Georges Valmier Art

Mané-Katz (1894 - 1962) SCHOLARS AT STUDY Signed Mané Katz (lower right) Tempera (gouache) on paper laid down on card. 19 3/4 by 23 5/8 in. (50.2 by 60.1 cm) sight size. Frame size is 27 X 31 inches. Provenance: Sotheby's Impressionist & Modern art, 8 June 2017 (consigned by original owner who purchased it directly from artist) Mane-Katz (1894-1962) was a Litvak painter born in Ukraine best known for his depictions of the Jewish shtetl in Eastern Europe. Emmanuel Mané-Katz (Hebrew:מאנה כץ), born Mane Leyzerovich Kats (1894–1962), was a Litvak painter born in Kremenchuk, Ukraine, best known for his depictions of the Jewish shtetl in Eastern Europe. Particularly music figures and Jewish wedding scenes. Mane-Katz moved to Paris at the age of 19 to study art, although his father wanted him to be a rabbi. During the First World War he returned to Russia, at first working and exhibiting in Petrograd; following the October revolution, he traveled back to Kremenchuk, where he taught art. In 1921, due to the ongoing fighting in his hometown during the civil war, he moved once again to Paris. There he became friends with Pablo Picasso and other important French artists, and was affiliated with the art movement known as the School of Paris; together with other outstanding Jewish artists of that milieu, he is sometimes considered to be part of a group referred to specifically as the Jewish School of Paris. Includes Russian, Ukrainian and Polish painters Jankel Adler, Arbit Blatas, Marc Chagall, Jacques Chapiro, Michel Kikoine, Pinchus Kremegne, Sigmund Menkes, Jules Pascin, Issachar Ryback, Jacques Lipchitz,Chana Orloff, and Ossip Zadkine. Ecole de Paris In 1931, Mane-Katz's painting The Wailing Wall was awarded a gold medal at the Paris World's Fair. Early on, his style was classical and somber, but his palette changed in later years to bright, primary colors, with an emphasis on Jewish themes. His oils feature Judaic Hasidic characters, rabbis, Jewish musicians, beggars, yeshiva students and scenes from the East European shtetl made famous in the west by Sholem Aleichem and Tevye. Mane-Katz made his first trip to Mandate Palestine in 1928, and thereafter visited the country annually. He said his actual home was Paris, but his spiritual home was Eretz Yisrael, the Land of Israel. In 1939, as World War II was breaking out, he was drafted by the French and then was taken prisoner by the Germans. He escaped and went to the United States and remained there until 1945, exhibiting his paintings at Katia Granoff Gallery and Wildenstein Gallery. After the war, he returned to Paris where he had exhibited in the Salons. In Paris to the end of his career, he worked happily, painting hundreds of portraits of rabbis...

Lalu Prasad Shaw - Untitled - 25 x 20.5 inches Tempera on Board, 2015 Style : Known widely for his highly stylized portraits of Bengali women and couples, Lalu Prasad Shaw’s works lay the most emphasis on his subject’s physical characteristics. Capturing the expressions of his subjects perfectly with the greatest economy of line and colour each of Shaw’s paintings has an intimate feel to it. Influenced by the pre-independence Company School of art, the traditional Kalighat Pat and the Ajanta cave paintings, Shaw’s works, mainly executed in gouache or tempera, like his own person, are simple and graceful, having a very still, well-composed and smooth exterior. This senior artist draws his inspiration primarily from nature and the milieu surrounding the great Bengali middle class, often depicting pleasant and quiet scenes from his own life on his canvases and papers. His style is unique and modern in its adaptation of academic and traditional Indian formats. A particularly notable aspect of Shaw's paintings is their simple yet sophisticated look. One notices a seamless synthesis of different stylistic elements to achieve a phenomenal effect. About the Artist and his work : Born : 1937 in Bengal. Education : completed his education in fine arts at the Government College of Arts and Crafts in Kolkata. International Shows : 1970 - Second British Biennale in London; 1974 - Norwegian Print...

Lalu Prasad Shaw Ganesha Tempera on Board 26 x 20 Inches 2015 Style : Known widely for his highly stylized portraits of Bengali women and couples, Lalu Prasad Shaw’s works lay the...

Lalu Prasad Shaw Ganesha Tempera on Board 26 x 20 Inches 2016 Style : Known widely for his highly stylized portraits of Bengali women and couples, Lalu Prasad Shaw’s works lay the...

Modernist reclining female nude figurative painting by an unknown artist (American, 20th Century). This vivid late 20th-century figural piece featur...

UN Poster Design American Scene Mid 20th Century Modernism WPA World Peace Jo Cain (1904 – 2003) We Are All Members of the Human Race: UN Poster Proposal 21 x...

This superb British 1930's modern art tempera painting is by noted interwar artist Blair Hughes-Stanton. Painted in 1936 it is part of the myth se...

This painting is part of our exhibition America Coast to Coast: Artists of the 1930s Refreshment and Intermission, tempera on board, 11 x 19 inches, c. 1930/40s, signed lower middle, exhibited at Groom's one person show at Closson’s Gallery, Cincinnati, OH, March, 1943 (see The Cincinnati Enquirer, March 7, 1943, section 3, p. 4); provenance includes a private Ohio collection; presented in a period gold painted frame About the Painting Refreshment and Intermission is part of a series of paintings of Amish subjects Grooms started in 1938 based on his travels in Pennsylvania. These tempera works reflect the Regionalist impulse to paint local scenes far away from big cities. Focusing on both people and landscape, Grooms' compositions tell the stories of the uniquely American experience of the Amish. “Grooms paints the Amish people with as much understanding of type and appreciation of the plastic quality as any artist who has approached this challenging subject," noted the art critic for The Cincinnati Inquirer when reviewing Grooms' solo exhibition at Closson' Gallery, "In his current show, ‘Refreshment and Intermission,’ is a case in point. Here the absorbed concentration of people eating is described without an ounce of sentimentality. He has made the most of the interest between groups and of the conversations, both humorous and serious. The work has the quaint simplicity of a Lord’s Supper...

*UK BUYERS WILL PAY AN ADDITIONAL 20% VAT ON TOP OF THE ABOVE PRICE Migration (The Horses) by Orovida Pissarro (1893-1968) Egg tempera on linen laid on board 76 x 101 cm (29 ⅞ x 39 ...

Signed verso: "Robert Vickrey". Titled verso: "The Blue Top". In fine condition.

Signed lower right 'Dante' for Giglio Raphael Dante (American, born 1916), titled verso and painted circa 1940. Raphael Dante first studied at the Academy of Rome prior to moving to...

Siamese Cat with Kittens by Orovida Pissarro (1893-1968) Egg tempera on linen 39 x 48 cm (15³/₈ x 18⁷/₈ inches) Signed lower right Orovida and dated lower left 1934 Provenance J Ankri, 8th October 1967 Literature K L Erickson, Orovida Pissarro: Painter and Print-Maker with A Catalogue Raisonné of Paintings, (doctoral thesis), Oxford, 1992, Appendices, no. 51, p. 56 (illustrated) Exhibition London, The Leicester Galleries, Paintings by Orovida, February 1935, no. 6 Women’s International Art Club, 20th February - 13th March 1937, no. 273 London, Redfern Gallery, Ten Years of Work by Orovida, 5th-28th May 1938, no. 7 London, The Royal Society of British Artists, Summer Exhibition, 1947, no. 281 (possibly the etching) London, O’Hana Gallery, Paintings, Drawings and Coloured Etchings: Orovida, 3rd-18th October 1957, no. 13 Artist biography Orovida Camille Pissarro, Lucien and Esther Pissarro’s only child, was the first woman in the Pissarro family as well as the first of her generation to become an artist. Born in Epping, England in 1893, she lived and worked predominantly in London where she became a prominent member of several British arts clubs and societies. She first learned to paint in the Impressionist style of her father, but after a brief period of formal study with Walter Sickert in 1913 she renounced formal art schooling. Throughout her career, Orovida always remained outside of any mainstream British art movements. Much to Lucien's disappointment she soon turned away from naturalistic painting and developed her own unusual style combining elements of Japanese, Chinese, Persian and Indian art. Her rejection of Impressionism, which for the Pissarro family had become a way of life, together with the simultaneous decision to drop her famous last name and simply use Orovida as a ‘nom de peintre’, reflected a deep desire for independence and distance from the weight of the family legacy. Orovida's most distinctive and notable works were produced from the period of 1919 to 1939 using her own homemade egg tempera applied in thin, delicate washes to silk, linen or paper and sometimes embellished with brocade borders. These elegant and richly decorative works generally depict Eastern, Asian and African subjects, such as Mongolian horse...