Carroll Dunham Art

Alan Fenton (1927 - 2000) Untitled, 1965 Charcoal and graphite on paper 23 x 17 inches Signed and dated lower right Fenton's quiet and contemplative nonob...

“Edifice” is a group of small works on paper created in 2024 by Amanda Andersen. This series of contemporary drawings explores architectural forms with elements of abstraction, sket...

Title : First Floor Biogram Materials : Acrylic, gouache, oil pastel, marker, charcoal, graphite, and conté crayon on paper Date : 2018 Dimensions : 24 x 18 x .1 in. Description : ...

“Symbiotic Strings” is a series of three small studies of acrylic on paper created in 2024 by Amanda Andersen. Minimal forms grow into each other with a simplicity and serenity simi...

This drawing is one in a series of ten pastel works on paper that explore the tactile quality of interwoven forms, creating a visual dialogue between soft curves and sharp, angular intersections. The earthy toned palette enhances the focus on form, texture and the composition's structural foundation. Influenced by mid-century graphics and modern art–as well as the organic complexity of fiber arts, such as weaving and braiding, which informs the tangled patterns. Each artwork in the series is named for a type of popular hair braid...

Balancing act 2 (Abstract Painting) Gouache, graphite and ink on Rives paper. Unframed. Balancing Act 2 is part of a series of works on paper started in 2016. They are created in the evenings and aptly named after busy days of teaching and other responsibilities. The artist establishes parameters involving the use of a particular palette, certain mark-making gestures and amount of time spent on each drawing. This work incorporates graphite, ink, and gouache, and is a combination of intuition-based and planned execution. Tracey Adams is an American abstract painter and printmaker. Her artworks reflect a strong interest in musical patterns, rhythms, lyrical compositional elements and what she calls a sense of performance. She lives and works in Carmel, California. Work by Adams is part of the permanent collections of several museums, including the Bakersfield Art Museum, the Monterey Museum of Art, the Fresno Art Museum, the Tucson Art...

This drawing is one in a series of ten pastel works on paper that explore the tactile quality of interwoven forms, creating a visual dialogue between soft curves and sharp, angular intersections. The earthy toned palette enhances the focus on form, texture and the composition's structural foundation. Influenced by mid-century graphics and modern art–as well as the organic complexity of fiber arts, such as weaving and braiding, which informs the tangled patterns. Each artwork in the series is named for a type of popular hair braid...

“Symbiotic Strings” is a series of three small studies of acrylic on paper created in 2024 by Amanda Andersen. Minimal forms grow into each other with a simplicity and serenity simi...

This drawing is one in a series of ten pastel works on paper that explore the tactile quality of interwoven forms, creating a visual dialogue between soft curves and sharp, angular intersections. The earthy toned palette enhances the focus on form, texture and the composition's structural foundation. Influenced by mid-century graphics and modern art–as well as the organic complexity of fiber arts, such as weaving and braiding, which informs the tangled patterns. Each artwork in the series is named for a type of popular hair braid...

Pen and ink on paper, laid down on canvas, mounted to wooden scroll bars Signed and dated lower right: “Drawn by N. B. Rogers August. 1843” Inscribed with an ownership inscription on the verso: Rev. E. D. Daniels, Palmer, Mass. Provenance: Rev. Eugene Davidson Daniels, Palmer, Massachusetts, 1871 This extraordinary manuscript map is a rare survivor of the devotional and educational culture of New England in the first half of the nineteenth century. Although at first glance resembling a large-scale engraving or printed publication, this precisely rendered wall map was entirely drawn by hand, the product of meticulous research by a minister working in isolation in rural Maine. The map shows New Testament era cities, towns, tribal areas, and political borders as well as physical features such as rivers, lakes, mountains, and hills (indicated by half-tone cross-hatching). On to this geographically accurate rendering of the Holy Land, Rogers has located and inscribed significant locales mentioned in the Gospels and has annotated these places with relevant citations from the Bible. He further records these by plotting the travels of Jesus on what resemble a series of trails across the Holy Land. Each is distinguished by a different pattern of dots and dashes – correlated to an explanatory table at the lower right. From this we know that these lines document the “Flight into Egypt and return,” “Travels of Christ from Nazareth to Jerusalem and return,” “Travels from the commencement of his Ministry to the first Passover,” “Travels from the first and the second Passover,” “Travels from Jerusalem to Galilee after the 2nd Passover,” and “Travels from the third Passover to the Crucifixion.” An inset map of “Jerusalem...

Steven Sorman In Real Time, 2003 Acrylic, gouache, gel medium, oil and beeswax collage painting on paper 48 × 34 inches Signed and dated 2003; The frame also bears the original label...

In carefully drawn dots and lines in soft shades of indigo blue with pink, green, yellow and dark red details, this intricate composition is inspired by patterns in nature. This draw...