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International Fine Print Dealers Association Art

International Fine Print Dealers Association (IFPDA)
International Fine Print Dealers Association (IFPDA)

Launched in 1987, the International Fine Print Dealers Association has continually set the bar for quality and ethics while promoting prints as original works of art to generations of collectors, curators and art lovers. With over 160 members in 13 countries, the IFPDA is a worldwide community of leading dealers and editions publishers who represent the full spectrum of printmaking. Each year, the IFPDA hosts the IFPDA Print Fair in New York, the only major fair dedicated to fine-art prints.

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'Church with House and Tree' – Artist's Personal Letterhead, 1940s Modernism
By Lyonel Feininger
Located in Myrtle Beach, SC
Lyonel Feininger, 'Church with House and Tree (Kirche mit Haus und Baum)', woodcut, 1936, one of a small but unknown number of letterhead proofs; Prasse W290 IV. Annotated 'PW 290 state IV / IV 3669', in pencil, in the bottom right sheet corner. With the artist's typed address and date adjacent to the letterhead image: 'Falls Village, Connecticut September 26th, 1940'. A fine impression, on buff, wove letterhead stock; several small losses, and tears, in the sheet edges (not affecting the image area); a crease in the bottom right sheet edge, otherwise in good condition. Very scarce. Image size: 2 3/8 x 2 3/4 inches; sheet size 11 x 8 5/8 inches. Archivally sleeved, unmatted. Feininger moved from Germany to New York City in 1938 and began spending his summers in Falls Village in 1940. Exhibited: 'Lyonel Feininer, Woodcuts Used As Letterheads'; Associated American Artists; Feb 4 - March 2, 1974; New York, NY. ABOUT THE ARTIST Lyonel Feininger (1871-1956) was born in New York City into a musical family—his father was a violinist and composer, his mother was a singer and pianist. He studied violin with his father, and by the age of 12, he was performing in public, but he also drew incessantly, most notably the steamboats and sailing ships on the Hudson and East Rivers, and the landscape around Sharon, Conn., where he spent time on a farm owned by a family friend. At the age of 16 he left New York to study music and art in Germany, from where his parents emigrated. Drawn more to the visual arts, he attended schools in Hamburg, Berlin, and Paris from 1887 to 1892. After completing his studies, Feininger began his artistic career as a cartoonist and illustrator, his originality leading him to great success. In 1906, after working for a dozen years in Germany, he was offered a job as a cartoonist at the Chicago Tribune, the largest circulation newspaper in the Midwest. He worked there for a year, inventing what became the standard design for the comic strip: in the words of John Carlin, “an overall pattern. . . that allowed the page to be read both as a series of elements one after the other, like language and as a group of juxtaposed images, like visual art.” His originality did not end there: he went on to become one of the great abstract painters. Like Kandinsky, music was his model, but Kandinsky only knew music from the outside—as a listener (inspired initially by Wagner, then by Schoenberg)—while Feininger knew it from the inside. He lived in Paris from 1906 to 1908, during which time he met and was influenced by the work of progressive painters Robert Delaunay and Jules Pascin, as well as that of Paul Cezanne and Vincent van Gogh. He began painting full-time, developing his distinctive Iyrical style based on Cubist and Expressionist idioms and a concern for the emotive qualities of light and color. He exhibited with the Der Blaue Reiter group in 1913, and in 1917, he had his first solo exhibition at Galerie Der Sturm in Berlin. One year after his solo exhibition, in 1918, Feininger began making woodcuts. He became enamored with the medium, producing an impressive 117 in his first year of exploring the printmaking medium. In 1919 at the invitation of the architect Walter Gropius, he was appointed the first master at the newly formed Staatliches Bauhaus in Weimar. His woodcut of a cathedral crowned...
Category

1930s Bauhaus International Fine Print Dealers Association Art

Materials

Woodcut

T is for The Beatles, from Alphabet Series
By Peter Blake
Located in London, GB
Screenprint in colours, 1991, on wove paper, signed, titled and numbered from the edition of 95 in pencil, published by Waddington Graphics and Corianda Studios, 102.5 x 77 cm. (40.4...
Category

1990s Pop Art International Fine Print Dealers Association Art

Materials

Screen

STREET ACAPULCO
By Joseph Pennell
Located in Santa Monica, CA
JOSEPH PENNELL (1857 - 1926) STREET ACAPULCO 1901-08. Color pastel and gouache drawing on blue paper. Signed and titled in pencil in his early signature. Image, 10 x 14 inches to j...
Category

Early 1900s American Impressionist International Fine Print Dealers Association Art

Materials

Pastel, Mixed Media, Gouache

Design No. 102 in Document Blue Fabric Sample
By (after) Frank Lloyd Wright
Located in New York, NY
Original large format fabric sample for Wright's Schumacher fabric line. The line was designed in the 1950's by Wright and reissued in fresh colorways in the 1980s. Linen with edges...
Category

1980s Modern International Fine Print Dealers Association Art

Materials

Linen

Turkish Funeral.
By Marius Bauer
Located in Storrs, CT
A Turkish Funeral. 1889. Etching. Wisselingh 60. 3 3/4 x 5 1/2 (sheet 8 3/4 x 11 7/8). Edition 100, #9. A richly inked impression printed on Strasbourg cream laid paper. Printed on...
Category

Late 19th Century Old Masters International Fine Print Dealers Association Art

Materials

Etching

Portrait of a Woman
Located in New York, NY
Sadatora, Utagawa (active 1818-1844). [Portrait of woman]. Japan, ca. 1825. Original woodblock print.
Category

1820s International Fine Print Dealers Association Art

Materials

Paper

Our Gang State II
By Don Ed Hardy
Located in Lyons, CO
Color lithograph, Edition 20. Don Ed Hardy’s lithographs, created in the spring of 2007, continue the “look” of his Ghost Writer painting series which has been developed over the past five years. They are evocative of ancient Chinese stone rubbings, or x-rays. Both prints refer to earlier images from Japanese art history. Our Gang...
Category

Early 2000s Contemporary International Fine Print Dealers Association Art

Materials

Lithograph

THE NEW FRENCH TOOLS 5 - BOULEVARD VICTOR DOUBLE SKY.
By Jim Dine
Located in Portland, ME
Dine, Jim. THE NEW FRENCH TOOLS 5 - BOULEVARD VICTOR DOUBLE SKY. D;Oench and Feinberg 175. Etching and aquatint and electric tools on two plates, with hand ...
Category

1980s International Fine Print Dealers Association Art

Materials

Aquatint, Etching

Red Loop (suite of 12 mezzotints in boxed portfolio)
By Eduardo Leyva Herrera
Located in New Orleans, LA
12 copper mezzotints printed on Hahnemulle paper in an edition of 12. This is impression #5 The 12 complementary mezzotints are included in boxed portfolio Graduated from the Natio...
Category

21st Century and Contemporary Modern International Fine Print Dealers Association Art

Materials

Mezzotint

A small copse in a field.
By Robert Kipniss
Located in New York, NY
The drypoint engraving entitled "A small copse in a field" was created by Robert Kipniss in 2016. Printed in an edition of 16 - this impression is signed in pencil and inscribed “12...
Category

21st Century and Contemporary Modern International Fine Print Dealers Association Art

Materials

Engraving, Drypoint

CURRIER & IVES - 1860 LINCOLN ELECTION CAMPAIGN
By Currier & Ives
Located in Santa Monica, CA
CURRIER & IVES (LOUIS MAURER) 1860 LINCOLN ELECTION CAMPAIGN THE IMPENDING CRISES - OR CAUGHT IN THE ACT, 1860 (C.3033, G.3270) Lithograph...
Category

1860s Other Art Style International Fine Print Dealers Association Art

Materials

Lithograph

Untitled
By Michael Graves (b.1934)
Located in New York, NY
Michael Graves (July 9, 1934 – March 12, 2015) was an American architect. Identified as one of The New York Five, as well as Memphis Group, Graves was known first for his contemporary building designs and some prominent public commissions that became iconic examples of Postmodern architecture, such as the Portland Building and Denver Public Library. His recognition grew through designing domestic products sold by premium Italian housewares maker Alessi, and later low-cost new designs at stores such as Target and J. C. Penney in the United States. He was a representative of New Urbanism and New Classical Architecture and formerly designed postmodern buildings, and was recognized as a major influence in all three movements. Michael Graves was one of the most prominent and influential architects and designers of the late- 20th and early- 21st centuries. In his buildings and in his furniture and housewares, Graves embodied the essence of Postmodernism — a refined classicism inflected with a humanistic sense of joy. The Indiana-born Graves attended the University of Cincinnati’s architectural program and continued his studies at Harvard as well as at the American Academy in Rome. In 1962, he began teaching at Princeton, and remained there throughout his career. Following a seminal 1972 Museum of Modern Art group...
Category

1980s Contemporary International Fine Print Dealers Association Art

Materials

Etching

La Casa Grande
By Emilio Sanchez
Located in New York, NY
LA CASA GRANDE” Emilio Sanchez (1921-1999) created this lithograph entitled “La Casa Grande” in 1997. The printed image size is 30.5 x 30 inches and ...
Category

Late 20th Century American Modern International Fine Print Dealers Association Art

Materials

Lithograph

W is for Wrestler, from Alphabet Series
By Peter Blake
Located in London, GB
Screenprint in colours, 1991, on wove paper, signed, titled and numbered from the edition of 95 in pencil, published by Waddington Graphics and Corianda Studios, 102.5 x 77 cm. (40.4...
Category

1990s Pop Art International Fine Print Dealers Association Art

Materials

Screen

California Poppies Watercolor
Located in New York, NY
Watercolor illustration for a series of commercial seed packets. Printed by Stecher-Traung Lithograph Corporation, Rochester, NY, circa 1935. Some staining from tape to edges.
Category

1930s International Fine Print Dealers Association Art

Materials

Watercolor, Board

Marlboro Out the Window (These Boots are made for walking)
By Brinley Ribando
Located in New Orleans, LA
A color photograph showing a young woman in boots with a pack of Marlboro
Category

2010s American Modern International Fine Print Dealers Association Art

Materials

Digital Pigment

View of Piazzo San Marco in Venice
By Pierre Van der Aa
Located in New York, NY
Engraving of Veduta della Piazza di S. Marco, versoil Canale by Pierre van der Aa. Printed in 1722. Unsigned. Unframed. Image size, 11 x 13 5/8 in. Has the original center crease.
Category

1720s International Fine Print Dealers Association Art

Materials

Paper

Bengal Monitor and Iguana Engraving
Located in New York, NY
Seba, Albertus. Locupletissimi rerum naturalium thesauri accurata descriptio, et iconibus artificiossimis expressio, per universam physices historiam. Amsterdam, Wetsten, Smith, Jans...
Category

Mid-18th Century International Fine Print Dealers Association Art

Materials

Laid Paper

U is for Unusual People, from Alphabet Series
By Peter Blake
Located in London, GB
Screenprint in colours, 1991, on wove paper, signed, titled and numbered from the edition of 95 in pencil, published by Waddington Graphics and Corianda Studios, 102.5 x 77 cm. (40.4...
Category

1990s Pop Art International Fine Print Dealers Association Art

Materials

Screen

Two Studies of Henriette (Head of the artist's wife & The Artist's wife writing
By Leon Kelly
Located in Fairlawn, OH
Two Studies of Henriette (Left: Head of the artist's wife, Right: The Artist's wife writing a letter) Watercolor and graphite on paper, 1928-1930 Signed in pencil lower right (see photo) Image/sheet size: 9 3/8 x 11 inches Condition: Excellent Colors fresh and unfaded Provenance: Estate of the artist The Orange Chicken...
Category

1920s American Modern International Fine Print Dealers Association Art

Materials

Watercolor

Cucumber Watercolor
Located in New York, NY
Original watercolor by Nan Dedrick. Signed in pencil along the lower right edge of the main cucumber. Dedrick is a botanical artist who was a founding member of Art Botanica. This g...
Category

Early 2000s International Fine Print Dealers Association Art

Materials

Watercolor, Paper

Silhouette of Rembrandt
Located in New York, NY
Silhouette lithograph by an unknown artist, circa 1910. Presented in a cream archival mat with an opening of 4.5"L x 3.25"W.
Category

Early 20th Century International Fine Print Dealers Association Art

Materials

Paper

'Feu sous L'eau' (Fire Under Water) —Mid-century Modernism, Atelier 17
By Stanley William Hayter
Located in Myrtle Beach, SC
Stanley William Hayter, 'Feu sous L'eau (Fire Under Water)', color engraving, soft-ground etching and scorper with yellow silkscreen, 1955, edition 50 plus 10 artist proofs, Black & Moorhead 221. Signed, titled 'Fire Under Water', dated and annotated 'Essai' in pencil. Dedicated in the artist’s hand 'for Adja & Dove WH Bill 17–5–55' in the top margin. A superb, richly inked impression with fresh colors, on heavy, cream wove paper; wide margins (2 1/2 to 3 7/8 inches), in excellent condition. One of 10 artist’s proofs. Image size 10 3/16 x 7 inches; sheet size 18 1/8 x 12 1/4 inches. Matted to museum standards, unframed. ABOUT THIS WORK In 1950 Hayter returned to Paris and reopened Atelier 17. Works such as 'Fire Under Water' reveal newfound influences, such as that of the Ardèche area of southern France, where he acquired a house in 1951 and frequently visited. Hayter took great interest in the flowing Escoutay River, an experience that parallels the artist and co-director of Atelier 17 Krishna Reddy’s interest in depicting water. While some forms in this print evoke the natural world, the palette of contrasting tones of purple, yellow, black, and white reflects Hayter’s belief in using color intuitively to express emotions and evoke feelings. The sharp white relief lines from the paper and the textural effects realized through soft-ground etching operate in tandem with the sweeping curves and bold colors to give the composition a sense of vitality and dynamism. —edited from the Metropolitan Museum of Art Published by 'La Jeune Gravure Contemporaine', Paris. Impressions of this work are in the following collections: British Museum, Metropolitan Museum of Art, National Gallery of Art. ABOUT THE ARTIST Stanley William Hayter (1901-1988) was a British painter and printmaker associated in the 1930s with Surrealism and from 1940 onward with Abstract Expressionism. Regarded as one of the most significant printmakers of the 20th century, Hayter founded the legendary Atelier 17 studio in Paris, now known as Atelier Contrepoint. Among the artists he is credited with influencing are Pablo Picasso, Alberto Giacometti, Joan Miró, Alexander Calder, and Marc Chagall. The hallmark of the workshop was its egalitarian structure, breaking sharply with the traditional French engraving studios by insisting on a cooperative approach to labor and technical discoveries. In 1929 Hayter was introduced to Surrealism by Yves Tanguy and André Masson, who, with other Surrealists, worked with Hayter at Atelier 17. The often violent imagery of Hayter’s Surrealist period was stimulated in part by his passionate response to the Spanish Civil War and the rise of Fascism. He organized portfolios of graphic works to raise funds for the Spanish cause, including Solidarité (Paris, 1938), a portfolio of seven prints, one of them by Picasso. Hayter frequently exhibited with the Surrealists during the 1930s but left the movement when Paul Eluard was expelled. Eluard’s poem Facile Proie (1939) was written in response to a set of Hayter’s engravings. Other writers with whom Hayter collaborated included Samuel Beckett and Georges Hugnet. Hayter joined the exile of the Parisian avant-garde in 1939, moving with his second wife, the American sculptor Helen Phillips...
Category

1950s Abstract Expressionist International Fine Print Dealers Association Art

Materials

Engraving, Etching

Tanks & Trees — Mid-century American Surrealism
Located in Myrtle Beach, SC
Karl Eugene Fortess, 'Tanks & Trees', lithograph, c. 1940, edition 100. Signed, titled, and numbered '100/P' in pencil. Inscribed 'For Usui - K.' in the bottom left margin. A fine, richly-inked impression, on cream wove paper, with full margins (1 1/2 to 2 1/2 inches); a slight crease across the top right sheet corner, well away from the image; otherwise in excellent condition. Image size 13 1/8 x 10 inches; sheet size 17 3/8 x 13 3/16 inches. Matted to museum standards, unframed. Provenance: Estate of Francis Pratt. Francis and her husband Bumpei Usui...
Category

1940s Surrealist International Fine Print Dealers Association Art

Materials

Lithograph

'Church with House and Tree' – Artist's Personal Letterhead, Bauhaus Modernism
By Lyonel Feininger
Located in Myrtle Beach, SC
Lyonel Feininger, 'Church with House and Tree (Kirche mit Haus und Baum)', woodcut, 1936, one of a small but unknown number of letterhead proofs; Prasse W290 V. Inscribed 'J. F. note paper', in pencil, in the artist’s hand; with the Feininger estate stamp and catalog no. 'W 859' in pencil. Annotated 'W.290 V state 3609' in pencil, in the bottom right sheet corner. A fine impression, on cream, laid letterhead stock; hinge remains on the left and right top sheet edges, verso, in excellent condition. Very scarce. Image size 2 3/8 x 2 3/4 inches; sheet size 10 x 7 5/16 inches. Archivally sleeved, unmatted. Exhibited: 'Lyonel Feininer, Woodcuts Used As Letterheads'; Associated American Artists; Feb 4 - March 2, 1974; NY, NY. ABOUT THE ARTIST Lyonel Feininger (1871-1956) was born in New York City into a musical family—his father was a violinist and composer, his mother was a singer and pianist. He studied violin with his father, and by the age of 12, he was performing in public. Still, he also drew incessantly, most notably the steamboats and sailing ships on the Hudson and East Rivers, and the landscape around Sharon, Conn., where he spent time on a farm owned by a family friend. At the age of 16 he left New York to study music and art in Germany, from where his parents emigrated. Drawn more to the visual arts, he attended schools in Hamburg, Berlin, and Paris from 1887 to 1892. After completing his studies, Feininger began his artistic career as a cartoonist and illustrator, his originality leading him to great success. In 1906, after working for a dozen years in Germany, he was offered a job as a cartoonist at the Chicago Tribune, the largest circulation newspaper in the Midwest. He worked there for a year, inventing what became the standard design for the comic strip: in the words of John Carlin, “an overall pattern. . . that allowed the page to be read both as a series of elements one after the other, like language and as a group of juxtaposed images, like visual art.” His originality did not end there: he went on to become one of the great abstract painters. Like Kandinsky, music was his model, but Kandinsky only knew music from the outside—as a listener (inspired initially by Wagner, then by Schoenberg)—while Feininger knew it from the inside. He lived in Paris from 1906 to 1908, during which time he met and was influenced by the work of progressive painters Robert Delaunay and Jules Pascin, as well as that of Paul Cezanne and Vincent van Gogh. He began painting full-time, developing his distinctive Iyrical style based on Cubist and Expressionist idioms and a concern for the emotive qualities of light and color. He exhibited with the Der Blaue Reiter group in 1913, and in 1917, he had his first solo exhibition at Galerie Der Sturm in Berlin. One year after his solo exhibition, in 1918, Feininger began making woodcuts. He became enamored with the medium, producing an impressive 117 in his first year of exploring the printmaking medium. In 1919 at the invitation of the architect Walter Gropius, he was appointed the first master at the newly formed Staatliches Bauhaus in Weimar. His woodcut of a cathedral crowned...
Category

1930s Bauhaus International Fine Print Dealers Association Art

Materials

Woodcut

TEAHOUSE AND WILLOW TREE
By Junichiro Sekino
Located in Portland, ME
Junichiro Sekino (Japanese, 1914-1988). TEAHOUSE AND WILLOW TREE. Color woodblock print, not dated. Edition size not known. Signed in pencil and with the a...
Category

Mid-20th Century International Fine Print Dealers Association Art

Materials

Woodcut

PROLETARIANS
By Jose Clemente Orozco
Located in Santa Monica, CA
JOSE CLEMENTE OROZCO (1893 - 1949) PROLETARIANS (aka Basurero, Scavengers ) 1935 (Orozco 27) lithograph, One of 88 signed and numbered of a total edition of 133, (+ 42 unnumbered a...
Category

1930s Other Art Style International Fine Print Dealers Association Art

Materials

Lithograph

Victorian Butterfly Watercolor
Located in New York, NY
Original watercolor from a Victorian album by an unknown artist. English, circa 1860.
Category

Late 19th Century Victorian International Fine Print Dealers Association Art

Materials

Paper

Boulder Dam
By Adolf Dehn
Located in Fairlawn, OH
Boulder Dam Lithograph, 1946 Signed and dated in pencil lower right (see photo) Titled in pencil lower left (see photo) Printed by Lawrence Barrett, Colora...
Category

1940s American Modern International Fine Print Dealers Association Art

Materials

Lithograph

Y is for Yacht, from Alphabet Series
By Peter Blake
Located in London, GB
Screenprint in colours, 1991, on wove paper, signed, titled and numbered from the edition of 95 in pencil, published by Waddington Graphics and Corianda Studios, 102.5 x 77 cm. (40.4...
Category

1990s Pop Art International Fine Print Dealers Association Art

Materials

Screen

La Receveuse (Bill Collector) —French Cubism
By Jean-Emile Laboureur
Located in Myrtle Beach, SC
Jean-Emile Laboureur, 'La Receveuse', engraving, 1919, edition 8, first state of two (artist's proof). Laboureur, Godefroy 190. Signed and numbered '3/8 ép' in pencil. Initialed and...
Category

1910s Cubist International Fine Print Dealers Association Art

Materials

Engraving

AMERICAE - Sive Novi Orbis, Nova Descriptio
By Abraham Ortelius
Located in Santa Monica, CA
ABRAHAM ORTELIUS (1527 - 1598) AMERICAE SIVE NOVI ORBIS, NOVA DESCRIPTIO, 1587 (1603) (Van Den Broecke 11, Burden 64; Schwartz & Ehrenberg 69) Engraving. A very good, well printed...
Category

16th Century Old Masters International Fine Print Dealers Association Art

Materials

Engraving

After the Storm — Turn-of-the Century Impressionist Watercolor, Coastal Brittany
By Hayley Lever
Located in Myrtle Beach, SC
Hayley Lever, 'After the Storm' (gallery title), also 'Sunny Afternoon', watercolor on watercolor paper, the full sheet, the image extending to the sheet edges; in very good conditio...
Category

Early 1900s Impressionist International Fine Print Dealers Association Art

Materials

Watercolor

Landscape with buildings and trees
By Leon Kelly
Located in Fairlawn, OH
Landscape with buildings and trees Watercolor on paper, c. 1930's Signed in pencil lower right (see photo) Provenance: Estate of the artist Condition: Excellent Sheet size: 9 3/8 x 1...
Category

1930s American Modern International Fine Print Dealers Association Art

Materials

Watercolor

Allen Street El — Mid-Century Modernism, New York City
By Bernard Brussel-Smith
Located in Myrtle Beach, SC
Bernard Brussel-Smith, 'Allen Street El', chiaroscuro wood engraving, 1941, edition 140. Signed, titled, and numbered '84/140' in pencil. Signed and dated in the block, upper right. ...
Category

1940s American Modern International Fine Print Dealers Association Art

Materials

Woodcut

Under the Bridge
By Lawrence Wilbur
Located in Storrs, CT
Under the Bridge. 1985. Etching and drypoint. 9 1/2 x 12 1/8 (sheet 20 1/16 x 22). Edition 27, #13. Printed on cream wove paper, on the full sheet with deckle edges. A rich impression in excellent condition, housed in an archival folder. The etching has never been matted. Titled and numbered in pencil. by the artist; signed and initialed in pencil by the artist's estate. Provenance: the artist's estate A dramatic view of the lower East Side in New York. Housed in an archival folder awaiting your choice of mat and frame. Painter and printmaker Lawrence Nelson Wilbur...
Category

20th Century American Modern International Fine Print Dealers Association Art

Materials

Drypoint, Etching

Erinnerung (Remembrance) — Turn-of-the Century Romantic Etching
By Max Klinger
Located in Myrtle Beach, SC
Max Klinger, 'Erinnerung (Remembrance)', etching and aquatint, 1896. A fine, richly inked impression, on off white, wove paper, with full margins (1 3/4 to 3 1/8 inches), in excellen...
Category

1890s Post-Impressionist International Fine Print Dealers Association Art

Materials

Aquatint, Etching

UNTITLED
By George Hoehn
Located in Portland, ME
Hoehn, George (American, 1935 - ?) UNTITLED ABSTRACTION. Gouache on heavy wove paper, 1967. Signed and dated, lower right. 9 1/2 x 6 1/4 inches (image), 15 x 11 inches (sheet). In ex...
Category

1960s International Fine Print Dealers Association Art

Materials

Gouache

PITCHING HAY - Created for the WPA / Federal Arts Project - (FAP)
By John Turner (b.1916)
Located in Santa Monica, CA
JOHN TURNER (1908 - 1939 per the FDR Presidential Library Collection) PITCHING HAY no 2, c. 1940 Etching and Carborundum. Signed and numbered 10/25 in pencil. 8 1/2 x 12 inches. Sheet 10 x 13 1/2. Annotated at lower sheet edge "Carbograph and etching". This print was done for the WPA / Federal Art Project. The editions for the WPA/FAP prints were generally 25 as in this example. It is illustrated in the Newark Museum WPA collection. Their copy has the Pennsylvania WPA label and with a stamped date of March 11. 1940. Also listed in the General Services Administration catalog of WPA prints...
Category

1940s American Realist International Fine Print Dealers Association Art

Materials

Etching

Marche aux Legumes a Pontoise
By Camille Pissarro
Located in Santa Monica, CA
CAMILLE PISSARRO (French 1830- 1903) MARCHE AUX LEGUMES A PONTOISE, 1891 (D. 97ii/ii) Etching and aquatint, Unsigned as published in Le Peintre-graveur Illlustre: Pissarro, Sisley,...
Category

1890s Impressionist International Fine Print Dealers Association Art

Materials

Aquatint

S is for Sumo, from Alphabet Series
By Peter Blake
Located in London, GB
Screenprint in colours, 1991, on wove paper, signed, titled and numbered from the edition of 95 in pencil, published by Waddington Graphics and Corianda Studios, 102.5 x 77 cm. (40.4...
Category

1990s Pop Art International Fine Print Dealers Association Art

Materials

Screen

Central Park Night
By Adolf Dehn
Located in Fairlawn, OH
Central Park Night Lithograph, 1946 Signed and dated lower right (see photo) Titled, lower center Number lower left (see photo) Edition: 40, plus trial proofs (23/40) This image depi...
Category

1940s American Modern International Fine Print Dealers Association Art

Materials

Lithograph

Constellations
By Matt Magee
Located in Houston, TX
Matt Magee Constellations, 2019 Diptych lithograph 22 x 44 inches overall (22 x 22 each sheet) Edition of 30 Unframed
Category

21st Century and Contemporary Abstract Geometric International Fine Print Dealers Association Art

Materials

Lithograph

Bibi Valentin
By James Abbott McNeill Whistler
Located in Storrs, CT
Bibi Valentin. 1859. Etching and drypoint. Kennedy catalog 50 state ii; Glasgow catalog 34 state ii. 6 x 8 7/8 (sheet 8 11/16 x 10 11/16). Glasgow records 44 known impressions. A rich impression with burr, printed on watermarked laid paper with full margins. Signed and dated in the plate. Housed in a 20 x 16-inch archival mat A young girl, sits facing the viewer, leaning on her left elbow, legs extended to left. She wears a high-necked smock and buttoned boots...
Category

19th Century American Modern International Fine Print Dealers Association Art

Materials

Etching, Drypoint

Yellow Journal
By Frank Stella
Located in London, GB
Lithograph, 1982, on white Arches Cover, mould-made paper, signed and dated an AP aside the edition of 50, published by Tyler Graphics Ltd., Bedford Village, NY, sheet: 133.5 x 97.8 ...
Category

1980s Minimalist International Fine Print Dealers Association Art

Materials

Lithograph

Night and Branches
By Claire Sherman
Located in Lyons, CO
Color lithograph, Edition 30. The dense, tangled, and undulating forms of spaces and plants in Claire Sherman’s recent bodies of work address some of the complicated new environment...
Category

2010s Contemporary International Fine Print Dealers Association Art

Materials

Lithograph

WORLD MAP - Planisphaerium Terrestre Sive Terrarum Orbis... 1696
By Carel Allard
Located in Santa Monica, CA
CAREL ALLARD (1648 – 1709) PLANISPHAERIUM TERRESTRE SIVE TERRARUM ORBIS… 1696 (Shirley 578) Engraving, 20 ½ x 23 ½”, sheet 21 x 24 1/8". A stunning double hemisphere World Map...
Category

17th Century Old Masters International Fine Print Dealers Association Art

Materials

Engraving

The Get Up (Plate 1 of 4)
By Darius Steward
Located in Fairlawn, OH
The Get Up (Plate 1 of 4) Watercolor on Yupo mounted to board, 2019 Signed with the artist's initials lower right Series: The Get Up (4 plates) Exhibited: Occup...
Category

2010s Contemporary International Fine Print Dealers Association Art

Materials

Watercolor

Beauties on the Beach with view of Mount Fuji
By Yoshu Chikanobu
Located in Burbank, CA
Shichirigahama, Sagami Province. A beauty in the foreground waves to her young companions, who run towards her on the beach. The beauty at left wears a western-style golden ring. We ...
Category

1890s Edo International Fine Print Dealers Association Art

Materials

Mulberry Paper, Handmade Paper, Woodcut

Symbiosis
By Paolo Ciampini
Located in New Orleans, LA
This impression is signed and numbered in an edition of 50 Paolo Ciampini was born in Montopoli in Val d'Arno in 1941. After graduating from the Art Institute of Cascina (Pisa) in ...
Category

1990s Modern International Fine Print Dealers Association Art

Materials

Etching

Pair of Shell Watercolors
Located in New York, NY
Pair of original 19th Century watercolors displayed in custom w=k black stained frames.
Category

19th Century International Fine Print Dealers Association Art

Materials

Watercolor, Paper

G is for Girl, from Alphabet Series
By Peter Blake
Located in London, GB
Screenprint in colours, 1991, on wove paper, signed, titled and numbered from the edition of 95 in pencil, published by Waddington Graphics and Corianda Studios, 102.5 x 77 cm. (40.4...
Category

1990s Pop Art International Fine Print Dealers Association Art

Materials

Screen

Do It Yourself
By Gunter Uecker
Located in London, GB
Hammer and two nails on wood board, 1930, signed in pencil, from an unknown edition size, published by Edition VICE-Versand, Remscheid, Germany, overall sizes: 34 x 16.5 x 7.8 cm. (1...
Category

1930s Op Art International Fine Print Dealers Association Art

Materials

Wood

Avion
By Piero Dorazio
Located in New York, NY
This print is named Avion, meaning Airplane. It shows diverse, vertical colored stripes, some angular and some slightly curved. Different tones of blue dominate the foreground. Some...
Category

1960s Abstract International Fine Print Dealers Association Art

Materials

Aquatint

Iris (5)
By Leonard Baskin
Located in Myrtle Beach, SC
Leonard Baskin, 'Iris ( 5 )', etching, 1988, artist proof before the edition of 10, outside the book edition. Signed and annotated 'proof' in pencil. A fine impression, with expertly...
Category

1980s Impressionist International Fine Print Dealers Association Art

Materials

Etching

CIRCUS PERFORMERS
By Simka Simkhovitch
Located in Portland, ME
Simkhovich, Simka. CIRCUS PERFORMERS. Lithograph, C. 1933. Edition size not known. Unsigned. 11 x 8 1/4 inches, 278 x 209 mm. Framed to 16 x 12 inches...
Category

1930s International Fine Print Dealers Association Art

Materials

Lithograph

untitled (Maine Autumn Landscape across the narrows from Mt. Desert)
By Greta Allen
Located in Fairlawn, OH
untitled (Maine Autumn Landscape across the narrows from Mt. Desert) Watercolor, 1945-1955 Signed by the artist lower left in pencil (see photo) Provenance: Estate of the artist Condition: Excellent Image/Sheet size: 14 1/4 x 19 5/8 inches Regarding the Maine subject matter of her watercolors, we know that Allen...
Category

1940s American Impressionist International Fine Print Dealers Association Art

Materials

Watercolor

Pair of Horse Lithographs
By David Low
Located in New York, NY
"The Old-Irish Hunter." and "The Cleveland Bay." from "The Breeds of the Domestic Animals of the British Islands." by David Low. London, Fairland, 1842. Original lithograph hand-col...
Category

1840s International Fine Print Dealers Association Art

Materials

Paper

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