Emile Roux Fabre Art
to
3
1
1
3
1
2
1
1
Overall Height
to
Overall Width
to
3
2
1
1
1
1
1
4
3
4
6,997
3,373
2,513
1,212
2
1
1
1
1
Artist: Emile Roux Fabre
The Forest, Large Barbizon School, Oil on Canvas Wooded Landscape
By Emile Roux-Fabre
Located in Cotignac, FR
A French Barbizon School oil on canvas forest view by Emile Roux-Fabre. The painting is signed and dated bottom left with a dedication.
A charming view of forest glade leading out to a valley landscape beyond. The artist has captured the magic feeling of the cool forest shade against the sunshine of the landscape beyond. The texture of the bark on the silver birch trees, the contrast of the leaves on the trees all framing the perspective to the view beyond. An extremely accomplished and atmospheric painting.
The Barbizon school of painters was part of an art movement towards Realism in art, which arose in the context of the dominant Romantic Movement of the time. The Barbizon school was active roughly from 1830 through 1870. It takes its name from the village of Barbizon, France, on the edge of the Forest of Fontainebleau, where many of the artists gathered. Most of their works were landscape paintings, but several of them also painted landscapes with farmworkers, and genre scenes of village life. Some of the most prominent features of this school are its tonal qualities, colour, loose brushwork, and softness of form.
The leaders of the Barbizon school were: Théodore Rousseau, Charles-François Daubigny, Jules Dupré, Constant Troyon, Charles Jacque, and Narcisse Virgilio Díaz. Jean-François Millet lived in Barbizon from 1849, but his interest in figures with a landscape backdrop sets him rather apart from the others. Jean-Baptiste-Camille Corot was the earliest on the scene, first painting in the forest in 1829, but his work has a poetic and literary quality which sets him somewhat apart. Other artists associated with the school, often pupils of the main group, include: Henri Harpignies, Albert Charpin, François-Louis Français and Émile van Marcke.
In 1824 the Salon de Paris exhibited works of John Constable, an English painter. His rural scenes influenced some of the younger artists of the time, moving them to abandon formalism and to draw inspiration directly from nature. Natural scenes became the subjects of their paintings rather than mere backdrops to dramatic events. During the Revolutions of 1848 artists gathered at Barbizon to follow Constable's ideas, making nature the subject of their paintings. The French landscape became a major theme of the Barbizon painters.
Millet extended the idea from landscape to figures — peasant figures, scenes of peasant life, and work in the fields. In The Gleaners (1857), for example, Millet portrays three peasant women working at the harvest. Gleaners are poor people who are permitted to gather the remains after the owners of the field complete the main harvest. The owners (portrayed as wealthy) and their laborers are seen in the back of the painting. Millet shifted the focus and the subject matter from the rich and prominent to those at the bottom of the social ladders. To emphasize their anonymity and marginalized position, he hid their faces. The women's bowed bodies represent their everyday hard work.
In the spring of 1829, Jean-Baptiste-Camille Corot came to Barbizon to paint in the Forest of Fontainebleau, he had first painted in the forest at Chailly in 1822. He returned to Barbizon in the autumn of 1830 and in the summer of 1831, where he made drawings and oil studies, from which he made a painting intended for the Salon of 1830; "View of the Forest of Fontainebleau'" (now in the National Gallery in Washington) and, for the salon of 1831, another "View of the Forest of Fontainebleau"'. While there he met the members of the Barbizon school: Théodore Rousseau, Paul Huet, Constant Troyon, Jean-François Millet, and the young Charles-François Daubigny.
During the late 1860s, the Barbizon painters attracted the attention of a younger generation of French artists studying in Paris. Several of those artists visited Fontainebleau Forest to paint the landscape, including Claude Monet, Pierre-Auguste Renoir, Alfred Sisley and Frédéric Bazille. In the 1870s those artists, among others, developed the art movement called Impressionism and practiced 'plein air' painting. In contrast, the main members of the school made drawings and sketches on the spot, but painted back in their studios.
The Post-Impressionist painter Vincent Van Gogh studied and copied several of the Barbizon painters as well, including 21 copies of paintings by Millet. He copied Millet more than any other artist. He also did three paintings in Daubigny's Garden.
The Barbizon painters also had a profound impact on landscape painting in the United States. This included the development of the American Barbizon school by William Morris Hunt. Several artists who were also in, or contemporary to, the Hudson River School studied Barbizon paintings for their loose brushwork and emotional impact. A notable example is George Inness, who sought to emulate the works of Rousseau. Paintings from the Barbizon school also influenced landscape painting in California. The artist Percy Gray...
Category
Early 20th Century Barbizon School Emile Roux Fabre Art
Materials
Canvas, Oil
Provence
By Emile Roux-Fabre
Located in Houston, TX
Classic etching of Provence by French artist E. Roux-Fabre, circa 1930.
Original artwork on paper displayed on a white mat with a gold border. Mat fits a standard-sized frame. Archi...
Category
1930s Emile Roux Fabre Art
Materials
Etching
French Etching Bridge
By Emile Roux-Fabre
Located in Houston, TX
French etching of arched bridge by artist E. Roux-Fabre, circa 1930.
Original artwork on paper displayed on a white mat with a gold border. Mat fits a ...
Category
1930s Emile Roux Fabre Art
Materials
Etching
Vintage Landscape Etching - The Flock
By Emile Roux-Fabre
Located in Houston, TX
Vintage black and white etching of a farmer leading his flock of sheep to a pasture bordered by a small village by French artist Emile Roux Fabre, circa 1930. Signed in pencil lower ...
Category
1930s Emile Roux Fabre Art
Materials
Paper, Ink
Related Items
Nizza - large format photograph of summer beach scene in South of France
By Frank Schott
Located in San Francisco, CA
large scale highly detailed photograph of European beach
Nizza by Frank Schott
44 x 69 inches (112 x 175cm)
signed edition of 10
48 x 75.5 inches (122 x 192cm)
signed edition of 7...
Category
21st Century and Contemporary Contemporary Emile Roux Fabre Art
Materials
Archival Ink, Giclée, Archival Paper, Archival Pigment, Photographic Paper
H 44 in W 69 in D 0.03 in
Hollywood - large format photograph of iconic California landmark in Los Angeles
By Christian Stoll
Located in San Francisco, CA
large scale photograph of the iconic HOLLYWOOD sign in golden California sunlight with downtown Los Angeles in the distance
HOLLYWOOD by Christian Stoll
48 x 48 inches (122 x 122c...
Category
21st Century and Contemporary Contemporary Emile Roux Fabre Art
Materials
Archival Paper, Photographic Paper, Archival Pigment, Archival Ink, Giclée
Nizza - large format photograph of summer beach scene in South of France
By Frank Schott
Located in San Francisco, CA
observation of a Mediterranean beach scene in Nice, France, on a hazy summer day
Nizza by Frank Schott
48 x 75.5 inches (122 x 192cm)
signed edition of 7
44 x 69 inches (122 x 17...
Category
21st Century and Contemporary Contemporary Emile Roux Fabre Art
Materials
Photographic Paper, Archival Pigment, Archival Paper, Giclée, Archival Ink
Redwoods (6 glass panels) - large format abstract nature forest panorama
By Erik Pawassar
Located in San Francisco, CA
a large scale photograph of lush emerald green nature oasis, a highly detailed observation of the soothing natural beauty of the California redwood forest
Redwoods (hexaptych) by Erik Pawassar
48 x 132 inches (122 x 335cm)
six panels of 48 x 22 inches / each
"frameless" acrylic glass face mount
edition of 7
signed
archival quality fine art pigment print
limited art edition published by Edition EKTAlux
artist signed + numbered certificate of authenticity
__
"Modern Gallery Frameless", a contemporary alternative to classic framing:
photo print is mounted onto aluminum composite for archival support and stability,
then sealed behind a protective layer of high quality acrylic glass with polished edges all around.
A recessed aluminum back frame adds additional stability, allows instant hanging and provides a floating artwork appearance.
_______________________
Erik Pawassar's work focuses on the beauty of the disregarded or mundane object. The subjects for his striking and captivating visuals are typically set in the most ordinary environments, drawing the viewer into a charged but serene experience based on composition, palette and formal lines. Saturated in color, the nominal subjects gather a haunting and mesmerizing quality, creating a poignant pretext for the making of a formal color photograph.
Decisively capturing the traces left by humanity, Pawassar's images are filled with a sense of universal nostalgia and pay homage to the passage of time and the extinguished moment, referencing documentary and street photographers like Henri Cartier-Bresson, Sebastian Salgado...
Category
21st Century and Contemporary Contemporary Emile Roux Fabre Art
Materials
Giclée, Archival Ink, Plexiglass, Photographic Paper, Archival Pigment
H 48 in W 22 in D 1.5 in
Landscape #3
By Jean-Baptiste-Camille Corot
Located in Roma, IT
Landscape is a beautiful original etching realized by Camille Corot in the middle of XIX Century. Perfect conditions, platemark is present.
It represents a natural landscape with som...
Category
1850s Modern Emile Roux Fabre Art
Materials
Etching
John Taylor Arms, Battle Wagon
By John Taylor Arms
Located in New York, NY
John Taylor Arms was known for making such finely drawn etchings that commercial tools were not good enough: He regularly used sewing needles with corks for handles. Made during Worl...
Category
Mid-20th Century American Realist Emile Roux Fabre Art
Materials
Etching
Under Greylock, Etching by Peter Milton
By Peter Milton
Located in Long Island City, NY
Artist: Peter Milton, American (1930 - )
Title: Under Greylock
Year: 1993
Medium: Intaglio Etching, signed and numbered in pencil
Edition: 175
Image Size: 18.25 x 15 inches
Size: 25 ...
Category
1990s American Modern Emile Roux Fabre Art
Materials
Etching
Jamie Williams Digital Creator 2D/3D Shack Mountain Snow Magical Realism
Located in Norfolk, GB
Artwork details:
Jamie Williams, Nightlies, image 23cm x 23cm, sheet size 26.5cm x 26.5cm, on Hahnemuhle Photo Rag Paper Signed with Edition 1/20 ve...
Category
2010s Contemporary Emile Roux Fabre Art
Materials
Archival Ink, Archival Paper, Archival Pigment
Marfa ( Texas ) - large format photograph of dramatic clouds over endless field
By Frank Schott
Located in San Francisco, CA
Landscape view from rural county road outside of town, from a series of impressions captured in Marfa, Texas, longtime residence of minimalist artist Donald Judd
Marfa ( Texas ) by ...
Category
21st Century and Contemporary Contemporary Emile Roux Fabre Art
Materials
Archival Ink, Archival Paper, Photographic Paper
Antique Barbizon School Oil Painting Original Gold Frame Rich Colors Fall
Located in Buffalo, NY
Original Barbizon school painting in an original period frame.
Framed 24 x 18
Unframed 18 x 12
Category
19th Century Barbizon School Emile Roux Fabre Art
Materials
Oil, Canvas
Antique 19th Century French Signed Oil Painting Lady Walking in the Woods
Located in Cirencester, Gloucestershire
Walking in the Woods
French School, late 19th century
signed Maurice Bernard
signed oil on canvas, framed
framed: 24 x 28 inches
canvas: 21 x 26 inches
provenance: private collection...
Category
Late 19th Century Barbizon School Emile Roux Fabre Art
Materials
Canvas, Oil
"The Greater University" - 1921 UC Berkeley Yearbook Color Lithograph
Located in Soquel, CA
"The Greater University" - 1921 UC Berkeley Yearbook Color Lithograph
"The Greater University" 1921 University of California Berkeley Color Lithograph by Pedro Lemos...
Category
1920s American Impressionist Emile Roux Fabre Art
Materials
Ink, Paper
H 14 in W 11 in D 1 in
Emile Roux Fabre art for sale on 1stDibs.
Find a wide variety of authentic Emile Roux Fabre art available for sale on 1stDibs. You can also browse by medium to find art by Emile Roux Fabre in etching, canvas, fabric and more. Not every interior allows for large Emile Roux Fabre art, so small editions measuring 16 inches across are available. Customers who are interested in this artist might also find the work of Theophile Narcisse Chauvel, Jean François Millet, and Charles François Daubigny. Emile Roux Fabre art prices can differ depending upon medium, time period and other attributes. On 1stDibs, the price for these items starts at $225 and tops out at $906, while the average work can sell for $250.