Cristina Salusti Art

Sarah Alexander's "Lost in Thought" is a 54 x 44 x 1.5 inch botanically inspired India ink drawing on canvas with real gold leaf accents, and watercolor paint made from crushed semi ...

Dancing Jesters or Clowns (colorful Chassidim dancing) Gouache on paper Sheet is 19.25 X 25.25 Image is 13.5 X 19.25 Moshé Raviv-Vorobeichic, known as Moi Ver, born Moses Vorobeichik (1904–1995) was an Israeli photographer and painter. Moi Ver (Moshe Raviv) was born in 1904 in Vilnius, Lithuania as Moshe Vorobeichic. Moshe Vorobeichic received his initial artistic training in the early 1920s in Vilnius, Lithuania, where he studied painting, architecture, and photography. Having become an important figure in the Yiddish avant-garde culture, he exhibited his first works. From October 1927, he studied at the Bauhaus school in Dessau (Germany), with photographer-visual artist Laszlo Moholy Nagy and painters Josef Albers, Paul Klee, Wassily Kandinsky, and Hinnerk Scheper. In his book Moi Ver: Paris, he produced avant-garde photomontages. Originally published in 1931 by Editions Jeanne Walter with an introduction by futurist Fernand Leger. In 1932 Raviv was sent by the weekly La Vie Parisienne to British Mandate Palestine as photo reporter. Raviv illustrated many books. Raviv was a founder of the Artists' Colony in Safed. At the height of 20th Century modernism and one of the followers of Laszlo Moholy Nagy and his concept of New Vision, Moin Ver was one of the rising stars in European photography. Born in Lebedeva, in Belarus, he wandered through Europe until he immigrated to Palestine in 1934. His well known yet partly forgotten three photographic projects in 1931, The Ghetto Lane in Wilna, Paris: 80 Photographies de Moi Ver and Ci-Contre – 110 Photos de Moi Ver (that was not published at the time), have remained milestones in the art of the 1930s as he created and imposed a new visionary style in photography. As a contemporary of artists such as Man Ray, Ilse Bing...

Micro picture, gouache on paper mounted on black leather. Belonging to the serie “Microbes”. Interestingly, it is unusually mounted on a black leather surface whose shape reminds th...

"Houses at Night" is an original mixed media painting by Dan Muller. The artist signed the piece lower right. The artist used cut & pasted paper, waterc...

This is a multi-paneled painting of Heather Hartman's investigation into the light and landscape of Tennessee. earth tones are combined with violets to give space for the light, crea...

Elaborate and highly detailed mixed media painting of abstract figures in a matrix of shapes. Signed and dated 1955 lower right. Consists of watercolor with touches of crayon on paper. Condition is good. Matted but not framed. Neville Mann...

Elaborate and highly detailed mixed media painting of abstract figures in a matrix of shapes. Signed and dated 1955 lower right. Consists of watercolor, gouache with touches of crayon on paper. Condition is good. Matted but not framed. Neville Manns...

Lovers is an original drawing in mixed media on ivory paper realized in 1940 ca. by an Anonymous artist of the XX century. In very good conditions, except for some folding and very ...

Alexander Emperor is an original print realized in 1816 ca. Original mixed colored hand watercolor lithograph . Title printed on plate on the lower margin. Published by Richard Ev...

"Homage to Vermeer and Girl with the Pearl Earring" is an original mixed media piece by David Barnett. It contains elements of collage, watercolor, and pink. The Eiffel Tower forms t...

Model is an original artwork in gouache realized by the Spanish artist José Luis Rey Vila. Good conditions. Very beautiful artwork representing a ...

Peña’s works range from painting to multimedia installations that question the ever-changing psychological landscape of America; asking the viewer to re-examine their perceptions of the “American Dream” and the affects that pursuit has on our environment. In "The Buble", Peña takes a more traditional approach to representing a house in the phase of construction with bold and vivid colors and contrasts the image with cut Sintra board slowly pulsating downward from underneath the house. The light blue of the sky contrasts with a deep orange hue for the house. The work is framed with a 1 inch white border. Nick Peña...