Francis Moltino Art

Pink and White Peonies by Tushar Sabale [2021] Please note that insitu images are purely an indication of how a piece may look Spring Pink and White peon...

Bernard Hemy - Bernard Benedict Hemy (1844 - 1910). Marine and Coastal painter in oil and watercolor. Born in Newcastle to Henry F. Hemy, brother...

The Harbour British School, 20th century signed bottom right oil on canvas, framed framed: 28 x 37 inches canvas: 20 x 30 inches private collection, England the painting is in overal...

Late 19th/early 20th century oil on canvas painting in the manner of Abraham Hulk the Younger (1851-1922), this painting was acquired by Saltire Gallerie with a larger painting signed by Hulk the Younger, (just SOLD). Presented in a period decorative gilt frame, the painting is of a cottage in a woodland with cattle by a pond, a little black dog and man and a woman standing by. In the distance is a glimpse of a river and grasses, framed by trees and an overcast sky. Hulk is renowned for his treatment of the changing season from summer to autumn, and the golden leaves and fading greens in this painting suggest this changing time of year. Hulk is the son of a well known Dutch maritime...

William Stephen Coleman British, (1829-1904) By the Fish Pond Oil on canvas, signed & dated 1898 Image size: 23 inches x 35 inches Size including frame: 30.25 inches x 42.25 inches A beautiful painting by William Stephen Coleman of a woman with two girls in a semi classical style by a Mediterranean pond. The woman is depicted resting on a terrace with her young daughter asleep on her lap, whilst another child catches goldfish in a bowl. This tour de force would have most likely been painted by Coleman as an exhibition piece. William Stephen Coleman was a figurative painter who was born in Horsham in 1829. He was one of 12 children born to a physician named William Thomas Coleman and his wife Henrietta (née Dendy). Three of his siblings Rebecca Coleman (b1837), Helen Cordelia Angell (1847–1884) and George Coleman also became artists, inheriting their artistic talent from their mother’s side of the family. Coleman developed an interest in nature from an early age, producing drawings as a hobby. Despite his ability, he initially followed in his father’s footsteps and trained as a surgeon. However, this proved unsuccessful and by the age of 21 he had turned back to art, later gaining employment with the Dalziel Brothers, a firm of wood engravers who specialised in natural history illustrations. Sometime during the late 1850’s he moved to London where he married his first wife Henrietta Augusta Boultbee in 1858. Around the same time, he began producing illustrations for books; the first of which was entitled ‘Common Objects of the Country’ and published in 1858. He subsequently published two of his own books ‘Our Woodlands. Heaths, and Hedges’ in 1859 and ‘British Butterflies’ in 1860. After the death of his wife in 1860, his sister Rebecca and brother George went to live with him in Garway Road, Paddington. Rebecca would often assist him with the wood blocks for his illustrations. As well as working as an engraver, he also began producing classically influenced paintings featuring figures in landscapes. Initially these were executed in watercolours but later extended to oil paintings. He began exhibiting at the Dudley Gallery in 1865 and was one of the original committee members. He continued to exhibit there until 1879 and was a committee member up until 1881. By 1869, he had also begun to work on pottery decoration and in 1871 was asked by Minton’s to establish an Art Pottery Studio at Kensington Gore. Whilst at Minton’s, he produced figure designs for their ceramic ware. His sister Rebecca also worked at Minton’s and they moved to Belle Vue in Chelsea to be closer to the studio. From 1881, he lived at 3 St John’s Wood Studios, Queens Terrace in Paddington and in 1888 moved to 43 Broadhurst Gardens in Hampstead. In 1893 one of his classically inspired works ‘The Gold Fish Bowl...

LUIS GRANER Y ARRUFI Spanish, 1863 - 1929 MOONLIT RIVER SCENE signed and dated "L. Graner, 1925" (lower right) Oil on canvas 20-1/8 X 30 inches (51X 76 cm.) framed: 25-3/4 X 35-3/4 inches (65 X 90.5 cm.) PROVENANCE NEAL AUCTION COMPANY, New Orleans, LA, USA Private Collection, Barcelona Graner paints this work, Moonlit on the river, during his stay in the United States in the last stage of his artistic life, from 1910 to 1928, in full stage of maturity. This artwork reflects the constant search of the artist for the effects of light in his work. This persistent concern for light remains throughout his artistic life, which he learned in his Parisian stage under the influence of the painter Frances Platour. The silver light of the moon and the small lights at distance, which are tiny foci of artificial light, reflecting the river water, forming a chromatic range of greens, ocher and pearly that give a certain mystery to the composition, creating a modern approach to the landscape, by placing the two large trees at the edge of the river in the foreground Luís Graner y Arrufí, Spanish (1863–1929) was a Catalan painter in the Realistic style. He was born in Barcelona, and studied at the Escola de la Llotja from 1883, with Antoni Caba (color/composition) and Benet Mercadé (drawing). During his final year at school, he received a grant to study in Madrid, where he copied and learned from the Old Masters at the Museo del Prado. After that, supported by a fellowship, he moved to Paris and became a member of the Academie des Beaux-Arts. Later, he returned to Barcelona, but continued to travel to cities throughout Europe, including Berlin, Munich and Düsseldorf. Influenced by Richard Wagner's concept of "Gesamtkunstwerk" (Total Work of Art), he was motivated to create his own total art experience and organized the "Sala Mercè" (Mercy Hall) in Barcelona's Rambla District. The project involved contributors from every artistic discipline, including the new field of cinematography. The room was decorated by Antoni Gaudí. Other participants included Adrià Gual, Santiago Rusiñol, Ramon Casas...

John Frederick Herring Junior, Antique 19th century English, Cart Horses in a farmyard landscape with cottage. John Frederick Herring Jnr. was a painter of sporting and animal subjects in oil and watercolor. His style was very similar to that of his father, John Frederick Herring Snr...

Artist: Inoel (French, Active: Late 19th Century) Title: “Vue de Venise (View of Venice)” *Signed by Inoel lower right Circa: 1875 Medium: Original Oil ...

VERY RARE Oil PAINTING Antique 19th Century By Listed artist CHARLES CATTERMOLE (1832-1900) British old master in Beautiful Gold Gilt Frame MORE PIECES AT WWW.OLDFINEART.COM ( late...

Pocket Upstar Tulip is an original oil painting by Dani Humberstone as part of her Pocket Painting series featuring small scale realistic oil paintings, with a nod to baroque still l...

OLD FINE Original Antique 19th Century British OLD MASTER OIL PAINTING Very Good Condition Canvas , a little crazing due to age . Professional Cleaned & Re-vanished , Re-lined Ready to hang. " Beautiful frame is in Very Good condition , this work alone would cost £700 alone (See Pictures) Fine Original Antique 19th Century British OLD MASTER OIL PAINTING Romantic Scene GOLD GILT FRAME By The Reverend Robert Woodley-Brown 1798 - 1869 Similar $4,000 Premier Collection This Piece is Exceptional good for its age , nice piece of British history Description ( 19th century ) Title: Romantic Scene 1845 Artist: The Reverend Robert Woodley-Brown 1798 - 1869 Signed : maybe under the frame edge Provenance: john Castagno art signature directory Medium : Oil painting on Canvas Condition: Very Good Country: British school Frame size : 23 in x 19 in ( 58 cm x 48 cm) Canvas size : 16" x 12" With an estimate of £3000 - £4000 in a London west End Gallery Description : The Reverend Robert Woodley-Brown was one of those early English landscape painters whose style is so distinct that it is nearly impossible not to be able to instantly recognize his work. This one is no exception.; His paintings remind me of the old movie, “Shangri-La,” where the travelers found a magical place while crossing the Himalayas. The Reverend’s paintings have that kind of magic in them; perhaps it’s his rich color palette or his slightly provincial, yet very Georgian style. It seems there are always pretty skies along with mountains in the background and rivers or lochs somewhere in his compositions. In any case, the result is still pure magic.; This is an accomplished yet charming painting by an artist thought to be actively painting from around 1810 to 1850 and specializing in the stunning scenery of England’s Lake District. Unfortunately, little is known about Reverend Brown’s personal life, and he did not sign most of his works. I have handled several of his paintings in the course of my career and he always has been among my favorite artists.; This gorgeous landscape delivers all of Reverend Woodley-Brown’s quintessential style, color and romantic feel for which his work is admired. His figures, though seemingly entranced themselves by the beauty around them, are there primarily to give scale and a focal point. The trees are in deep, rich greens, while the pink-tinged sky further show off his talent in the realm of color. We are immediately pulled into the artist’s world. The serenity of the scene, as in all of his works, is overwhelming, making the viewer a willing partner in the artist’s interpretation of it. The very Woodley-Brownish romantic folly only adds to the scene’s charm.; In the world of Reverend Brown, his cottages often became follies shrouded in greenery. The background mountains rose...

Pocket Dark Cherries is an original oil painting by Dani Humberstone as part of her Pocket Painting series featuring small scale realistic oil paintings, with a nod to baroque still ...