Ifpda International Fine Print Dealers Association
International Fine Print Dealers Association (IFPDA)
Launched in 1987, the International Fine Print Dealers Association has continually set the bar for quality and ethics while promoting prints as original works of art to generations of collectors, curators and art lovers. With over 160 members in 13 countries, the IFPDA is a worldwide community of leading dealers and editions publishers who represent the full spectrum of printmaking. Each year, the IFPDA hosts the IFPDA Print Fair in New York, the only major fair dedicated to fine-art prints.
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Bon Fire Night Circle (13 totally nude men arrayed in a circle in the desert)
Located in New Orleans, LA
13 nude guys form a circle in the desert. This is number 1 from a limited edition of 12. The work is signed on the back. A book of the artists work will be published in early Spring
London-based Photographer and Graphic designer Omer Ga...
Category
2010s Surrealist Ifpda International Fine Print Dealers Association
Materials
C Print
'Fantasia Americana - 1880' — Mid-Century American Surrealism
By Lawrence Kupferman
Located in Myrtle Beach, SC
Lawrence Kupferman, 'Fantasia Americana – 1880', drypoint etching with sandground, 1943. Signed, titled, and annotated 'Series A, 1971 2/6' in pencil. A superb, richly-inked impression, on heavy, cream wove paper, with full margins (2 1/2 to 3 1/2 inches); the paper slightly lightened within the original mat opening, otherwise in excellent condition. One of only 6 impressions printed in 1971, with the added sandground grey background tint. Image size 11 13/16 x 14 3/4 inches; sheet size 18 x 20 1/4 inches. Archivally matted to museum standards, unframed.
Collections: National Gallery of Art, Zimmerli Art Museum (Rutgers University).
ABOUT THE ARTIST
Lawrence Kupferman (1909 - 1982) was born in the Dorchester neighborhood of Boston and grew up in a working-class family. He attended the Boston Latin School and participated in the high school art program at the Museum of Fine Arts, Boston. In the late 1920s, he studied drawing under Philip Leslie Hale at the Museum School—an experience he called 'stultifying and repressive'. In 1932 he transferred to the Massachusetts College of Art, where he first met his wife, the artist Ruth Cobb. He returned briefly to the Museum School in 1946 to study with the influential expressionist German-American painter Karl Zerbe.
Kupferman held various jobs while pursuing his artistic career, including two years as a security guard at the Museum of Fine Arts, Boston. During the 1930s he worked as a drypoint etcher for the Federal Art Project, creating architectural drawings in a formally realistic style—these works are held in the collections of the Fogg Museum and the Smithsonian American Art Museum. In the 1940s he began incorporating more expressionistic forms into his paintings as he became progressively more concerned with abstraction. In 1946 he began spending summers in Provincetown, Massachusetts, where he met and was influenced by Mark Rothko, Hans Hofmann, Jackson Pollock, and other abstract painters. At about the same time he began exhibiting his work at the Boris Mirski Gallery in Boston.
In 1948, Kupferman was at the center of a controversy involving hundreds of Boston-area artists. In February of that year, the Boston Institute of Modern Art issued a manifesto titled 'Modern Art and the American Public' decrying 'the excesses of modern art,' and announced that it was changing its name to the Institute of Contemporary Art (ICA). The poorly conceived statement, intended to distinguish Boston's art scene from that of New York, was widely perceived as an attack on modernism. In protest, Boston artists such as Karl Zerbe, Jack Levine, and David Aronson formed the 'Modern Artists Group' and organized a mass meeting. On March 21, 300 artists, students, and other supporters met at the Old South Meeting House and demanded that the ICA retract its statement. Kupferman chaired the meeting and read this statement to the press:
“The recent manifesto of the Institute is a fatuous declaration which misinforms and misleads the public concerning the integrity and intention of the modern artist. By arrogating to itself the privilege of telling the artists what art should be, the Institute runs counter to the original purposes of this organization whose function was to encourage and to assimilate contemporary innovation.”
The other speakers were Karl Knaths...
Category
1940s Surrealist Ifpda International Fine Print Dealers Association
Materials
Drypoint, Etching
PERSONNAGE VIRTUEL
By Stanley William Hayter
Located in Portland, ME
Hayter, Stanley William. PERSONNAGE VIRTUEL. BM182. Engraving,
soft-ground etching and scorper, 1947. Edition of 70, signed, dated,
and numbered 42/70, all in pencil. 11 3/4 x 8 7/8...
Category
1940s Ifpda International Fine Print Dealers Association
Materials
Engraving, Etching
The Basque Suite: Untitled
By Robert Motherwell
Located in London, GB
Edition of 150
104.1 x 71.7 cms (41 x 28 1/4 ins)
Category
1970s Abstract Expressionist Ifpda International Fine Print Dealers Association
Materials
Screen
'Surveillance Is Your Busywork'
By Barbara Kruger
Located in London, GB
Original subway poster, c. 1980, on wove paper, unsigned as issued, 28 x 71.3 cm.
'Surveillance Is Your Busywork' is an unused subway lithograph placard, produced in the early 80s b...
Category
1980s Conceptual Ifpda International Fine Print Dealers Association
Materials
Lithograph
'Havoc in Heaven' — Mid-Century Modernism
By Benton Murdoch Spruance
Located in Myrtle Beach, SC
Benton Spruance, 'Havoc in Heaven', lithograph, 1948, edition 30-35, Fine and Looney 270. Signed, titled, and numbered 'Ed 35' in pencil. Initialed in the stone, lower right. Printed...
Category
1940s American Modern Ifpda International Fine Print Dealers Association
Materials
Lithograph
Paris Suite 1 (Spring)
By Robert Motherwell
Located in London, GB
Robert Motherwell
Paris Suite I (Spring)
1980
Lithograph on J.B. Green handmade paper, Edition of 60
48.9 x 48.9 cms (19 1/4 x 19 1/4 ins)
RM17031
Category
1980s Abstract Expressionist Ifpda International Fine Print Dealers Association
Materials
Lithograph
Willow Border
By William Seltzer Rice
Located in Santa Monica, CA
WILLIAM SELTZER RICE (1873 – 1963)
WILLOW BORDER, ca 1915-20 Color woodcut. Signed Wm. S. Rice and titled in pencil, both very lightly. Image 10 x 9 inches. On fibrous paper. Sheet...
Category
1910s Other Art Style Ifpda International Fine Print Dealers Association
Materials
Woodcut
Study of an Italian Town with Women in a Doorway
By Jared French
Located in Fairlawn, OH
Study of an Italian Town with Women in a Doorway
Graphite on cream wove paper, c. 1960
Signed by the artist in pencil lower right (see photo)
A master of ...
Category
1960s American Realist Ifpda International Fine Print Dealers Association
Materials
Graphite
#90 Strange Creature
By Norbert Lenz
Located in Fairlawn, OH
#90 Strange Creature
Oil and pencil on board, 1932
Signed and dated in the image lower right (see photo)
Provenance:
Joseph M. Erdelac, Cleveland, OH
Condition: excellent
Archival framing
Image size: 10 1/2 x 11 3/4 inches
Frame size: 25 x 24 inches
Painter, illustrator and commercial artist Norbert Lenz was born in Norwalk, Ohio and received his artistic training at both the Huntington Polytechnic Institute and the Cleveland School of Art. During his career Lenz exhibited his paintings and drawings at such institutions as the Pennsylvania Academy of Fine Art, the Art Institute of Chicago, the Cleveland Museum of Art and the Butler Institute of American Art. Today the art of Norbert Lenz is held by the Columbus Museum of Art, the Cleveland Museum of Art and the Butler Institute of American Art.
Lenz was also a very highly regarded commercial designer of stamps. He worked for a number
of years at the House of Farman, a leading vendor of first day covers...
Category
1930s American Modern Ifpda International Fine Print Dealers Association
Materials
Oil
Generations 10
By Robyn Denny
Located in London, GB
Etching with aquatint on watercolour wash on paper
53 x 71 cms (21 x 28 ins)
Edition of 35, Set of 24
Signed, dated, and numbered 3/35
Published by Bernard Jacobson Ltd., London
Prin...
Category
1970s Abstract Geometric Ifpda International Fine Print Dealers Association
Materials
Color, Etching, Aquatint
La Casita Azul
By Emilio Sanchez
Located in New York, NY
“LA CASITA AZUL”
Emilio Sanchez (1921-1999) created this color lithograph entitled “La Casita Azul” circa 1970. The image size is 21.50 x 31.25 inches and the paper size 23.13 x 33 inches. Printed in an edition of 100 this impression is inscribed “91/100” - the 54th impression of 100. Pencil signed in the lower right and inscribed in the lower left.
“Best known for his architectural paintings and lithographs, Emilio Sanchez (1921-1999) explored the effects of light and shadow to emphasize the abstract geometry of his subjects. His artwork encompasses his Cuban heritage...
Category
Late 20th Century Modern Ifpda International Fine Print Dealers Association
Materials
Lithograph
SEA TREASURES
By Frances H. Gearhart
Located in Santa Monica, CA
FRANCES H. GEARHART and Sisters (THE GEARHARTS)
SEA TREASURES...
Category
1920s American Impressionist Ifpda International Fine Print Dealers Association
Materials
Woodcut
'European Landscape' —Mid-century American Surrealism
By Lawrence Kupferman
Located in Myrtle Beach, SC
Lawrence Kupferman, 'European Landscape', drypoint, edition 50, 1942. Signed, dated, titled, and numbered '7/50' in pencil. A superb, finely nuanced impression, on cream wove paper; the full sheet with margins (1 to 1 3/4 inches); in excellent condition.
Image size 10 7/8 x 13 3/8 inches; sheet size 13 1/8 x 16 1/2 inches. Archivally matted to museum standards, unframed.
An impression of this work is included in the permanent collection of the Syracuse University Art Museum.
ABOUT THE ARTIST
Lawrence Kupferman (1909 - 1982) was born in the Dorchester neighborhood of Boston and grew up in a working-class family. He attended the Boston Latin School and participated in the high school art program at the Museum of Fine Arts, Boston. In the late 1920s, he studied drawing under Philip Leslie Hale at the Museum School—an experience he called 'stultifying and repressive'. In 1932 he transferred to the Massachusetts College of Art, where he first met his wife, the artist Ruth Cobb. He returned briefly to the Museum School in 1946 to study with the influential expressionist German-American painter Karl Zerbe.
Kupferman held various jobs while pursuing his artistic career, including two years as a security guard at the Museum of Fine Arts, Boston. During the 1930s he worked as a drypoint etcher for the Federal Art Project, creating architectural drawings in a formally realistic style—these works are held in the collections of the Fogg Museum and the Smithsonian American Art Museum. In the 1940s he began incorporating more expressionistic forms into his paintings as he became progressively more concerned with abstraction. In 1946 he began spending summers in Provincetown, Massachusetts, where he met and was influenced by Mark Rothko, Hans Hofmann, Jackson Pollock, and other abstract painters. At about the same time he began exhibiting his work at the Boris Mirski Gallery in Boston.
In 1948, Kupferman was at the center of a controversy involving hundreds of Boston-area artists. In February of that year, the Boston Institute of Modern Art issued a manifesto titled 'Modern Art and the American Public' decrying 'the excesses of modern art,' and announced that it was changing its name to the Institute of Contemporary Art (ICA). The poorly conceived statement, intended to distinguish Boston's art scene from that of New York, was widely perceived as an attack on modernism. In protest, Boston artists such as Karl Zerbe, Jack Levine, and David Aronson formed the 'Modern Artists Group' and organized a mass meeting. On March 21, 300 artists, students, and other supporters met at the Old South Meeting House and demanded that the ICA retract its statement. Kupferman chaired the meeting and read this statement to the press:
“The recent manifesto of the Institute is a fatuous declaration which misinforms and misleads the public concerning the integrity and intention of the modern artist. By arrogating to itself the privilege of telling the artists what art should be, the Institute runs counter to the original purposes of this organization whose function was to encourage and to assimilate contemporary innovation.”
The other speakers were Karl Knaths...
Category
1940s Surrealist Ifpda International Fine Print Dealers Association
Materials
Drypoint
Bleeding
By Howard Hodgkin
Located in London, GB
Lithograph from three aluminium plates using tusche washes, printed in transparent dark green, light green, and fire red, with hand colouring in gouache (an orange to red blend, pink, green, and deep red). On buff Velin Arches mould-made paper (300 gsm)
Signed with initials, numbered and dated 82 in pencil, lower centre
Published by Bernard Jacobson Ltd.
Exhibition History: 'Howard Hodgkin: Views. An Exhibition of Early Prints', Bernard Jacobson Gallery, London, 02 March - 02 April 2013 'London, Henri Matisse: The Goldfish Bowls and Other Prints (LOPF)', Bernard Jacobson Gallery, London, 1 - 28 May 2021 'Howard Hodgkin Recollections’, Bernard Jacobson Gallery, London, 21 April - 14 May 2022
Literature: Frances Spalding, 'Howard Hodgkin: Tate Gallery and Bernard Jacobson', Arts Review, vol. 34, no. 20, 24 September 1982, p. 484; Elizabeth...
Category
1980s Abstract Ifpda International Fine Print Dealers Association
Materials
Gouache, Lithograph
Untitled III (from set of 8)
By Pia Fries
Located in London, GB
Silkscreen.
Exhibition History: Bernard Jacobson Gallery, London, 'Pia Fries: Schwarzwild', 2 June - 2 July 2006.
Category
1990s Abstract Ifpda International Fine Print Dealers Association
Materials
Screen
Untitled I (from set of 8)
By Pia Fries
Located in London, GB
Silkscreen.
Exhibition History: Bernard Jacobson Gallery, London, 'Pia Fries: Schwarzwild', 2 June - 2 July 2006
Category
1990s Abstract Ifpda International Fine Print Dealers Association
Materials
Screen
Untitled II (from set of 8)
By Pia Fries
Located in London, GB
Silkscreen.
Exhibition History: Bernard Jacobson Gallery, London, 'Pia Fries: Schwarzwild', 2 June - 2 July 2006.
Category
1990s Abstract Ifpda International Fine Print Dealers Association
Materials
Screen
Untitled IV (from set of 8)
By Pia Fries
Located in London, GB
Silkscreen.
Exhibition History: Bernard Jacobson Gallery, London, 'Pia Fries: Schwarzwild', 2 June - 2 July 2006.
Category
1990s Abstract Ifpda International Fine Print Dealers Association
Materials
Screen
Untitled
By Robert Motherwell
Located in London, GB
Brushed aquatint, lift-ground etching and aquatint on German Etching paper
71.8 x 56.5 cms (28 1/4 x 22 1/4 ins)
Edition of 32
Category
1970s Abstract Ifpda International Fine Print Dealers Association
Materials
Etching, Aquatint
Untitled V (from set of 8)
By Pia Fries
Located in London, GB
Silkscreen.
Exhibition History: Bernard Jacobson Gallery, London, 'Pia Fries: Schwarzwild', 2 June - 2 July 2006.
Category
1990s Abstract Ifpda International Fine Print Dealers Association
Materials
Screen
Untitled VI (from set of 8)
By Pia Fries
Located in London, GB
Silkscreen.
Exhibition History: Bernard Jacobson Gallery, London, 'Pia Fries: Schwarzwild', 2 June - 2 July 2006.
Category
1990s Abstract Ifpda International Fine Print Dealers Association
Materials
Screen
Oil Study of Two Horses
By Frederic A. Bridgeman
Located in Fairlawn, OH
Oil Study of Two Horses
Oil on canvas, c. 1880
Unsigned
Estate stamp verso of canvas and on stretcher (see photo)
Condition: Excellent
New gilt frame aptterned after the period frame
Painting size: 4 1/8 x 8 3/8 inches
Frame size: 6 3/4 x 11 inches
Provenance:
Estate of the Artist
Jill Newhouse Gallery, New York
Eric G. Carlson Fine Prints, New York
"Frederick (sic) Arthur Bridgman relocated from Alabama to New York with his family while still a youth. He was eventually employed as an engraver with the American Bank Note Company. He began studying art in his spare time inthe Art Schools of Brooklyn and the National Academy of Design in New York. He traveled to Paris in 1866 and became a favorite student of Gérôme which lead to Bridgman's exhibition in the Paris Salon in 1868. He made France his permanent home in 1870, and spent his summers on sketching tours of Brittany. He exhibited with the National Academy of Design in 1871. He lived in Egypt in 1873; scenes from Egyptian antiquity were prominent in his work. Bridgman's talents extended to writing and music; he was a noted composer and musician. The artist died in Rouen, France, in 1928." Courtesy SAAM (Smithsonian American Art Museum)
"Frederick Arthur Bridgman was a well-known landscape and historical painter. He is most admired for his Orientalist subjects, including views of North Africa, in particular Egypt and Algeria, and his scenes from Ancient Egyptian history.
Although born in Alabama, Bridgman came from a Yankee family. After the death of his doctor father and amid the mounting tension before the Civil War, the Bridgmans returned to their native New England, settling in New York. Young Frederick showed artistic gifts and was apprenticed as an engraver to the American Banknote Company. He attended evening classes at the Brooklyn Art Association at the same time. He also studied at the National Academy of Design, where he met Harry Humphrey Moore and Thomas Hovendon. In these early years, Bridgman exhibited at the Brooklyn Art Association.
Bridgman travelled to France, where he visited Pont Aven, the artists’ colony in Brittany frequented by Paul Gauguin and Emile Bernard as well as a circle of American painters around the Philadelphian Robert Wylie (1839-1877). Bridgman also studied in Paris with Jean Léon Gérôme at the Ecole des Beaux-Arts. Bridgman made an important reputation for himself in France at the annual Paris Salons; in Britain, where he exhibited at the Royal Academy between 1871 and 1904, and in Germany, where he showed at the Grosse Berliner Kunst Ausstellung. His work was included in the American displays at the 1889 Universal Exposition held in Paris.
In 1872 Bridgman travelled to Spain and North Africa in the company of a British artist known only as ‘S’. In the winter of 1873-4 he made a second trip, visiting Egypt in the company of fellow American artist Charles Sprague Pearce. Bridgman married a young Bostonian, Florence Mott Baker; the deterioration of his wife’s health from the terrible inherited neurological disorder Huntington’s Chorea led him to return to Algiers in 1885 for a respite for them both in a warm climate. He wrote a fascinating travel narrative describing his journeys in North Africa, Winters in Algiers, published in 1888 and illustrated with woodcuts from his works.
Bridgman’s great success culminated at the Paris Salons of 1877, 1878 and 1879 with a trio of paintings portraying life in the ancient Near East...
Category
1880s American Realist Ifpda International Fine Print Dealers Association
Materials
Oil
The Scalby Suite - Towards 2023
By William Tillyer
Located in London, GB
Etching, aquatint and embossing with hand colouring in watercolour on paper
Plate size: 39.5 x 39.5 cms (15 1/2 x 15 1/2 ins)
Paper size: 58 x 58 cms (22 3/4 x 22 3/4 ins)
Category
2010s Ifpda International Fine Print Dealers Association
Materials
Etching, Aquatint
'The Bather' — 1930s American Modernism
By Rockwell Kent
Located in Myrtle Beach, SC
Rockwell Kent, 'The Bather', wood engraving, 1931, edition 120, Burne Jones 63. Signed in pencil. A brilliant, black impression, on cream, wove Japan paper; the full sheet with margins (2 1/2 to 3 1/4 inches); slight skinning at the top sheet edge, verso, otherwise in excellent condition. Image size 5 3/8 x 7 7/8 inches (137 x 200 mm); sheet size 11 1/8 x 14 1/2 inches (283 x 368 mm). Archivally matted to museum standards, unframed.
Impressions of this work are held in the following public collections: Burne Jones Collection, IL; Chegodaev Collection, Moscow; Kent Collection, NY; Philadelphia Museum of Art; Princeton University Library, NJ; Pushkin Museum, Moscow; Smithsonian American Art Museum, Spector Collection, NY.
Rockwell Kent (1882-1971), though best known as a painter, graphic artist, and illustrator, pursued many careers throughout his life, including architect, carpenter, explorer, writer, dairy farmer, and political activist. Born in Tarrytown, New York, Kent was interested in art from a young age. These ambitions were encouraged by his aunt Jo Holgate, an accomplished ceramicist. Jo came to live with the family after Kent’s father passed away in 1887 and took him to Europe as a teenager, undoubtedly kindling his interest in exploring the world.
Kent attended the Horace Mann School in New York City, where he excelled at mechanical drawing. His family’s financial circumstances prevented him from pursuing a career in the fine arts; however, after graduating from Horace Mann in 1900, Kent decided to study architecture at Columbia University.
Before matriculating at Columbia, Kent spent the first of three consecutive summers studying painting at William Merritt Chase’s art school in Shinnecock Hills, Long Island. There he found a community of mentors and fellow students who encouraged him to pursue his interest in art. At the end of Kent’s third summer at Shinnecock, Chase offered him a full scholarship to the New York School of Art, where he was a teacher. Kent began taking night classes at the art school in addition to his architecture studies but soon left Columbia to study painting full-time. In addition to Chase, Kent took classes with Robert Henri and Kenneth Hayes Miller, where his classmates included the artists George Bellows and Edward Hopper.
Kent spent the summer of 1903 assisting the eccentric painter Abbott Handerson Thayer at his studio in Dublin, New Hampshire—a position he secured through the recommendation of his Aunt Jo. Thayer’s naturalist lifestyle and almost mystical appreciation for natural phenomena greatly influenced Kent; he returned to Dublin for many years to visit Thayer and his family. Thayer gave the young artist time to pursue his work, and that summer Kent painted several views of the New Hampshire landscape, including Mount Monadnock...
Category
1930s American Modern Ifpda International Fine Print Dealers Association
Materials
Woodcut
Bright Beach
By Isca Greenfield-Sanders
Located in Berkeley, CA
Isca Greenfield-Sanders
Bright Beach
Direct to plate photogravure and aquatint.
Edition of 50
Category
21st Century and Contemporary Contemporary Ifpda International Fine Print Dealers Association
Materials
Etching
Silver Beach
By Isca Greenfield-Sanders
Located in Berkeley, CA
Isca Greenfield-Sanders
Silver Beach
Direct to plate photogravure and aquatint.
Edition of 50
Category
21st Century and Contemporary Contemporary Ifpda International Fine Print Dealers Association
Materials
Etching
Woman in a Fur Wrap
By Rudolf Bauer
Located in Fairlawn, OH
Woman in a Fur Wrap
Pen and ink heightened with white, c. 1920
Signed in ink lower right (see photo)
Estate stamp verso (see photo)
Provenance: estate of the artist
Borghi & Company, New York
Condition: excellent
Sheet/Image size: 11 1/8 x 8 1/8 inches
Rudolph Bauer
1889-1953
"Rudolf Bauer was born in Lindenwald near Bromberg, Silesia, in 1889 but his family moved only a few years later to Berlin. In 1905 Bauer began his studies at the Berlin Academy of Art but left the Academy only a few months later to educate himself. The upshot was paintings, caricatures and comical drawings which were published in 'Berliner Tageblatt', 'Ulk' and 'Le Figaro'.
From 1912 Bauer contributed to the magazine and Gallery 'Der Sturm' founded by Herwarth Walden and pivotal to German Expressionism and the international avant-garde. In 1915 Rudolf Bauer participated for the first time in a group show at Walden's gallery. There he met Hilla von Rebay...
Category
1920s Art Deco Ifpda International Fine Print Dealers Association
Materials
Ink
THE RUG WEAVER
By Gustave Baumann
Located in Santa Monica, CA
GUSTAVE BAUMANN (1881 – 1971)
THE RUG WEAVER, 1910 (Chamberlain 26)
Color woodcut signed in pencil. Unnumbed from an edition 100 as published in the Hills o’ Brown...
Category
1910s American Modern Ifpda International Fine Print Dealers Association
Materials
Woodcut
The Heavenly Suite (purple)
By Robyn Denny
Located in London, GB
Screenprint
Category
1970s Ifpda International Fine Print Dealers Association
Materials
Screen
Man in the Waves
By Isca Greenfield-Sanders
Located in Berkeley, CA
Isca Greenfield-Sanders
Man in the Waves
Direct to plate photogravure and aquatint.
Edition of 50
Category
21st Century and Contemporary Contemporary Ifpda International Fine Print Dealers Association
Materials
Etching
The Renaissance Man
By Hernan Bas
Located in Berkeley, CA
Color softground etching, drypoint and spitbite aquatint.
Category
21st Century and Contemporary Contemporary Ifpda International Fine Print Dealers Association
Materials
Etching
Golden Parachute
By Isca Greenfield-Sanders
Located in Berkeley, CA
Isca Greenfield-Sanders
Golden Parachute
Color aquatint and gold leaf.
Edition of 50
Category
21st Century and Contemporary Contemporary Ifpda International Fine Print Dealers Association
Materials
Etching
Parachute Class
By Isca Greenfield-Sanders
Located in Berkeley, CA
Isca Greenfield-Sanders
Parachute Class
Direct to plate photogravure and aquatint.
Edition of 50
Category
21st Century and Contemporary Contemporary Ifpda International Fine Print Dealers Association
Materials
Etching
'Garyu no sakura' (The Lying Dragon Cherry Tree, Gifu) — Contemporary Japanese
Located in Myrtle Beach, SC
Hajime Namiki, 'Garyu no sakura (The Lying Dragon Cherry Tree, Gifu)', color woodcut, 2003, edition 200. Signed in pencil and with the artist’s red seal....
Category
Early 2000s Contemporary Ifpda International Fine Print Dealers Association
Materials
Woodcut
The Beach at Kaiganji in Sanuki Province — Lifetime Impression, 1934
By Kawase Hasui
Located in Myrtle Beach, SC
The Beach at Kaiganji in Sanuki Province (Sanuki Kaiganji no hama), from the series Collected Views of Japan II, Kansai Edition (Nihon fûkei shû II Kansai hen), woodblock print, 1934. A very fine, atmospheric impression, with fresh colors; the full sheet, in excellent condition. Signed 'Hasui' with the artist’s seal 'Kawase', lower left. Published by Watanabe Shozaburo with the Watanabe ‘D’ seal indicating an early impression printed between 1931 - 1941. Stamped faintly 'Made in Japan' in the bottom center margin, verso.
Horizontal ôban; image size 9 3/8 x 14 1/4 inches (238 x 362 mm); sheet size approximately 10 5/16 x 15 1/2 inches ( 262 x 394 mm).
Collections: Art Institute of Chicago; Austrian Museum of Applied Arts (Vienna); Honolulu Museum of Art; Museum of Fine Arts, Boston; National Museum in Warsaw; University of Wisconsin-Madison.
ABOUT THE ARTIST
“I do not paint subjective impressions. My work is based on reality...I can not falsify...(but) I can simplify…I make mental impressions of the light and color at the time of sketching. While coloring the sketch, I am already imagining the effects in a woodblock print.” — Kawase Hasui
Hasui Kawase...
Category
1930s Showa Ifpda International Fine Print Dealers Association
Materials
Woodcut
From: You Are The Weather
By Roni Horn
Located in New York, NY
Two-color silkscreen on Arches,
20 x 24” (50,7 x 60,4 cm),
in wooden frame, 20 3/4 x 24 3/4” (54,4 x 64,5 cm),
printed by Atelier für Siebdruck, Lorenz Boegli, Zurich,
Ed. 60/XX, sig...
Category
1990s Ifpda International Fine Print Dealers Association
Materials
Screen
Aboriginal Child Frightened by Abstraction and Time
By William T. Wiley
Located in Lyons, CO
Color lithograph with chine collé, Edition 30.
William Wiley uses current political and social issues to comment on life in our time. His stunning draftsmanship, and freeform lov...
Category
1990s Contemporary Ifpda International Fine Print Dealers Association
Materials
Lithograph
The Great Pylon at Edfou, Upper Egypt
By Francis Frith
Located in Fairlawn, OH
The Great Pylon at Edfou, Upper Egypt
Original gold toned albumin photograph, c. 1862
Unsigned as is usual
From: Upper Egypt and Ethiopia, c. 1862, Vol 1, ...
Category
1860s Romantic Ifpda International Fine Print Dealers Association
Materials
Photographic Paper
Codex YTREBIL
By Enrique Chagoya
Located in Lyons, CO
Color lithograph, Edition 25.
The artist describes this project:
Codex YTREBIL, (liberty backwards), is based on a series of small books by anonymous Ind...
Category
2010s Contemporary Ifpda International Fine Print Dealers Association
Materials
Lithograph
'Sculpturegraph' — Modernist Abstraction, Contemporary African American Artist
Located in Myrtle Beach, SC
George Rogers, 'Sculpturegraph' (Black, Gray, and Silver), color sculpturegraph, edition 40, 1984. Signed, dated, titled, and numbered '25/40' in pencil. A superb, richly-inked, pain...
Category
1980s American Modern Ifpda International Fine Print Dealers Association
Materials
Monoprint
VEDUTA DEGLI AVANZI De’MAUSOLEI E DELLE FABBRICHE…...
By Giovanni Battista Piranesi
Located in Santa Monica, CA
GIOVANNI BATTISTA PIRANESI (Italian 1720-1778)
VEDUTA DEGLI AVANZI De’MAUSOLEI E DELLE FABBRICHE…c 1756 (Hind 83; Focillon 20.A.293; Giesecke 116; Wilton-E...
Category
1750s Old Masters Ifpda International Fine Print Dealers Association
Materials
Etching
York Factory II
By Frank Stella
Located in London, GB
Screenprint, 1974, on Arches Cover Black paper, signed, dated and numbered an AP aside from the edition of 100, published by Gemini G.E.L., Los Angeles., sheet: 46.9 x 112.8cm (18½ x...
Category
1970s Ifpda International Fine Print Dealers Association
Materials
Screen
A Burial at Sea
By Don Ed Hardy
Located in Lyons, CO
Color lithograph with collage, Edition 20.
The artist describes this project:
"My recent collaboration with Bud Shark resulted in three images based on classic sailing...
Category
2010s Contemporary Ifpda International Fine Print Dealers Association
Materials
Lithograph
Proscenium IV (grid with lines and white patches)
By Richard Smith
Located in London, GB
Edition of 40
77.5 x 58.5 cms (30.5 x 23 ins)
Category
1970s Abstract Ifpda International Fine Print Dealers Association
Materials
Etching
Barges, Dordrecht
By James Abbott McNeill Whistler
Located in Fairlawn, OH
Barges, Dordrecht
Etching, c. 1886
Signed in the plate with the butterfly
Edition: One of 10 known impressions of this image. VERY RARE
Provenance:
Frederick Keppel & Co. with their ...
Category
19th Century Impressionist Ifpda International Fine Print Dealers Association
Materials
Etching
Paperclip Suite I (brown)
By Richard Smith
Located in London, GB
Edition of 25
44.5 x 44.5 cms (17 1/2 x 17 1/2 ins)
Category
1970s Abstract Ifpda International Fine Print Dealers Association
Materials
Etching
Proscenium I (square border around loose lines)
By Richard Smith
Located in London, GB
Edition of 40
77.5 x 58.5 cms (30 1/2 x 23 ins)
Category
1970s Abstract Ifpda International Fine Print Dealers Association
Materials
Etching
The Gargoyle and His Quarry
By John Taylor Arms
Located in Storrs, CT
The Gargoyle and His Quarry, Notre Dame. 1920. Etching.Fletcher 90. 7 1/8 x 5 1/4 (sheet 10 1/2 x 9 1/16). Gargoyle series #1. Edition 75. A rich impression printed on 'FJHead&Co' c...
Category
1920s American Modern Ifpda International Fine Print Dealers Association
Materials
Drypoint, Etching
Proscenium II (loose lines around square centre)
By Richard Smith
Located in London, GB
Edition of 40
77.5 x 58.5 cms (30.5 x 23 ins)
Category
1970s Abstract Ifpda International Fine Print Dealers Association
Materials
Etching
Proscenium III (hard line grid with border)
By Richard Smith
Located in London, GB
Edition of 40
77.5 x 58.5 cms (30 1/2x 23 ins)
Category
1970s Abstract Ifpda International Fine Print Dealers Association
Materials
Etching
Paperclip Suite I (brown)
By Richard Smith
Located in London, GB
Edition of 25
44.5 x 44.5 cms (17 1/2 x 17 1/2 ins)
Category
1970s Abstract Ifpda International Fine Print Dealers Association
Materials
Etching
Paperclip Suite IIc (yellow/blue)
By Richard Smith
Located in London, GB
Etching, Edition of 25
45 x 45 cms (17.5 x 17.5 ins)
Category
1970s Abstract Ifpda International Fine Print Dealers Association
Materials
Etching
Paperclip suite IIe
By Richard Smith
Located in London, GB
Edition of 25
45 x 45 cms (17.5 x 17.5 ins)
Category
1970s Abstract Ifpda International Fine Print Dealers Association
Materials
Etching
Paperclip Suite IId (yellow/blue)
By Richard Smith
Located in London, GB
Edition of 25
45 x 45 cms (17.5 x 17.5 ins)
Category
1970s Abstract Ifpda International Fine Print Dealers Association
Materials
Etching
Paperclip Suite IIb (yellow / blue)
By Richard Smith
Located in London, GB
Edition of 25
45 x 45 cms (17.5 x 17.5 ins)
Category
1970s Abstract Ifpda International Fine Print Dealers Association
Materials
Etching
Paperclip Suite II (yellow / blue)
By Richard Smith
Located in London, GB
Etching, Edition of 25
45 x 45 cms (17.5 x 17.5 ins)
Category
1970s Abstract Ifpda International Fine Print Dealers Association
Materials
Etching
Paperclip Suite I (brown)
By Richard Smith
Located in London, GB
Edition of 25
44.5 x 44.5 cms (17 1/2 x 17 1/2 ins)
Category
1970s Abstract Ifpda International Fine Print Dealers Association
Materials
Etching
UNICEF Bouquet - Tom Wesselmann, Pop Art, Still-life, Print, Screenprint
By Tom Wesselmann
Located in London, GB
Screenprint in colours, 1998.
From 'Meine Kindheit - Schmerz und Heilung, UNICEF'.
Signed in pencil, numbered from the edition of 100.
Image: 63.5 x 54.5 cm Sheet: 78.8 x 70 cm
Category
1990s Pop Art Ifpda International Fine Print Dealers Association
Materials
Screen
AIDS (Stamps)
By General Idea
Located in New York, NY
Offset lithograph on perforated paper
Edition of 200
Category
1980s Ifpda International Fine Print Dealers Association
Materials
Offset, Lithograph
