Massimo Caiafa Art

Color, texture, light and shadow interplay in this dark jewel tone abstract by an unknown Bay Area abstract expressionist artist (American, 20th Century). Signed indistinctly ("Cydo"...

Stunning abstract Bay Area Figurative Movement piece titled "Napoleon's Ambition" by Katherine Barieu (American, 1917-2010), 1982. Signed and dated lower right corner. Presented in grey painted slat shadow box frame. Image size: 16"H x 16"W. Framed size is 17"H x 17"W x 1.50"D. Born in 1917, Katherine Barieau was among the artists associated with the University of California at Berkeley in the 1950s. She remained active in the regional art scene throughout the following decades, producing abstract and figurative work in oil, acrylic, watercolor, mixed media and collage. The daughter of Scottish immigrants, Barieau was raised in Cambridge, MA. She graduated from Wellesley College (BA 1938) and later settled in California. Her art studies culminated with her enrollment in the art department at the University California, Berkeley (MFA 1953). A quote from a 1992 artist statement reads, "I was caught up in the wave of Abstract Expressionism and influenced by the riches in the Unconscious (I had a Jungian therapist). I have never ceased to experiment with media and searching to find how best to express inner ideas. It was wonderful to be exposed to established and active painters, to have a chance to study with experienced painters, to have friends who were also exploring and involved." Her teachers included John Haley, James McCray, Glenn Wessels and Felix Ruvolo. Her friends included fellow UC students Paul Wonner, Theophilus Brown and Jerrold Davis - as well as Richard Diebenkorn after this return to Berkeley in 1953. Barieau also studied with the California watercolorist Alexander Nepote, and with the New York School Abstract Expressionists Esteban Vicente and Kyle Morris...

Colorful and dynamic abstract expressionist figurative mixed media painting, a large-scale contemporary piece, featuring several collaged and textural elements that contrast from the...

Multicolored contemporary Moroccan abstract painting by Bachir Amal. Acrylic, mixed media on canvas. Size: 29 x 30 inches - Offered unframed. Amal Bachi...

Positively Blooming, 2019 by a.muse is a 16” x 20” x 3/16” acrylic and sand contemporary abstract painting on canvas mounted on archival board. The paintin is signed, titled, dated o...

Jim’s of Lambertville is proud to offer this artwork by: Vaclav Vytlacil (1892-1984) He was born to Czechoslovakian parents in 1892 in New York City. Living in Chicago as a youth, he took classes at the School of the Art Institute of Chicago, returning to New York when he was 20. From 1913 to 1916, he enjoyed a scholarship from the Art Students League, and worked with John C. Johansen (a portraitist whose expressive style resembled that of John Singer Sargent), and Anders Zorn. He accepted a teaching position at the Minneapolis School of Art in 1916, remaining there until 1921. This enabled him to travel to Europe to study Cézanne’s paintings and works of the Old Masters. He traveled to Paris, Prague, Dresden, Berlin, and Munich seeking the works of Titian, Cranach, Rembrandt, Veronese, and Holbein, which gave him new perspective. Vytlacil studied at the Royal Academy of Art in Munich, settling there in 1921. Fellow students were Ernest Thurn and Worth Ryder, who introduced him to famous abstractionist Hans Hofmann. He worked with Hofmann from about 1922 to 1926, as a student and teaching assistant. During the summer of 1928, after returning to the United States, Vytlacil gave lectures at the University of California, Berkeley, on modern European art. Soon thereafter, he became a member of the Art Students League faculty. After one year, he returned to Europe and successfully persuaded Hofmann to teach at the League as well. He spent about six years in Europe, studying the works of Matisse, Picasso, and Dufy. In 1935, he returned to New York and became a co-founder of the American Abstract Artists group in 1936. He later had teaching posts at Queens College in New York; the College of Arts and Crafts in Oakland, California; Black Mountain College in North Carolina; and the Art Students League. His paintings exhibit a clear inclination toward modernism. His still lives and interiors from the 1920s indicate an understanding of the art of Cézanne. In the 1930s, his works displayed two very different kinds of art at the same time. His cityscapes and landscapes combine Cubist-inspired spatial concerns with an expressionistic approach to line and color. Vytlacil also used old wood, metal, cork, and string in constructions, influenced by his friend and former student, Rupert Turnbull. He eventually ceased creating constructions as he considered them too limiting. The spatial challenges of painting were still his preference. During the 1940s and 1950s, his works indicated a sense of spontaneity not felt in his earlier work. He married Elizabeth Foster in Florence, Italy, in 1927 and they lived and worked in Positano, Italy for extended periods of time. Later on, they divided their time between homes in Sparkill, New York and Chilmark, Massachusetts, where Vyt, as he was affectionately called, taught at the Martha's Vineyard Art...

Los Angeles artist Marc Raphael captivates by his abstract expressionism paintings influenced by New York's abstract expressionist movement. After encountering Jackson Pollock’s work...

Chris Ferrigno's "The Artist" is a vibrant oil on canvas, embodying the vivid intensity of expressionist art with a touch of surrealism. Spanning 48" x 36", the piece is a tumultuous...

Amit Kalla - Untitled - 60 x 36 inches (unframed size) Acrylic on canvas ** Free Shipment ...... will be delivered in rolled form. Style : Kalla’s work can be represented by his com...

Los Angeles artist Marc Raphael captivates by his abstract expressionism paintings influenced by New York's abstract expressionist movement. After encountering Jackson Pollock’s work...

Victoria Kovalenchikova’s abstract artworks are an outlook on the transformation of the world surrounding us; a shout in the cold infinity of cosmos. Kovalenchikova expresses through...

"Space Signals" is an oil on canvas painting by Dorothy Hood, made in the 1970s. The artwork size is 89 3/4 x 70 inches. When Dorothy Hood returned to Houston in 1962, to her delig...