Janice Redman Art

John Garrett was raised in southern New Mexico by parents who were both educators. They instilled in him an appreciation for the handmade with their collections of Native American a...

Alexander Liberman STOI V, 1986 Wood with paper and paint 97 1/2 × 28 × 37 inches This work is hand signed twice by Alexander Liberman: Signed on the side as well as the underside an...

Atticus Adams' organically composed modern metal sculptures embody the transformative power of contemporary art, illustrating the creation of beauty, meaning, and emotional impact from industrial materials. Using mostly aluminum mesh—generally found in screen doors, windows, and filters—he creates contemporary abstract sculptural artworks and installations, which resemble flowers, clouds, and other natural phenomena. Working in metal, Adams effortlessly transforms rigid material into airy, effervescent artworks. This 48-inch high by 44-inch wide and 4-inch deep metal sculpture is a lightweight form. It is created from aluminum and copper mesh, gesso, acrylic paint, and wire. It has metal rings affixed on the back which allows for easy installation. Atticus works spontaneously, feeling his way toward the objects that take shape in his mind as he shapes them almost entirely by hand. Free local Los Angeles area delivery. Affordable Continental U.S. and worldwide shipping. A certificate of authenticity issued by the art gallery is included. Atticus grew up in West Virginia, steeped in traditional folk art. Several members of his family are self-taught artists, deeply involved in such crafts as wood carving and quilting. His formal art training includes stints at Yale, Rhode Island School of Design, and Harvard’s School of Architecture. Atticus has fond summer memories of screened-in porches back home and screen doors that practically dissolved the barrier between inside and outside, allowing the warmth and nature to permeate each day. This association continues to resonate in his art. “Metal mesh is a beautiful, flexible material that allows you to explore shadow and transparency in endless ways,” he says. “The material lends itself to these biomorphic shapes, which aren’t necessarily intentional . . . The sculptures seem fragile but are actually quite resilient—like nature itself.” A well-known sculptor, the organically inspired artworks of Atticus Adams are held in public and private collections and are exhibited in galleries and museums across the United States. REPRESENTATION Artspace Warehouse, Los Angeles, USA SOLO EXHIBITIONS 2021 Seeking Sanctuary, Zynka Gallery, Pittsburgh, PA 2021 My Hydrangea Kingdom By a Bird Bath Sea, Pittsburgh Botanic Garden, Pittsburgh, PA 2018 There’s a Pink Poodle in my Arcadia, The Pittsburgh Center for the Arts, Pittsburgh, PA Summers of Green Apples with Salt, The Westmoreland Museum of American Art, Greensburg, PA 2016 Mesh Werks, Desert Art Collections, Palm Desert, CA 2015 Shapes & Forms, Desert Art Collections, Palm Desert, CA Mesh Lab: The Experiments, The Mine Factory, Pittsburgh, PA 2014 Arcadia, BE Galleries, Pittsburgh, PA 2013 Summertime, BE Galleries, Pittsburgh, PA 2013 A Joggling Board...

Plastic Jesus is a Los Angeles based street artist that specializes in bold stencil and installation work, inspired by world news events, society, the urban environment, culture and ...

Richard Anuszkiewicz Op Art Bowl for Hirshhorn Museum, 1976 Glazed Enamel on Metal Bowl. Artists Signature Fired in Plate Anuszkiewicz' signature fired ont...

John Garrett was raised in southern New Mexico by parents who were both educators. They instilled in him an appreciation for the handmade with their collections of Native American a...

Nancy Genn, American (b. 1929) Marshfield 25 (1977) Handmade paper collage Hand signed verso Dimensions: 20 1/8 x 22 inches Utilizing what is now known as the 'Genn Method,' Nancy Genn created three-dimensional abstract works of handmade paper, gaining international recognition in the 1970s Nancy Genn is an American artist living and working in Berkeley, California known for works in a variety of media, including paintings, bronze sculpture, printmaking, and handmade paper rooted in the Japanese washi paper making tradition. Her work explores geometric abstraction, non-objective form, and calligraphic mark making, and features light, landscape, water, and architecture motifs. She is influenced by her extensive travels, and Asian craft, aesthetics and spiritual traditions. Nancy Genn was born in 1929 in San Francisco, California. She recognized early that she would pursue a career as an artist. Her mother, Ruth Wetmore Thompson Whitehouse, was a painter and UC Berkeley alumna who played a leadership role in the San Francisco Women Artists organization. Genn studied at San Francisco Art Institute (then California School of Fine Arts) with painter Hassel Smith, and at the Art Department at the University of California, Berkeley (1948–49) with Professors Margaret Peterson and John Haley, and fellow students Sam Francis and Sonya Rapoport. In 1949 she married Vernon “Tom” Genn, an engineer raised in Japan, with whom she had three children. Career Genn's first noted solo exhibition was in 1955 at Gump's Gallery in San Francisco. She received international recognition through her inclusion in French art critic Michel Tapié’s seminal text Morphologie Autre (1960), which cited her as one of the most important exponents of post-war informal art. In 1961, Genn began creating bronze sculptures using the lost-wax casting method. Influenced by noted sculptor and family friend Claire Falkenstein, who used open-formed structures in her work, Genn cast forms woven from long grape vine cuttings, and produced vessels, fountains, fire screens, a menorah, a lectern, and, notably, the Cowell Fountain (1966) at UC Santa Cruz. In 1963 her sculptural work was exhibited with Berkeley artists Peter Voulkos and Harold Paris in the influential exhibition Creative Casting curated by Paul J. Smith at the Museum of Contemporary Crafts, New York. Genn was one of the first American artists to express herself through handmade paper, first receiving wide recognition via exhibitions at Susan Caldwell Gallery, New York, beginning in 1977, and in traveling exhibitions with Robert Rauschenberg and Sam Francis. In 1978-1979, supported by the National Endowment for the Arts and Japan Creative Arts Fellowship, she studied papermaking in Japan, visiting local paper craftspeople, working in Shikenjo studio in Saitama Prefecture, and exhibiting her work in Tokyo. She also learned techniques from Donald Farnsworth...

This sculpture light is a captivating addition to the Art + Light series, where the interplay of light and art creates a unique and fascinating effect. The wooden cube is covered wit...

Planeta XVI is a unique small size round contemporary mixed media wall sculpture relief by renowned Polish-Dutch artist Eliza Kopec. This relief is part of a body of work that contin...

John Garrett was raised in southern New Mexico by parents who were both educators. They instilled in him an appreciation for the handmade with their collections of Native American arts and crafts. He moved to Claremont, California, to attend college at Claremont Men’s College (now Claremont McKenna College.) Following his desire to make things by hand, he enrolled in a weaving class taught by Marion Stewart at Scripps College in 1970. His intrigue with the tools, systems and materials involved in weaving and other textile constructions led him to take other courses with Neda Al-Hilali a year later, also at Scripps. He did graduate work at the University of California, Los Angeles, where he studied with Bernard Kester and Vasa. Garrett has exhibited throughout the United States for over thirty years in hundreds of exhibitions, as well as in Europe, Africa and Asia. Garrett has worked simultaneously with two and three-dimensional formats to create his textile forms with a variety of materials. Visually unpredictable, his work may be woven, wrapped, plaited, riveted, painted, rusted, twined, nailed, stitched or tied. With an expansive repertoire of materials, each work of art is meticulously crafted, while achieving an energetic complexity; he moves gracefully from constructing wall pieces to baskets, breathing new life into discarded objects. Currently a full time studio artist, he teaches workshops on creativity and experimental basketry at schools nationwide. He was awarded a National Endowment for the Arts fellowships in 1983 and 1995 as well as elected a Fellow of the American Craft Council in 2010. Selected Museum Collections Albuquerque Museum, Albuquerque, NM Museum of Art and Design, New York, NY Arkansas Museum of Art, Little Rock, AR Carnegie Museum of Art, Pittsburgh, PA Detroit Institute of Art, Detroit, MI Erie Museum, Erie, PA High Museum, Atlanta, GA Minneapolis Institute of Arts, Minneapolis, MN Mint Museum of Craft and Design, Charlotte, NC Museum of New Mexico, Santa Fe, NM Museum of California, Oakland, CA Museum of International Folk Art, Santa Fe, NM Philbrook Museum, Tulsa, OK Renwick Gallery of the Smithsonian American Art Museum, Washington, DC Racine Art Museum, Racine, WI Contemporary Installation Sculpture...

Mireia Serra creates sensuous bronze and iron sculptures showing the beauty of snapshots caught in life which are full of emotions and feelings along the life journey. Her metal artworks capture the beauty of moments: A young lady challenged by the adventure of a new trip, a young man pondering about his dreams, a lost girl thinking about different options to know more about herself…Mireia vividly demonstrates how a piece of fine art sculpture could incorporate into our daily life, linking us with art that inspires and triggers us to contemplate life and relationship. Serra describes her artistic vision as “Figurative sculptures depicting contemporary everyday scenes. Reflect my inner world thus expressing moods and desires, feelings, joys and concerns stemming from my relationship with the world". This wall-mounted iron and bronze sculpture measures 5 inches tall, 9.5 inches wide, and 1 inch deep. This artwork is edition 14 of 18. A certificate of authenticity issued by the gallery is included. Free delivery is available for those in the local Los Angeles area, and affordable worldwide shipping is available for U.S. and international art collectors. Born in Barcelona in 1973, Mireia Serra's lifelong passion for sculpting was temporarily diverted by her parents' persuasion to pursue a career in fashion design. However, in 1998, she abandoned a lucrative role as a lingerie designer to follow her artistic calling and seek true fulfillment within the realm of fine arts. It was a transformative decision, allowing her to rediscover her true purpose and embark on a creative odyssey that continues to unfold to this day. In some of her present sculptures, the presence of elements from the fashion world such as cameras, texture, and detailed finishing of the clothes, and shoes are apparent. She graduated in 2002 from the Llotja School of Arts in Barcelona (the same school that took under its wing Antoni Gaudí, Pablo Picasso, and Joan Miró), specializing in iron and bronze. Later she took an advanced sculpture portrait course taught by sculptor Jorge Egea at MEAM (Museo European d'Art Modern) in order to master her technique. Working as a full-time sculptor since 2003, Serra started to exhibit with galleries throughout Spain and landed her first solo shows and her first international art fair in Madrid in 2013. Since 2016 Mireia Serra has been exhibited in galleries and art fairs in Germany, Austria, France, Luxembourg, Sweden, Belgium, Italy, and Hong Kong. Her works have been represented by Artspace Warehouse since 2017. REPRESENTATION Artspace Warehouse, Los Angeles, USA EXHIBITIONS 2022 "Shifting Dimensions", Artspace Warehouse Gallery, Los Angeles, USA. “9 sculptors”, collective exhibition with Winegates Gallery, Leicester, UK. 2021 "The Real Presence", Artspace Warehouse Gallery, Los Angeles, USA. "Tierra desconocida", Galería Montsequi, Madrid. “The art of adventure”, solo exhibition with Eye Contemporary Art Gallery, Stockholm, Sweden. 2020 "Independent artist’s day", collective exhibition, Wingates Gallery, United Kingdom. “Inner world”, online solo exhibition, Eye Contemporary Art Gallery, Italy/Hong Kong. “The G project 21...

John Garrett was raised in southern New Mexico by parents who were both educators. They instilled in him an appreciation for the handmade with their collections of Native American a...