paik participated in the Fluxus International Festival of the New Music in Weisbaden. Paik's first exhibition, entitled Exposition of Music - Electronic Television, in 1963 at Galerie Parnass at Wuppertal, launched his transition from composer and performance artist to the inventor of a new art form: an engagement with the material site of television as an instrument. In the exhibition, thirteen televisions lay on their backs and sides with their reception altered; for example, Zen for TV (1963) reduced the television picture to a horizontal line and Kuba TV (1963) shrank and expanded the image on the television set according to the changing volume.
In 1964 Paik traveled to the US. He quickly settled in New York and became a leading innovator among an emerging generation of artists seeking new modes of artistic expression and distribution. That same year, Paik collaborated with Shuya Abe to create Robot K-456 (1964), a remote controlled robot that played audiotaped speeches by John F. Kennedy and defecated beans in Paik's Robot Opera (1964). In the interactive work Magnet TV (1965), Paik invited viewers to modify the television's output into swerving abstract lines through the movement of a magnet over the TV. In 1967 Paik and frequent collaborator Charlotte Moorman were arrested when Moorman performed Paik's Opera Sextronique (1967), a striptease as she played the cello at the Filmmakers' Cinematheque in New York. Paik's TV Bra for Living Sculpture (1969), which Moorman wore in performances, featured two television tubes...
Category
1990s Abstract Graphite Mixed Media
Materials
Chalk, Offset, Oil Pastel, Mixed Media, Graphite, Lithograph
Graphite mixed media for sale on 1stDibs.
Find a wide variety of authentic Graphite mixed media available on 1stDibs. While artists have worked in this medium across a range of time periods, art made with this material during the 21st Century is especially popular. If you’re looking to add mixed media created with this material to introduce a provocative pop of color and texture to an otherwise neutral space in your home, the works available on 1stDibs include elements of blue, red, orange, green and other colors. There are many well-known artists whose body of work includes ceramic sculptures. Popular artists on 1stDibs associated with pieces like this include Kory Twaddle, John Anderson, Kelsey Irvin, and Rose Umerlik. Frequently made by artists working in the Abstract, Contemporary, all of these pieces for sale are unique and many will draw the attention of guests in your home. Not every interior allows for large Graphite mixed media, so small editions measuring 1 inches across are also available Prices for mixed media made by famous or emerging artists can differ depending on medium, time period and other attributes. On 1stDibs, the price for these items starts at $1 and tops out at $385,000, while the average work can sell for $2,229.
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