Amelia Galli Art

This beautiful surrealist painting by Mauricio comes rolled in a tube and needs to be stretched when received. In his pieces, Mauricio combines his figurative expertise along with su...

Oil on canvas. Framed. Signed lower right.

In this original painting by Nathan Neven the artist depicts a grand interior space filled with the endearing presence of a courageous lion and great elephant. This captivating juxta...

"Eiffel" by Nathan Neven is a captivating exploration of the iconic Eiffel Tower set against a vibrant Parisian panorama. Crafted with oil on canvas, Neven's abstract expressionist ...

Artist: Richard Kirk, American XXth Title: Surreal Portrait Year: circa 1960 Medium: Oil on Canvas, signed Size: 36 x 24 in. (91.44 x 60.96 cm) Frame:...

It is with great pride that we present a recently completed oil painting by Azerbaijani artist, Fidan Kim. Ms. Kim is a classically trained painter whose paintings evoke the surreal...

An image of a horned devil with pointy claws and bat-like wings emerges from a Voodoo drum. He has with arms stretched out like a Christ figure. The drum grows out of a yellow plant-...

Artist: Tito Salomoni (1928 - 1989) Title: Life's Souvenirs Date: 1984 Medium: Oil on Canvas, signed lower left Size: 20 x 24 in. (50.8 x 60.96 cm) Frame...

Work on canvas Brown wood frame 63 x 54 x 3 cm

Artwork size: 102,5x98 cm Frame size: 110x105 cm This artwork is accompanied by a certificate of authenticity signed by Alisée Matta. Provenance: Artist Jean-Pierre Jouffroy, Paris. The estate of the artist Jean-Pierre Jouffroy, Paris. “The heart is an eye,” writes Nobel laureate Octavio Paz in an essay on Matta’s paintings. Matta creates a world coloured both by a sunny faith in the future and by visions of impending doom. Roberto Sebastian Echaurren Antonio Matta, who died aged 91 on 23 November 2002, was born in Santiago, Chile, on 11 November 1911 into a family with Spanish, French and Basque roots, and raised in an atmosphere of religiosity. By the age of 21 he had graduated and begun work as an architect, but his leisure time he devoted to sketching and painting. In 1933 he travelled to Europe for the first time, visiting Greece, Yugoslavia, Italy and other countries, and subsequently taking the initiative to collaborate with the architect, Le Corbusier. As time passed, however, Matta’s enthusiasm for a career in architecture waned, and he began to devote himself full-time to art, making early acquaintances with surrealists such as Max Ernst, Salvador Dalí, André Breton and others. Between 1939 and 1948 Matta, like many of his artistic contemporaries, lived in self-imposed exile in the USA, but, after almost 10 years’ absence from Europe, he returned to make first Rome and then, a few years later, Paris his home. Throughout most of the rest of his life Matta commuted between his studio in Paris and his creative refuge in the monastery outside Rome. And it is here, in Italy, that he produced his greatest paintings. Matta’s first retrospective in Sweden was organised in 1956 when his works were exhibited in what was then Galerie Colibri – run by, among others, the artist C O Hultén...

Surreal large-scale figurative abstract depicting two nude female figures in a red interior space juxtaposed by a bearded man seated next to a sculptural bust of a man, with a white skeleton in the foreground by Bay Area artist Michael Pauker (American, b. 1957). Titled "The Red Studio...