Nude Prints

"I Awate You" Photography 35" x 25" in Edition 1/15 by Larsen Sotelo Not framed. Ships in a tube Giclee (Archival Ink) print on 310G Platine Fibre Cotton Rag w/satin finish Comes w...

Marc Chagall, Original Lithograph depicting an instant of the Bible. Technique: Original lithograph in colours Year: 1956 Sizes: 35,5 x 26 cm / 14" x 10.2" (sheet) Published by: Éditions de la Revue Verve, Tériade, Paris Printed by: Atelier Mourlot, Paris Documentation / References: Mourlot, F., Chagall Lithograph [II] 1957-1962, A. Sauret, Monte Carlo 1963, nos. 234 and 257 Marc Chagall (born in 1887) Marc Chagall was born in Belarus in 1887 and developed an early interest in art. After studying painting, in 1907 he left Russia for Paris, where he lived in an artist colony on the city’s outskirts. Fusing his own personal, dreamlike imagery with hints of the fauvism and cubism popular in France at the time, Chagall created his most lasting work—including I and the Village (1911)—some of which would be featured in the Salon des Indépendants exhibitions. After returning to Vitebsk for a visit in 1914, the outbreak of WWI trapped Chagall in Russia. He returned to France in 1923 but was forced to flee the country and Nazi persecution during WWII. Finding asylum in the U.S., Chagall became involved in set and costume design before returning to France in 1948. In his later years, he experimented with new art forms and was commissioned to produce numerous large-scale works. Chagall died in St.-Paul-de-Vence in 1985. The Village Marc Chagall was born in a small Hassidic community on the outskirts of Vitebsk, Belarus, on July 7, 1887. His father was a fishmonger, and his mother ran a small sundries shop in the village. As a child, Chagall attended the Jewish elementary school, where he studied Hebrew and the Bible, before later attending the Russian public school. He began to learn the fundamentals of drawing during this time, but perhaps more importantly, he absorbed the world around him, storing away the imagery and themes that would feature largely in most of his later work. At age 19 Chagall enrolled at a private, all-Jewish art school and began his formal education in painting, studying briefly with portrait artist Yehuda Pen. However, he left the school after several months, moving to St. Petersburg in 1907 to study at the Imperial Society for the Protection of Fine Arts. The following year, he enrolled at the Svanseva School, studying with set designer Léon Bakst, whose work had been featured in Sergei Diaghilev's Ballets Russes. This early experience would prove important to Chagall’s later career as well. Despite this formal instruction, and the widespread popularity of realism in Russia at the time, Chagall was already establishing his own personal style, which featured a more dreamlike unreality and the people, places and imagery that were close to his heart. Some examples from this period are his Window Vitebsk (1908) and My Fianceé with Black Gloves (1909), which pictured Bella Rosenfeld, to whom he had recently become engaged. The Beehive Despite his romance with Bella, in 1911 an allowance from Russian parliament member and art patron Maxim Binaver enabled Chagall to move to Paris, France. After settling briefly in the Montparnasse neighborhood, Chagall moved further afield to an artist colony known as La Ruche (“The Beehive”), where he began to work side by side with abstract painters such as Amedeo Modigliani and Fernand Léger as well as the avant-garde poet Guillaume Apollinaire. At their urging, and under the influence of the wildly popular fauvism and cubism, Chagall lightened his palette and pushed his style ever further from reality. I and the Village (1911) and Homage to Apollinaire (1912) are among his early Parisian works, widely considered to be his most successful and representative period. Though his work stood stylistically apart from his cubist contemporaries, from 1912 to 1914 Chagall exhibited several paintings at the annual Salon des Indépendants exhibition, where works by the likes of Juan Gris, Marcel Duchamp and Robert Delaunay were causing a stir in the Paris art world. Chagall’s popularity began to spread beyond La Ruche, and in May 1914 he traveled to Berlin to help organize his first solo exhibition, at Der Sturm Gallery. Chagall remained in the city until the highly acclaimed show opened that June. He then returned to Vitebsk, unaware of the fateful events to come. War, Peace and Revolution In August 1914 the outbreak of World War I precluded Chagall’s plans to return to Paris. The conflict did little to stem the flow of his creative output, however, instead merely giving him direct access to the childhood scenes so essential to his work, as seen in paintings such as Jew in Green (1914) and Over Vitebsk (1914). His paintings from this period also occasionally featured images of the war’s impact on the region, as with Wounded Soldier (1914) and Marching (1915). But despite the hardships of life during wartime, this would also prove to be a joyful period for Chagall. In July 1915 he married Bella, and she gave birth to a daughter, Ida, the following year. Their appearance in works such as Birthday (1915), Bella and Ida by the Window (1917) and several of his “Lovers” paintings give a glimpse of the island of domestic bliss that was Chagall’s amidst the chaos. To avoid military service and stay with his new family, Chagall took a position as a clerk in the Ministry of War Economy in St. Petersburg. While there he began work on his autobiography and also immersed himself in the local art scene, befriending novelist Boris Pasternak, among others. He also exhibited his work in the city and soon gained considerable recognition. That notoriety would prove important in the aftermath of the 1917 Russian Revolution when he was appointed as the Commissar of Fine Arts in Vitebsk. In his new post, Chagall undertook various projects in the region, including the 1919 founding of the Academy of the Arts. Despite these endeavors, differences among his colleagues eventually disillusioned Chagall. In 1920 he relinquished his position and moved his family to Moscow, the post-revolution capital of Russia. In Moscow, Chagall was soon commissioned to create sets and costumes for various productions at the Moscow State Yiddish...

Keith Haring Safe Sex poster 1987: A fun, witty, classic Haring illustration created by the artist in conjunction with his many Aids Awar...

Salvador Dali - "Knight & Death" from Faust - Original Etching With embossed signature (from the standard book edition of 731) Dimensions: 38,5 x 28,5 cm 1969 References : Field 69-1...

Artist: Keith Haring, American (1958 - 1990) Title: New Year's Invitation 1988 Year: 1988 Medium: Silkscreen on Paper Image Size: 11 x 8 inches This bears a printed signature. It is not hand signed as issued. Keith Allen Haring (May 4, 1958 – February 16, 1990) was an American artist and social activist whose work responded to the New York City street culture of the 1980s by expressing concepts of birth, death, sexuality, and war. Haring's work was often heavily political and his imagery has become a widely recognized visual language of the 20th century. Keith Haring was born in Reading, Pennsylvania, on May 4, 1958. He was raised in Kutztown, Pennsylvania, by his mother Joan Haring, and father Allen Haring, an engineer and amateur cartoonist. He had three younger sisters, Kay, Karen and Kristen. Haring became interested in art at a very early age spending time with his father producing creative drawings. His early influences included Walt Disney cartoons, Dr. Seuss, Charles Schulz, and the Looney Tunes characters in The Bugs Bunny Show. In Haring's teenage years, he left his religious background behind and hitchhiked across the country, selling vintage t-shirts and experimenting with drugs. He studied commercial art from 1976 to 1978 at Pittsburgh's Ivy School of Professional Art but lost interest in it. He made the decision to leave after having read Robert Henri's The Art Spirit (1923) which inspired him to concentrate on his own art. Haring had a maintenance job at the Pittsburgh Center for the Arts and was able to explore the art of Jean Dubuffet, Jackson Pollock, and Mark Tobey. His most critical influences at this time were a 1977 retrospective of the work of Pierre Alechinsky and a lecture by the sculptor Christo in 1978. Alechinsky's work, connected to the international Expressionist group CoBrA, gave Haring confidence to create larger paintings of calligraphic images. Christo introduced him to the possibilities of involving the public with his art. Haring's first important one-man exhibition was in Pittsburgh at the Center for the Arts in 1978. He moved to New York to study painting at the School of Visual Arts. He studied semiotics with Bill Beckley as well as exploring the possibilities of video and performance art. Profoundly influenced at this time by the writings of William Burroughs, he was inspired to experiment with the cross-referencing and interconnection of images. He first received public attention with his public art in subways. Starting in 1980, he organized exhibitions at Club 57, which were filmed by the photographer Tseng Kwong Chi. Around this time, "The Radiant Baby" became his symbol. His bold lines, vivid colors, and active figures carry strong messages of life and unity. He participated in the Times Square Exhibition and drew animals and human faces for the first time. That same year, he photocopied and pasted provocative collages made from cut-up and recombined New York Post headlines around the city. In 1981, he sketched his first chalk drawings on black paper and painted plastic, metal, and found objects. By 1982, Haring had established friendships with fellow emerging artists Futura 2000, Kenny Scharf, Madonna and Jean-Michel Basquiat. He created more than 50 public works between 1982 and 1989 in dozens of cities around the world. His "Crack is Wack" mural, created in 1986, is visible from New York's FDR Drive. He got to know Andy Warhol, who was the theme of several of Haring's pieces, including "Andy Mouse". His friendship with Warhol would prove to be a decisive element in his eventual success. In December 2007, an area of the American Textile Building in the TriBeCa neighborhood of New York City was discovered to contain a painting of Haring's from 1979. In 1984, Haring visited Australia and painted wall murals in Melbourne (such as the 1984 'Detail-Mural at Collingwood College, Victoria') and Sydney and received a commission from the National Gallery of Victoria and the Australian Centre for Contemporary Art to create a mural which temporarily replaced the water curtain at the National Gallery. He also visited and painted in Rio de Janeiro, the Musée d'Art Moderne de la Ville de Paris, Minneapolis and Manhattan.[9] He became politically active, designing a Free South Africa poster...

"Lovesick" Photography 36" x 24" in Edition 1/15 by Larsen Sotelo Not framed. Ships in a tube Comes with COA Available sizes: Edition of 15: 36" x 24" inch Edition of 7: 45" x ...

"Secret Place" Photography 31.5" x 24" inch Edition of 5 by Lukas Dvorak Pigment print on Epson Fine ART paper 2023 Ships rolled in a tube ABOUT THE ARTIST Lukas Dvorak is a Czec...

Haiku #56, 1/50 - Digital Vector Drawing Standing Female Nude Woman Figure Arms This is a limited edition (50) digital black & white print of a dancing female nude, executed in 17 ...

Additional Information: Work is titled BLUE PISSOIR. Certificate of Documentation to reverse states: “This work was donated by the artist, courtesy of Luhring Augustine Gallery, to b...

"Easy on the Eye" Photography 24" x 36" in Edition 1/15 by Larsen Sotelo Not framed. Ships in a tube Comes with COA Available sizes: Edition of 15: 24" x 36" inch Edition of 7:...

Untitled (Nr. 1751) Photography 36" x 44" Edition of 12 by Ben Cope & Rowan Daly Unframed - ships rolled in a tube Ben Cope + Rowan Daly Off the Grid Off the Grid is the culmina...

Haiku # 55, 1/50 - Digital Vector Drawing Female Nude Woman Figure Sitting in Ch This is a limited edition (50) digital black & white print of a seated female nude, executed in 17 vector lines. It is part of a series called Haiku, after the style of Japanese poetry. Haiku translated to English means “cutting”, and refers to two juxtaposing ideas or images. Haiku has 17 “on”, or syllables, and is traditionally written in English on three lines. Using this theme, I have drawn images of female nudes, juxtaposing the colours black and white and using only 17 vector lines. I am experimenting with the economy of line and how to express an artistic idea that will engage the viewer. Deciding on which lines to include and which to exclude was a challenge. This simple drawing describes a nude woman languishing in a chair, viewed from behind, but leaves enough to the viewer’s imagination to complete the artwork in their head. I've drawn this image with my finger on my iPhone, using a vector drawing app that allows me to control the weight of each line by varying the pressure of my fingertip on the screen. Count the vectors in this clever, thought provoking artwork...

Keith Haring 'Man to Man' record art 1987: A rare vinyl art cover featuring original artwork by Keith Haring. Truly vibrant colors that make for stand-out wall art. Looks very cool f...

Artist: Guillaume Corneille (1923-2010) Title: La Chambre En Luminance Year: 1979 Medium: Lithograph on wove paper Edition: 77/250, plus proofs Size: 19.50 x 25.50 inches Condition: ...

ARTIST: Salvador Dali TITLE: Les Amours Jaunes The Rebel Poet MEDIUM: Etching + Gold Flakes SIGNED: Hand Signed EDITION NUMBER: CLXII/CC MEASUREMENTS: 11" x 14.75" Framed: 19....

"Late Afternoon" Photography 25" x 35" in Edition 1/15 by Larsen Sotelo Not framed. Ships in a tube Comes with COA Available sizes: Edition of 15: 25" x 35" inch Edition of 7:...

after Henri Matisse - Acrobat Edition of 200 with the printed signature, as issued 76 x 56 With stamp of the Succession Matisse References : Artvalue - Succession Matisse

Medium: original lithograph. This striking composition was published in 1921 for Genius. Sheet size: 13 1/4 x 9 7/8 inches (340 x 250 mm) on wove paper. This original Archipenko prin...

A striking piece by Piper also presented in the Tate collection. This print is one of an extensive series titled ‘Eye and Camera’, the first of which were made in 1967. For these prints, which are distinctly different from his topographical work, Piper uses photographic images fragmented and collaged, and juxtaposed with drawing. This is a signed original screenprint from the Kelpra/Tate Gallery portfolio of seven prints published in 1980 in an edition of 150, to celebrate the Kelpra Studio Exhibition at the Tate Gallery. The other artists were Patrick Caulfield, Gordon House, R.B. Kitaj, Victor Pasmore, John Piper, Joe Tilson and Gerd Winner...

Original Etching by Jean-Gabriel Domergue Dimensions: 33 x 25 cm 1924 Edition of 100 This artwork is part of the famous portfolio The Afternoon of a Faun. Jean-Gabriel Domergue Jea...

"Avant" Art print Edition of 25 36" x 24" inch by Yevgeniy Repiashenko Year photo was taken: 2020 Art Print Limited Edition of 25 Picture size: Height: 36" inch Width: 24" inch *...

Medium: original softground etching and aquatint. Executed in 1919, this impression on laid paper was printed ca. 1929. Plate size: 7 3/4 x 6 1/2 inches (196 x 167 mm). Sheet size: 1...

Lithograph after Henri Matisse - Sitting Blue Nude Artist : after Henri MATISSE Edition of 200 76 x 56 cm With stamp of the Succession Matisse References : Artvalue - Succession Ma...

Haiku #57, 1/50 - Digital Vector Drawing Seated Female Nude From Rear This is a limited edition (50) digital black & white print of a seated female nude, viewed from behind, and exe...

Keith Haring Into 84/Keith haring Painted Man 1983: Announcement card for Keith Haring’s well-documented exhibition, 'Into 84' at Tony Shafrazi Gallery, New York, 1983. For this ser...

"Ladybugs" Photography 39" x 39" inch Edition of 3 by Olha Stepanian Printed on Epson Professional Paper Signed and numbered by the artist Not framed. Ships in a tube. Available...

Medium: original etching. Catalogue reference: Delteil 23. This is a lifetime impression published in 1910 for the rare first edition of "Manet & the French Impressionists" by Theodo...

Salvador Dali - Girl With Torch - from "Les Amours de Cassandre" Original Etching From the suite on Silk made for editions 9 to 34 Dimensions: ...

Untitled (Nr. 7506) Photography 44" x 36" Ed. 1/12 by Ben Cope & Rowan Daly Unframed - ships rolled in a tube Ben Cope + Rowan Daly Off the Grid Off the Grid is the culmination ...

"Le Sens" Photography 32" x 47" inch Edition of 15 by Yevgeniy Repiashenko Photography Year photo was taken: 2017 "Archival pigment print on Hahnemuhle Photo Rag Baryta paper (315...

"Too Cute to Handle 2" Photography 24" x 32" inch Edition of 5 by Lukas Dvorak 24" x 32" inch Pigment print on Epson Fine ART paper 2023 Ships rolled in a tube ABOUT THE ARTIST ...

Haiku #59, 1/50 - Digital Vector Drawing Female Standing Nude This is a limited edition (50) digital black & white print of a standing female nude, exe...

"Sepia Kate Moss triplet" Photography 28" × 26" in Edition of 25 by Kate Garner Signed & dated. Comes with COA Archival Hahnemuhle art paper Not framed. Ships in a tube. Garner'...

Haiku #58, 1/50 - Digital Vector Drawing Standing Female Nude Viewed Front This is a limited edition (50) digital black & white print of a standing female nude, executed in 17 vecto...

Salvador Dali - Girl and Pig - Original Etching Dimensions: 38 x 28 cm Edition: 390 1967 On Rives Vellum Signed in the plate References : Field 67-4 (p. 3...

untitled (Young Woman Washing) Lithograph, c. 1910 Signed in pencil lower right; signed in the plate lower right (see photo) Image size: 11 x 5-1/8" Sheet size: 18 7/8 x 12 5/8 inches Condition: Very good Aging to the tan paper it is printed on Provenance: Estate of the Artist Borghi & Company, NYC Rudolph Bauer 1889-1953 Rudolf Bauer was born in Lindenwald near Bromberg, Silesia, in 1889 but his family moved only a few years later to Berlin. In 1905 Bauer began his studies at the Berlin Academy of Art but left the Academy only a few months later to educate himself. The upshot was paintings, caricatures and comical drawings which were published in 'Berliner Tageblatt', 'Ulk' and 'Le Figaro'. From 1912 Bauer contributed to the magazine and Gallery 'Der Sturm' founded by Herwarth Walden and pivotal to German Expressionism and the international avant-garde. In 1915 Rudolf Bauer participated for the first time in a group show at Walden's gallery. There he met Hilla von Rebay, with whom he began a relationship of many years that was crucial to Bauer's later work. By 1922 Bauer had shown work at about eight exhibitions mounted by 'Der Sturm'. From 1918 he also taught at the 'Der Sturm' art school, where Georg Muche was the director. After the war ended, Bauer was a founding member of the 'November Group' although he did not collaborate closely with the group. In 1919 Bauer joined forces with the painter and architect Otto Nebel and with Hilla von Rebay to found the artists' association 'Die Krater'. Impressionist at the outset, Bauer's early work reveals Cubist and Expressionist influences. By 1915/16 Bauer had switched to an abstract pictorial idiom, which is markedly influenced by Kandinsky. In the early 1920s Bauer was also preoccupied with Russian Constructivism as well as the Dutch de Stijl group. Bauer's decided preference for non-representational painting culminated in 1929 with the foundation of a private museum, 'Das Geistreich', which he directed as a salon for abstract art. Political developments in Germany forced Bauer to sell some of his work in America from 1932. His agent in America was Hilla von Rebay, who was by now director of the Guggenheim Collection. In 1936 she organized a touring exhibition of non-representational European art that included sixty Rudolf Bauer oil...

LADIES WITH PARROTS is an original hand drawn lithograph printed using hand lithography techniques on archival Somerset printmaking paper, 100% aci...

"Suffocate" Photography 24" x 18" inch Edition 1/20 by Ben Cope Not framed. Ships in a tube. BLANC series by Ben Cope: Ben Cope is a Los Angeles based portrait artist with a BFA ...

Mel Ramos (American, born 1935) Hav-A-Havana 6, 1999 Medium: Lithograph in colors, on wove paper Dimensions: 52.5 x 55.5 cm Edition of 199: Hand-signed and numbered Condition: Mint

Marc Chagall, Original Lithograph depicting an instant of the Bible. Technique: Original lithograph in colours Year: 1956 Sizes: 35,5 x 26 cm / 14" x 10.2" (sheet) Published by: Édit...

CLÉMENT CYCLES is a fine art lithograph re-creation after the original French advertising poster created by PAL(Jean de Paleologue) for Fernand Clément Bicycle Co., France. Hand craf...

Artist: Hajime Sorayama, Japan, b. 1947 Size: 17" x 24" Medium: Lithograph on High Gloss Paper Signature: Lower Left Subject: Nude Female in Black Leather Jacket and Boots, Urinating...

Artist: Hajime Sorayama, Japan, b. 1947 Size: 17" x 24" Medium: Lithograph on High Gloss Paper Signature: Lower Left Subject: Nude Female in Black Leather Jacket and Boots, Urinating...

"Syrens No 2" Photography 30" x 45" in Edition 1/7 by Larsen Sotelo Not framed. Ships in a tube Comes with COA Available sizes: Edition of 15: 24" x 36" inch Edition of 7: 30" ...

"E-motion" Art print 24" x 36" inch Edition of 25 by Yevgeniy Repiashenko "E-motion" by Yevgeniy Repiashenko Year photo was taken: 2013 Art Print Limited Edition of 25 Picture size...

Shiny Nude by Tom Wesselmann, American (1931–2004) Date: 1977 Lithograph, numbered verso Edition of 1000 Image Size: 5.75 x 5.75 inches Size: 8 x 8 in. (20....

The latest and most successful series by Rodrigo Cacho, where classical ideals of Greek and Roman beauty find a contemporary expression. Cacho's unique approach involves subtle inter...

His series "Room" or "My carnival" evokes the fantasy of the mistress, fetishist eroticism, 5 to 7, free fantasy. Eric produces erotic art without ever biting into porn-chic always b...

The latest and most successful series by Rodrigo Cacho, where classical ideals of Greek and Roman beauty find a contemporary expression. Cacho's unique approach involves subtle inter...

Hans Bellmer, 'The Modest Rose', engraving and drypoint, edition 99, 1971. Signed and numbered '99/99' in pencil. A fine, richly-inked impression, on Arches cream wove paper; the ful...

Haiku #60, 1/50 - Digital Vector Drawing Female Nude Standing Arranging Hair This is a limited edition (50) digital black & white print of a standing female nude, executed in 17 vec...

Lithograph on paper signed Guttuso and with embossed printer's stamp, framed

Salvador Dali - The Kidnapping - from "Les Amours de Cassandre" Original Etching From the suite on Silk made for editions 9 to 34 Dimensions: 38,5 x 28,5 cm ...

Mel Ramos (born 1935) Coca-Lola No. 4, 2004 Medium: Lithograph in colors Image dimensions: 67.5 x 44.5 cm Sheet dimensions: 88 x 60 cm Edition of 100: Hand signed and numbered “Mr. ...

"Light Slide" Art print Edition of 25 36" x 24" inch by Yevgeniy Repiashenko "Light Slide" by Yevgeniy Repiashenko Year photo was taken: 2013 Art Print Limited Edition of 25 Pictur...

"Too Cute to Handle 3" Photography 31.5" x 24" inch Edition of 5 by Lukas Dvorak Pigment print on Epson Fine ART paper 2023 Ships rolled in a tube ABOUT THE ARTIST Lukas Dvorak i...

Male nude by San Francisco based Mark Jenkins. Jenkins has spent the majority of his career working as a commercial photographer and graphic designer. But in his personal work, much ...

Abel Pann (1883–1963) was a Russian-born Jewish painter and print-maker who settled in the Talpiot neighborhood of Jerusalem in the early twentieth century and taught at the Bezalel ...