Artemio Sepulveda

Shana’s portraits adorned two covers of Time Magazine. Shana’s work is about the face and eyes. Young face, old face, black or white. Her subjects are confused, lonely, ragged and ...

Translated title: "Drunken face". Mixed media on canvas.

"Reclining Woman Nude" by Shana Wilson is a 48" x 36" contemporary figurative nude that presents the human form in a subtle and graceful manner. The color palette is composed of soft, earthy tones such as warm browns and delicate creams, creating a sense of intimacy and vulnerability. The artist's unique style captures the essence of the subject through abstract shapes and gentle brushwork, allowing the viewer to engage with the emotion and sensuality of the reclining figure. This piece evokes a feeling of serenity and contemplation, inviting viewers to appreciate the beauty of the human body in its most relaxed and natural state. About the Artist: Over seven billion souls exist on this planet, each with a unique face and story. Shana transfers her visceral love for the human landscape to canvas, tenderly cradling its peaks and valleys, darkness and light, colors and neutrals, empty and full, hard edges and soft curves. Each brush stroke creates a controlled cacophony as it assembles the intricate jigsaw of the human face. An entire life’s journey is written on this human landscape; a journey that begs to be documented and treasured. Shana’s legacy project is to paint inspirational women from all walks of life, inclusive of all cultures and orientations. The subjects all have one thing in common; the ability to inspire and create social change. She pays tribute to them on canvas, painting a long overdue celebration of trail-blazing women. Visit any major gallery or museum in the world and it is teeming with paintings of nude women...

Shana’s portraits adorned two covers of Time Magazine. Shana’s work is about the face and eyes. Young face, old face, black or white. Her subjects are confused, lonely, ragged and d...

Shana’s portraits adorned two covers of Time Magazine. Shana’s work is about the face and eyes. Young face, old face, black or white. Her subjects are confused, lonely, ragged and ...

Portrait Abstract Expressionist. Mixed Media oil paint, collage, cotton cloth. Peter Robert Keil was born to an artist blacksmith father whom he lost very early in his childhood duri...

Hubert Malfait Astene 1898 – 1971 Sint-Martens-Latem Belgian Painter 'Sitting Nude' Signature: Signed top left Medium: Oil on canvas Dimensions: Image size 90 x 60 cm, frame size 114 x 84 cm Biography: Malfait Hubert was a Belgian painter who belonged to the third Latem School. He was born in 1898 in Astene, Belgium, as the son of the local municipal secretary Jules Malfait. Growing up amidst influential figures like Emile Claus, Valerius De Saedeleer, and Albijn Van den Abeele, who were friends of his father, Malfait developed an early affinity for art. During the war years, he studied at the Gent Academy of Fine Arts alongside Jules De Sutter. A pivotal moment in Malfait's career occurred in 1924 during the exhibition "Laethemsche Kunstenaarskolonie," where he met critics André De Ridder, Paul-Gustave van Hecke, and Georges Marlier. This led him to become an integral part of the avant-garde expressionist group around Gustave De Smet, Frits Van den Berghe, and Constant Permeke. Progressive Brussels galleries strongly supported him, considering him the flagbearer of a new generation of expressionists. Despite economic challenges and the bankruptcy of Le Centaure, Malfait's primary supporter, in 1932, he continued to shape the Brussels art scene. Emmanuel de Bom defended him, asserting the vitality of expressionism. Malfait reemerged in 1934 with an exhibition at Galerie Louis Manteau. In the 1930s, Malfait was a prominent figure in the Gent art scene, showcasing his works at venues like Ars and later at Galerie Vyncke-van Eyck. The economic crisis and Le Centaure's bankruptcy affected Malfait, but he resurged in 1934 with an exhibition at Galerie Louis Manteau. The war years marked a shift in Malfait's exhibitions, with major solo shows occurring in 1944. He exhibited paintings in Galerie Brueghel and drawings in Galerie Apollo. The Museum voor Schone Kunsten in Oostende organized an extensive retrospective just before his death in 1971. Malfait's artistic evolution saw him transition from impressionism to expressionism, influenced by Eugène Laermans and Jakob Smits...

A strong modernist oil painting depicted in the Mid Century by Russian painter Michael Baxte. Mostly known for his abstracted figures on canvas or street scenes, this piece is a wond...

Black Angel in a bustling city, where towering buildings cast shadows and exhaust fills the air, a hidden struggle unfolds. Olamide silently prayed for her...

"Gazing Through Ankara" is a captivating series of paintings that celebrates the beauty, diversity, and individuality of black African women through the exploration of eyewear and An...

Vibrant contemporary nude figure in neon orange on a purple abstract background by Aromas, California, Monterey Bay Area abstract expressionist artist Frank Romero (American, b-1985)...

I'm hungry for knowledge. The whole thing is to learn every day, to get brighter and brighter. That's what this world is about. You look at someone like Gandhi, and he glowed. Martin...