1980s Prints and Multiples

Paper Size: 27 x 33.5 inches ( 68.58 x 85.09 cm ) Image Size: 22.25 x 33.5 inches ( 56.515 x 85.09 cm ) Framed: No Condition: A: Mint Additional Details: First edition exhibiti...

Flower Market David Azuz, Israeli/French (1942–2014) Date: circa 1980 Lithograph, numbered in pencil Edition of 217/300 Image Size: 19.75 x 25.75 inches Size: 26 x 32.5 in. (66.04 x ...

Sol LeWitt (1928-2007) is an important contributor to the 20th century's most cerebral "isms" notably minimalism and conceptual art. Many of his works were created from elaborate a...

Matin Calme Daniel Gelis, French (1942) Date: circa 1980 Lithograph on Arches, signed and numbered in pencil Edition of 137/180 Size: 22 x 27 in. (55.88 x 68.58 cm)

Raymond Pettibon illustrated Black Flag flyer published on the occasion of: Black Flag at the Elite Club, Oct. 31 1981; with D.O.A., Saccharine Trust, & Overkill. A rare early Petti...

Keith Haring Pop Shop, 1986: Vintage original 1980s Keith Haring Pop Shop bag designed & illustrated by the artist. Features a bold Keith Haring ...

Morning at Cafe David Azuz, Israeli/French (1942–2014) Date: circa 1980 Lithograph, numbered in pencil Edition of 217/300 Image Size: 19.75 x 26 inches Size: 26 x 32.5 in. (66.04 x 8...

Bar Scene David Azuz, Israeli/French (1942–2014) Date: circa 1980 Lithograph, numbered in pencil Edition of 217/300 Image Size: 19.75 x 25.5 inches Size: 26 x 32.5 in. (66.04 x 82.55...

Closing Bar Tab David Azuz, Israeli/French (1942–2014) Date: circa 1980 Lithograph, numbered in pencil Edition of 217/300 Image Size: 19.5 x 25.5 inches Size: 26 x 32.5 in. (66.04 x ...

Men in Hats David Azuz, Israeli/French (1942–2014) Date: circa 1980 Lithograph, numbered in pencil Edition of 217/300 Image Size: 19.75 x 25.5 inches Size: 26 x 32.5 in. (66.04 x 82....

Hasidic Neighborhood David Azuz, Israeli/French (1942–2014) Date: circa 1980 Lithograph, numbered in pencil Edition of 217/300 Image Size: 19.5 x 25.5 inches Size: 26 x 32.5 in. (66....

Salvador Dali - Lithograph Title: Flordali I Dimensions: 76 x 106 cm Printed signature Edition of 4880 Reference: Field page 233 / Michler & Lopsinger 1586 The artwork is shipped wit...

Paper Size: 27.75 x 19.5 inches ( 70.485 x 49.53 cm ) Image Size: 16.5 x 12.5 inches ( 41.91 x 31.75 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Addi...

Blue Volcan is a contemporary artwork realized by the artist Fifo Stricker in 1984. Mixed colored aquatint and etching. Original title: Der Blaue Vulcan Hand signed and dated by th...

Abstract Urban Landscape  is an original print, realized in by the Artist Antonio Cremonese (Rome, 1949). Color lithograph on paper. Hand Signed on the right margin. Limited edition...

Mordecai MOREH Cat and Mouse, 1982 Original etching Handsigned in pencil Numbered / 300 On vellum 9 x 21 cm (c. 4 x 8 inch) INFORMATION : This etching was created for the Greeting ...

Melanie Taylor Kent, "Hollywood Boulevard" Screenprint serigraph signed and numbered 244/300 Dated 1982 Limited Artist Proof Edition Fine Art Serigraph Print on Paper Hand Signed by the Artist. The custom matting are exceptionally well made by artist herself. Very Good Condition of use. Melanie Taylor Kent is an American artist. Born in Pittsburgh, Pennsylvania, she was raised and has spent most of her life in Southern California. She won her first National Art Competition at age 12. She graduated from the UCLA School of Art and taught art in the Los Angeles City Schools. In 1980 she started her own publishing company and has published a series of art chronicling America by depicting famous streets and famous events.[1] Her artwork has been licensed to Warner Bros., Disney and Hanna-Barbera. Kent's serigraphs are noted for the personalities that challenge collectors to identify them. She was the first artist to be licensed by the Walt Disney Company to portray Disney theme parks in limited edition prints and has been selected as...

Garage Impo is a contemporary artwork realized by the artist Fifo Stricker in 1982. Mixed colored aquatint and etching.  Hand signed and dated by the artist on the lower right marg...

Weightlifter is a contemporary artwork realized by the artist Fifo Stricker in 1981. Mixed colored aquatint and etching. Original title: Gewichtheber Hand signed an dated by the ar...

Offset lithograph printed in colours on wove paper 30 3/4 × 26 in 78.1 × 66 cm

Raymond Pettibon: Rare original 1983 Black Flag flyer (postmarked on reverse): Black Flag at S.I.R., Nov 27, 1982: Offset-print, 11 x 8.5 inches. (28 x 21.6 cm); Flyer / Handbill for...

Artist: Jurgen Peters, German (1936 - ) Title: Rainbow Waves Year: 1981 Medium: Screenprint, signed and numbered in pencil Edition: 250, AP 30 Image Size: 18.5 x 34 inches Size...

Original poster printed on the occasion of the Metropolitan Opera’s 1981 production of Parade, a triple-bill of short French pieces directed by John Dexter, for which David Hockney d...

Melanie Taylor Kent, "Rodeo Drive" in Bevelry Hills Screenprint serigraph signed and numbered 85/300 Circa 1982-1983 Limited Artist Proof Edition Fine Art Serigraph Print on Paper Hand Signed by the Artist. The custom matting are exceptionally well made by artist herself. Very Good Condition of use. Melanie Taylor Kent is an American artist. Born in Pittsburgh, Pennsylvania, she was raised and has spent most of her life in Southern California. She won her first National Art Competition at age 12. She graduated from the UCLA School of Art and taught art in the Los Angeles City Schools. In 1980 she started her own publishing company and has published a series of art chronicling America by depicting famous streets and famous events.[1] Her artwork has been licensed to Warner Bros., Disney and Hanna-Barbera. Kent's serigraphs are noted for the personalities that challenge collectors to identify them. She was the first artist to be licensed by the Walt Disney Company to portray Disney theme parks in limited edition prints and has been selected as...

Artist: Peter Max (1937) Title: Spring Year: 1982 Medium: Unique, mixed media with lithography and hand coloring on Arches paper Size: 6.25 x 5.25 inches Condition: Excellent Inscrip...

Paper Size: 13.25 x 39.25 inches ( 33.655 x 99.695 cm ) Image Size: 10.5 x 38.25 inches ( 26.67 x 97.155 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Addit...

Raymond Pettibon Black Flag: Rare 1984 Raymond Pettibon illustrated Black Flag promotional flyer published to advertise the release of the Black Flag album 'Slip It In'. Offset prin...

Artist: Andy Warhol Title: St. Apollonia FS II.330-333 (Matching Set) Size: 30 x 22 Inches Each Medium: Screenprint Edition: 7/250 Year: 1984 Notes: Hand-signed and Numbered by t...

Raymond Pettibon illustrated Black Flag flyer published on the occasion of: Black Flag on Broadway / Dec. 19 1982 / Dec. 20 1982 with Code of Honor, Redd Kross, Nig-Heist, & Flipper...

Baum, 1986 Lithograph in colors, on wove paper 31 1/8 x 22 7/8 in. (79 x 58 cm) Edition of 12 (in Roman numerals) Signed and numbered in pencil, lower margin

Original off set lithograph (poster) in colors on paper. Sheet size 30 x 24 inches. Artwork is in excellent condition.

Artist: Keith Haring Title: Growing (Plate 5), from the Growing Portfolio Size: 40 x 30 Inches (76.2 x 101.6 cm) Medium: Screenprint in colors, on Lenox Museum Board, with full mar...

Reduced to angular shapes, the female model in this Pablo Picasso print is portrayed in the Cubist style founded and propagated by the artist himself. Relying on invented perspective...

Artist: Keith Haring Title: Growing (Plate 3), from the Growing Portfolio Size: 40 x 30 Inches (76.2 x 101.6 cm) Medium: Screenprint in colors, on Lenox Museum Board, with full mar...

Paper Size: 34.75 x 23 inches ( 88.265 x 58.42 cm ) Image Size: 31.5 x 19 inches ( 80.01 x 48.26 cm ) Framed: No Condition: B-: Good Condition, Signs of Handling and Age Supplemental...

Seated in an armchair, the woman in this Pablo Picasso print appears fragmented and disjointed due to the artist’s integration of multiple perspectives. A lithograph from the Marina ...

Artist: Dennis Oppenheim, American (1938 - 2011) Title: Target Year: 1981 Medium: Lithograph, signed and numbered in pencil Edition: 150 Size: 41.25 in. x 29.75 in. (104.78 cm x 75.5...

Andy Warhol, Jean-Michel Basquiat boxing pictorial, 1985. Rare vintage 1985 large sized magazine advertisement for the historic Andy Warhol and Jean-Michel ...

Keith Sonnier Untitled post Minimalist lithograph, 1981 Lithograph on watermarked paper with publishers blind stamp Pencil signed, numbered 96/200 and dated on the front Published by...

Keith Sonnier Untitled sculptural image, 1981 Lithograph on wove paper Signed, numbered 156/200 and dated in graphite pencil on the front Published by Waterstreet Press with blind st...

Comprised of shapes with lines and sharp angles, this composition depicting the running of the bulls is hectic and energized. Rendered in gradiated rainbow colors, the animals in thi...

Wearing a hat, the woman is represented with a series of black and white shapes that surve alongside one another. Accented by a mustard yellow, the portrait features different perspe...

Keith Sonnier Untitled sculptural lithograph, 1981 Lithograph on watermarked paper Signed, numbered 159/200 and dated in graphite pencil on the front Published by Waterstreet Press ...

Artist: Raymond Parker, American (1922 - 1990) Title: Untitled 11 (The Butterfly) Year: 1980 Medium: Silkscreen, signed in pencil Image Size: 19 x 27 inches Size: 22 x 30 in. (55.88 ...

Leaning against the curved railing of the balcony, the model in this print is depicted through a series of shapes and forms of varying colors layered over one another. A lithograph f...

Paper Size: 27.5 x 19.75 inches ( 69.85 x 50.165 cm ) Image Size: 27.5 x 19.75 inches ( 69.85 x 50.165 cm ) Framed: No Condition: B: Very Good Condition, with signs of handling or ag...

Title: Montreux Jazz Festival 1983 by Keith Haring 1986 Medium: Screenprint in colours on half-matte coated 250 gr paper Printer: Albin Uldry Size: 70 x 100 cm (27.6 x 39.4 in) S...

Raymond Pettibon Black Flag 1981: A rare early Pettibon illustrated punk flyer published on the occasion of: Black Flag at the Mabuhay: Feb 27- Feb 28, 1981. A gig by Black Flag, Edd...

Printed for Galerie Kammer’s 1981 David Hockney exhibition “Drawings and Prints”, this beautiful poster reproduces Hockney’s drawing Celia in a Black Dress and Red Stockings 1973. Fa...

Lithograph, waxtype woodcut and screenprint on 638-g/m cold-pressed Saunders Waterford Paper. From the "Brushstroke Figures" series, 1989. Hand signed rf Lichtenstein, dated ('89) a...

Raymond Pettibon illustrated Black Flag flyer New York City 1981: Rare early 1980s Punk flyer illustrated by Pettibon to advertise one of Black Flag’s first ever East Coast shows hel...

These lively, colorful works are full of movement and Mira's characteristic mysterious, mythical figures and shapes. Victor Mira Set of three woodcuts on buff, textured paper, 1983...

Silkscreen on Arches paper, Hand signed and Numbered in Pencil. Serigraph in white, back, blue gray (silver). Chryssa Vardea-Mavromichali (Greek: Χρύσα Βαρδέα-Μαυρομιχάλη; December 31, 1933 – December 23, 2013) was a Greek American artist who worked in a wide variety of media. An American art pioneer in light art and luminist sculpture widely known for her neon, steel, aluminum and acrylic glass installations, she has always used the mononym Chryssa professionally. She worked from the mid-1950s in New York City studios and worked since 1992 in the studio she established in Neos Kosmos, Athens, Greece. Chryssa was born in Athens into the famous Mavromichalis family from the Mani Peninsula. one of her sisters, who studied medicine, was a friend of the poet and novelist Nikos Kazantzakis. Chryssa began painting during her teenage years and also studied to be a social worker.In 1953, on the advice of a Greek art critic, her family sent her to Paris to study at the Académie de la Grande Chaumiere where Andre Breton, Edgard Varese, and Max Ernst were among her associates and Alberto Giacometti was a visiting professor. In 1954, at age twenty-one, Chryssa sailed for the United States, arrived in New York and went to San Francisco, California to study at the California School of Fine Arts. Returning to New York in 1955, she became a United States citizen and established a studio in the city. Chryssa's first major work was The Cycladic Books preceded American minimalism by seventeen years. 1961, Chryssa's first solo exhibition was mounted at The Guggenheim. 1963, Chryssa's work was shown at the Museum of Modern Art in curator Dorothy Canning Miller's Americans 1963 exhibition. The artists represented in the show also included Richard Anuszkiewicz, Lee Bontecou, Robert Indiana, Richard Lindner, Marisol, Claes Oldenburg, Ad Reinhardt, James Rosenquist and others. 1966, The Gates to Times Square, regarded as "one of the most important American sculptures of all time" and "a thrilling homage to the living American culture of advertising and mass communications." The work is a 10 ft cube installation of two huge letter 'A's through which visitors may walk into "a gleaming block of stainless steel and Plexiglas that seems to quiver in the play of pale blue neon light" which is controlled by programmed timers. First shown in Manhattan's Pace Gallery, it was given to the Albright-Knox Art Gallery in Buffalo, New York in 1972. 1972, The Whitney Museum of American Art mounted a solo exhibition of works by Chryssa. That's All (early 1970s), the central panel of a triptych related to The Gates of Times Square, was acquired by the Museum of Modern Art between 1975 and 1979. 1973, Chryssa's solo exhibition at the Gallerie Denise René was reviewed for TIME magazine by art critic Robert Hughes before it went on to the Galleries Denise René in Düsseldorf and Paris. Other works by Chryssa in composite honeycomb aluminum and neon in the 1980s and 1990s include Chinatown, Siren, Urban Traffic, and Flapping Birds. Chryssa 60/90 retrospective exhibition in Athens in the Mihalarias Art Center. After her long absence from Greece, a major exhibition including large aluminum sculptures - cityscapes, "neon boxes" from the Gates to the Times Square, paintings, drawings etc. was held in Athens. In 1992, after closing her SoHo studio, which art dealer Leo Castelli had described as "one of the loveliest in the world," Chryssa returned to Greece. She found a derelict cinema which had become a storeroom stacked with abandoned school desks and chairs, behind the old Fix Brewery near the city center in Neos Kosmos, Athens. Using the desks to construct enormous benches, she converted the space into a studio for working on designs and aluminum composite honeycomb sculptures...

Malinda Beeman Steven's Carnage, from the Art Against AIDS Portfolio, 1988 Lithograph on paper with deckled edges. Hand signed. Numbered. Titled. Printer's and Publisher's Blind Stam...

George Rickey Large: 39 inches (vertical) x 24.5 inches (horizontal) (Ships rolled in a tube measuring: 35 x 5) Two Lines Excentric Jointed with Six Angles, 1986 Limited Edition Offs...

Silkscreen on Arches paper, Hand signed and Numbered in Pencil. Serigraph in black, gray (silver). Chryssa Vardea-Mavromichali (Greek: Χρύσα Βαρδέα-Μαυρομιχάλη; December 31, 1933 – December 23, 2013) was a Greek American artist who worked in a wide variety of media. An American art pioneer in light art and luminist sculpture widely known for her neon, steel, aluminum and acrylic glass installations, she has always used the mononym Chryssa professionally. She worked from the mid-1950s in New York City studios and worked since 1992 in the studio she established in Neos Kosmos, Athens, Greece. Chryssa was born in Athens into the famous Mavromichalis family from the Mani Peninsula. one of her sisters, who studied medicine, was a friend of the poet and novelist Nikos Kazantzakis. Chryssa began painting during her teenage years and also studied to be a social worker.In 1953, on the advice of a Greek art critic, her family sent her to Paris to study at the Académie de la Grande Chaumiere where Andre Breton, Edgard Varese, and Max Ernst were among her associates and Alberto Giacometti was a visiting professor. In 1954, at age twenty-one, Chryssa sailed for the United States, arrived in New York and went to San Francisco, California to study at the California School of Fine Arts. Returning to New York in 1955, she became a United States citizen and established a studio in the city. Chryssa's first major work was The Cycladic Books preceded American minimalism by seventeen years. 1961, Chryssa's first solo exhibition was mounted at The Guggenheim. 1963, Chryssa's work was shown at the Museum of Modern Art in curator Dorothy Canning Miller's Americans 1963 exhibition. The artists represented in the show also included Richard Anuszkiewicz, Lee Bontecou, Robert Indiana, Richard Lindner, Marisol, Claes Oldenburg, Ad Reinhardt, James Rosenquist and others. 1966, The Gates to Times Square, regarded as "one of the most important American sculptures of all time" and "a thrilling homage to the living American culture of advertising and mass communications." The work is a 10 ft cube installation of two huge letter 'A's through which visitors may walk into "a gleaming block of stainless steel and Plexiglas that seems to quiver in the play of pale blue neon light" which is controlled by programmed timers. First shown in Manhattan's Pace Gallery, it was given to the Albright-Knox Art Gallery in Buffalo, New York in 1972. 1972, The Whitney Museum of American Art mounted a solo exhibition of works by Chryssa. That's All (early 1970s), the central panel of a triptych related to The Gates of Times Square, was acquired by the Museum of Modern Art between 1975 and 1979. 1973, Chryssa's solo exhibition at the Gallerie Denise René was reviewed for TIME magazine by art critic Robert Hughes before it went on to the Galleries Denise René in Düsseldorf and Paris. Other works by Chryssa in composite honeycomb aluminum and neon in the 1980s and 1990s include Chinatown, Siren, Urban Traffic, and Flapping Birds. Chryssa 60/90 retrospective exhibition in Athens in the Mihalarias Art Center. After her long absence from Greece, a major exhibition including large aluminum sculptures - cityscapes, "neon boxes" from the Gates to the Times Square, paintings, drawings etc. was held in Athens. In 1992, after closing her SoHo studio, which art dealer Leo Castelli had described as "one of the loveliest in the world," Chryssa returned to Greece. She found a derelict cinema which had become a storeroom stacked with abandoned school desks and chairs, behind the old Fix Brewery near the city center in Neos Kosmos, Athens. Using the desks to construct enormous benches, she converted the space into a studio for working on designs and aluminum composite honeycomb sculptures...

William Steen Untitled, from the Art Against AIDS Portfolio, 1988 Lithograph on paper with deckled edges Hand signed, numbered 38/50 and dated on lower front with printer's and publisher's blindstamp. 20 1/5 × 15 inches Unframed Hand signed, numbered and dated on lower front with printer's and publisher's blindstamp. This powerful limited edition lithograph by William Steen was published in 1988 as part of the Art Against Aids portfolio, numbered 38/50. Superb provenance as it is was acquired from the original Art Against AIDS Portfolio published in Houston, Texas. This will be the first time the work will be removed from the portfolio. The late 1980s was the height of the AIDS epidemic, and this was one of many efforts by the creative community to raise funds to assist in fighting this deadly scourge that disproportionately affected the artistic community. William Steen 1949-2008 William Steen, artist, collector, curator, and mystic, died of pancreatic cancer on December 20 in New York, where he has lived since 2001. Long time framer at the Menil Collection, the soft-spoken Steen is remembered in Houston where he had his first exhibition of paintings in 1978 at the Roberto Molina Gallery. In 1984 Steen made his first of several trips to India, photographing thousands of Tibetan Buddhist ritual paintings. A champion of outsider art, in 2000 he tangled with the Houston Police over the grafitti mural he comissioned for the walls of the reclaimed Sterling Cleaners...

Leonor Fini - Servants - Original Handsigned Lithograph Les Elus de la Nuit 1986 Conditions: excellent Handsigned and Numbered Edition: 230 Dimensions: 38 x 28 cm Editions: Trinckve...