Lyn Carter Art

The Fast The Furious & The Nothing : Real Racing Ducati 900 motorcycle Artist signed, title on the back. Federico Brondi Zumino (UMA) is an Italian artist, born in Genoa on March 24th, 1972. At the age of five he took his first music lessons in guitar and piano. Federico received his first painting classes from hi mother, Laura De Micheli, the Genoes painter. Upon the age of eleven he began to draw and paint. At the age of 18 he obtained his high school diploma from the Nicolo Barbino artistic High School in Genoa with exemplary marks. At the age of 19 he devoted himself to the study of piano for many years becoming an excellent composer. At age 21 he attended La Linguistica Academia Delle Belle Arti in Genoa, whose president at the time was the artist Raimondo Sirotti...

While working on a large building project several years ago the artist, Fritz Horstman was struck by the poetry in the unfinished state of the construction site. He was drawn specifically to the space between the plywood walls that were raised as formworks for the pouring of cement. That space could only exist for a few hours before the cement truck arrived, but in that moment it was a revolving abstraction of potential, delineation, growth, and destruction. Once filled it was gone: the plywood was stripped away, the earth was backfilled. To suspend that moment he began building models of formworks. Leaving them unfilled, they are perpetually unfinished. From models based directly on architecture, Horstman expanded to forms found in the landscape. Making a formwork that depicts constraint upon the landscape is not exactly a reversal of the formwork’s function, but it asks different questions than a formwork designed for a building would. Why would you make a cement creek? What is the relationship between a flowing creek and poured cement? Is this a barrier or just delineation? For River Woman ODETTA, in addition to several small sculptures in the Flat File, Horstman will install Formwork for the East River, which describes that river’s shape as it flows from Rikers Island to the tip of Manhattan. The 3 x 18 x 7 foot sculpture...

Oil-based alkyd enamel on plywood panel with cuts. this is a cut plywood wall relief sculpture with paint on it. This has an architectural quality to it. Peter Wegner (born 1963) i...

Eduardo Costa is one of the key figures in global conceptual art. He was born in Buenos Aires in 1940. He graduated in Literature and Art at the University of Buenos Aires in 1965 where he took courses with Jorge Luis Borges in the late fifties. His practice developed into Conceptual POP with the Fashion Fictions Series, 1966-to the present. He is also credited with creating Conceptual Geometry which he showed internationally starting in 1995 at the Elga Wimmer Gallery, NY, and in 2001 at Cecilia de Torres LTD., NY. With Cecilia de Torres he exhibited a fully developed edition of his Volumetric Paintings, which use painting to such a volume that it stands by itself without any cloth or other support.Eduardo Costa lived twenty-five years in New York and over four years in Rio de Janeiro where he met almost daily with Hélio Oiticica, Lygia Pape...

Radioluminescence is the phenomenon by which light is produced in a material by bombardment with ionizing radiation and can be used as a low-level light source for night illumination of instruments or signage or other applications where light must be produced for long periods without external energy sources. Radioluminescent paint used to be used for clock hands and instrument dials...

The sculpture, Banquet I - Time Capsule Project , is one of the pivotal pieces showcased in the 2016 London exhibition titled “ White. It is within an on-going project by Shizico Yi,...

Wall sculpture assemblage by Gertie Lowe, from 1978, is a conceptual abstract with everyday objects. Muted neutral tones are contrasted with vibrant accents. Signed and dated verso...

The artistic collaboration of Kelly Bugden + Van Wifvat has produced a thought-provoking body of sculptures, paintings, and constructions. Nature, childhood memories, and everyday ar...

The sculpture, Banquet III - Time Capsule Project , is one of the pivotal pieces showcased in the 2016 London exhibition titled “ White. It is within an on-going project by Shizico Y...

This is a large sculpture and also includes an artist custom framed silkscreen with extensive handwork titled Line of Time, pencil signed and inscribed, presented in heavy metal and wooden frame (framed piece 24.5 x 30 in., sculpture piece is about 94 X 11 inches) Francoise Schein is a visual artist, trained as an architect - urban planner; She also teaches art at the ESAM Higher School of Arts and Media in Caen in Normandy . She is the founder of the INSCRIRE Association. In 2016, she was elected member of the Royal Academy of Sciences, Arts and Fine Arts of Belgium. Group Exhibitions Spain: 2016, The "5Contemporary" Paris gallery presented a group show at the Museum of Contemporary Art of Genalguacil, Spain. The show included important artists such as Françoise Schein, Mimouni and Pedro Castrortega. Born in Brussels , Françoise Schein left Belgium after studying architecture at the higher institute of architecture of the French community - La Cambre where she wrote her thesis on fundamental rights, then studied urban design at the Columbia University in the City of New York . She lived 11 years in New York where she begins a work on cartography territories. Subway map Floating on NY Sidewalk is his first monumental urban sculpture located at 110 Greene Street in SoHo (1985). At that time her works are abstract landscapes of cities, made up of networks, lines, trajectories, territories, founding texts and stories. They are constructed of very diverse materials and light. Returning back to Europe in 1989, she continues to work on what she calls her drawings-laboratories while beginning to integrate works in cities on civic themes, the main ones: at the Concorde metro station in Paris in 1991 and then in Brussels, Saint-Gilles , in 1992, these two projects took her to Lisbon in 1993 where she lived for five years and produced two monumental works (in azulejos) for the city of Lisbon at Parque metro station ( 1994) and another for the city of Stockholm at the Universitetet station (1998). She continues to travel to cities where she builds successively projects in Haifa , on the facade of the Beth Hagefen Jewish-Arab Cultural Center with Michel Butor (1994). Then she lives in Berlin where she builds the Westhafen station (2000) which takes her to Bremen to make her first human rights park, Rhododendronpark (2002). In 2005, she made the monumental Time Zone Clock in Coventry in 2005. Since 1999, she has also settled in Rio de Janeiro and initiated participatory artistic projects with the underprivileged population of the favelas . Since then, with the help of a locally trained team, many projects have been carried out, including one in Copacabana and more than 20 in different favelas (from 1999 to 2016). These works transformed the Rio workshop into sustainable development for the people who invested it. In Sao Paulo, since 2009, Françoise Schein has produced a monumental work with the participation of 1000 young people from the favela schools at Luz subway station. Her work is monumental recalling the works of Christo, Maria Dompe, Christian Boltanski, Anish Kapoor, Ai Wei Wei...

The word in Tibetan for lotus is “Pema.” In Buddhism the lotus is a symbol of purity. The lotus is planted and rooted in the mud, but grows up through the water and into the vast sky...

How is the business going, the stock market is going up or down? comment ça va bien ? La vie est belle? You Like or not Like ? ... The motorized sculpture of Michael is rotative. Depending on the mood of each, this giant hand with a thumb up or down or in between, lets the viewer choose the direction of the thumb by removing the plug once the choice is made. With his inexhaustible ingenuity, Michael Sailstorfer...