Fernando Vignoli Art

A painting by Roberto Matta. "L'epreuve" is a surrealist painting, oil on canvas in palette of grays, greens, and yellows by Latin American artist Roberto Matta. It is signed in the ...

"Acolyte" is a large scale oil painting featuring hues of bright orange, blue and grey. Jim Wise is inspired by the works of Georgia O'Keeffe, Rene Magritte, ...

In The New York Times Arts in America column, Edward M. Gomez writes of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined painti...

Dos Cuba Libres Never been here before? The busy rhythm, around every corner another bay, and resting will not come soon but still an elegant chaos

Nicely painted surreal abstract oil painting by Paul Allen Reed (1919 - 2015). Great color and composition. Framed. Signed verso.

Oil on canvas. Image size, 24H x 30L. Signed verso.

YURI MARTINEZ RAMOS "CHECKMATE" OIL ON CANVAS, SIGNED, TITLED CUBAN-AMERICAN, DATED 2017 53.25 X 41.5 INCHES "Checkmate" is that great end-finale, that surprised everyone because you basically were playing or getting ready for a totally different game. An unexpected move from the governments who always have a "card up their sleeve" to screw you. Yuri Martinez Ramos was born in Havana, Cuba on November 24, 1964. He studied at the Elemental School of Plastic Arts from 1975 – 1979 and the National School of the Arts from 1979 – 1983. Martinez’ figurative paintings have been compared to Botero because of his satirical social commentary. His style, however, is uniquely his own with typically vibrant Latin colors and use of expressive magical realism. His paintings tell his story and the story of the Cuban dilemma. Martinez was granted permission by the US Justice Department after much effort with Cuban authorities to come to the US with his family and pursue his career outside Cuba. He now lives and works in Texas. Papillon Gallery...

"Two Seas and a Moon" Surrealism American Scene WWII Modern WWI Denver WPA Era Arnold Ronnebeck (1885 - 1947) Two Seas and a Moon 30 x 22 1/2 inches Oil on Canvas, c. 1943 Signed u...

Artist: Victor Chab, Argentine (1930 - ) Title: Untitled - Abstract Bird Year: 1964 Medium: Oil on Canvas, signed and dated verso Size: 32 x 25.5 inches (81 x 65 cm)

Artwork size: 102,5x98 cm Frame size: 110x105 cm This artwork is accompanied by a certificate of authenticity signed by Alisée Matta. Provenance: Artist Jean-Pierre Jouffroy, Paris. The estate of the artist Jean-Pierre Jouffroy, Paris. “The heart is an eye,” writes Nobel laureate Octavio Paz in an essay on Matta’s paintings. Matta creates a world coloured both by a sunny faith in the future and by visions of impending doom. Roberto Sebastian Echaurren Antonio Matta, who died aged 91 on 23 November 2002, was born in Santiago, Chile, on 11 November 1911 into a family with Spanish, French and Basque roots, and raised in an atmosphere of religiosity. By the age of 21 he had graduated and begun work as an architect, but his leisure time he devoted to sketching and painting. In 1933 he travelled to Europe for the first time, visiting Greece, Yugoslavia, Italy and other countries, and subsequently taking the initiative to collaborate with the architect, Le Corbusier. As time passed, however, Matta’s enthusiasm for a career in architecture waned, and he began to devote himself full-time to art, making early acquaintances with surrealists such as Max Ernst, Salvador Dalí, André Breton and others. Between 1939 and 1948 Matta, like many of his artistic contemporaries, lived in self-imposed exile in the USA, but, after almost 10 years’ absence from Europe, he returned to make first Rome and then, a few years later, Paris his home. Throughout most of the rest of his life Matta commuted between his studio in Paris and his creative refuge in the monastery outside Rome. And it is here, in Italy, that he produced his greatest paintings. Matta’s first retrospective in Sweden was organised in 1956 when his works were exhibited in what was then Galerie Colibri – run by, among others, the artist C O Hultén...

In The New York Times Arts in America column, Edward M. Gomez writes of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined painti...

This 2019 painting is from Patrick Faure’s Agnoiaphobia series. The painting is unframed, oil on canvas. About the Artwork: “For ever and ever” is part of the doxology that falls...