Andrea Anaya Art

A black-and-white photograph (analog) of a magazine/newspaper shopkeeper who exhibits a unique brand of French quirkiness and expressiveness in Paris of the 1980s. Shot on film, Shopkeeper, 1989 by Roberta Fineberg is a 14” x 11” gelatin silver print in an edition of 5. Signed, dated, and titled on recto (photo front) by the artist. Provenance: RF Archive *** Artist's Bio: As a photographer and visual artist, Roberta Fineberg (RF) focuses on the themes of serendipity, inventiveness, and development of ideas for her photography, video, installations, works on paper, and painting. Drawn to experimentation, she explores diverse mediums and subjects such as the ephemeral (butterfly series), stolen moments (documentary work), play, timelessness, the enduring, and significance of matter. In July 2022, Roberta Fineberg’s Double Helix was included in a Sotheby’s auction in New York City and exhibited in the preview show Contemporary Discoveries. Selected exhibitions include: Time Gallery New York (2022), Phyllis Harriman Gallery New York studio shows (2022; 2020), CADAF online art...

Friends, 1989 by Roberta Fineberg is a black-and-white photograph of friends in a Parisian bar in the Marais. The silhouetted figure is contrasted against the contours pf a female fa...

A black-and-white image shot on film in Paris, France in the 1980s, Roberta Fineberg’s subject is a young French-African girl with braids, ribbons, and bows that RF photographed in f...

In the Country, 1988 is by Roberta Fineberg. A black-and-white documentary-style portrait of a French woman in the countryside - from northeast France, the Haute-Marne, the subject is photographed against a backdrop of fresh-cut hay. Far from Paris the French maintain deep connections with the land - owning often an ancestral house in the countryside, often rustic, a nation equally rooted in the agrarian. An 11" x 14" gelatin silver print (analog/film) in an edition of 5, the photograph is signed and editioned on recto (in margin) by the artist. Provenance: RF Archive *** Artist's Bio: As a photographer and visual artist, Roberta Fineberg (RF) focuses on the themes of serendipity, inventiveness, and development of ideas for her photography, video, installations, works on paper, and painting. Drawn to experimentation, she explores diverse mediums and subjects such as the ephemeral (butterfly series), stolen moments (documentary work), play, timelessness, the enduring, and significance of matter. In July 2022, Roberta Fineberg’s Double Helix was included in a Sotheby’s auction in New York City and exhibited in the preview show Contemporary Discoveries. Selected exhibitions include: Time Gallery New York (2022), Phyllis Harriman Gallery New York studio shows (2022; 2020), CADAF online art fair (2020), Gallery122 New York pop-up group...

A black-and-white image of a French woman a Parisian captured on film by Roberta Fineberg. The subject of the photograph is lost in thought en route on a bus winding through the maze...

Woman on Bus, from the March on Washington, 1963 (printed later) by Leonard Freed, is a 11" x 14" gelatin silver print, signed and stamped on verso (back of photo) by the estate, Brigitte Freed (wife of the photographer). The photo is from Leonard Freed's series This Is the Day: The March on Washington and is on p. 81 of the book (Getty Museum, 2013). American photographer Leonard Freed enjoyed documentary storytelling and was a "concerned photographer" whose work demonstrated humanitarian concerns. Provenance: Freed archive. *** Artist’s Bio: Leonard Freed (1929-2006) was an American photographer from Brooklyn, New York. His "Black in White America" series made him known as a documentarian, a social documentary photographer. Freed worked as a freelance photographer from 1961 onwards and as a Magnum photographer Freed traveled widely abroad and, in the US, photographing African Americans (1964-65), events in Israel (1967-68, 1973), and the New York City police department (1972-79). Freed's coverage of the American civil rights...

A black and white photograph of a woman dressed in costume - goddess of the hunt, the moon, and nature - in mythology, Diana, the huntress a maiden with blond braids and a gold tiara. The mask on the back of the goddess invites us into the spirit world ... the subject photographed at a countryside masked ball in St Martin d'Ardeche, France. Diana the Huntress, France, 1989 by Roberta Fineberg is a signed 14 x 11 gelatin silver print in an edition of 5. Provenance: RF Archive *** Artist's Bio: As a photographer and visual artist, Roberta Fineberg (RF) focuses on the themes of serendipity, inventiveness, and development of ideas for her photography, video, installations, works on paper, and painting. Drawn to experimentation, she explores diverse mediums and subjects such as the ephemeral (butterfly series), stolen moments (documentary work), play, timelessness, the enduring, and significance of matter. In July 2022, Roberta Fineberg’s Double Helix was included in a Sotheby’s auction in New York City and exhibited in the preview show Contemporary Discoveries. Selected exhibitions include: Time Gallery New York (2022), Phyllis Harriman Gallery New York studio shows (2022; 2020), CADAF online art fair (2020), Gallery122 New York pop-up group...

Drawn to street photography, Roberta Fineberg visited Moscow for extended periods in 1989-1990, witnessing Russian President Mikhail Gorbachev's politics of "Glasnost/Perestroika" ("Openness"). The celebrated Soviet dancer Maya Plisetskaya...

By American photographer Burt Glinn a black-and-white 14" x 11" photograph on fiber paper (gelatin silver print) of Editor-in-chief Hugh Hefner who wrote for the magazine he founded,...

Vampire is an original photograph realized by Plinio Martelli in 2000s. The artwork represents a vampire woman. Excellent conditions. Hand-signed and...

Vintage Photo. The Italian Actress Paola Borboni.

Monica Vitti and Michelangelo Antonioni is a vintage black and white photo of the italian actress and the italian movie director Michelangelo Antonioni from the 1960s. Agenzia Nazionale Stampa Associata (ANSA). Monica Vitti is born in Rome on November 3, 1931. Admitted in 1950 to the Academy of Dramatic Art (where she will return in 1986 as a teacher), and graduated in 1953, she immediately tackles the scenes in L'avaro di Molière (1954), The island of the parrots of S. Tofano (1954), They founded a city of C. Meano (1954), Mother Courage and her children of B. Brecht (1954). Between 1956 and 1959 she also participated in television broadcasts and acted in numerous adaptations of famous theatrical texts. She made her film debut playing secondary parts in Laugh, Laugh, Laugh! by E. Anton, 1955; A mink coat by G. Pellegrini, 1956; Le dritte di M. Amendola, 1958. Dubbing actress of Il scido di M. Antonioni (1957), she meets the director who, after having directed her to the theater in I am a camera by J. Van Druten (1957) and in Secret Scandals by Antonioni and E. Bartolini (1957), he calls her as the protagonist in L'avventura (1960), a film with which V. is a leading actress. Always led by Antonioni, from now on she will play suffering characters who embody a profound crisis of feelings. Apart from a brief television parenthesis (a transposition of the short story The White Nights by F. Dostoevskij, directed by V. Cottafavi), La notte (1961), L'eclisse (1962) and Deserto rosso (1963) belong to a happy partnership with Antonioni (who will be revived episodically for the production of The Mystery of Oberwald [1980], a courageous experiment of intertwining cinema and electronic techniques, propitiated by the exhumation of a play by J. Cocteau, L'aigle à deux têtes). In the second half of the Sixties, however, the producers showed that they preferred her as an actress endowed with caricatural flair, fine humor, vitalistic exuberance, communicative immediacy; and audiences pay her a growing success, not always corresponding to the quality of her filmography or the variety of her interpretations, among which are the very convincing ones in Modesty Blaise...