Matthew Schaefer Art

Presenting 'Naiad,' a stunning abstract portrait by Masri, celebrated for its vivacious flow and splatter techniques. This singular piece portrays a woman in profile, her form crispl...

Expressive black and white abstract, with scribbled linear patterns in the style of Jean-Michel Basquiat, by by Bay Area artist Michael Pauker (American, b.1957). circa 1977. Oil on canvas. Titled "Baldwin" and dated "Summer 77" on verso. Here he revisits a piece he did early in his carrier of the same title "Baldwin" in 1967. Unframed. Image size: 16"H x 12"W. “I’m driven by curiosity...where it comes from I can’t tell you; it’s just there. And early 20th-century modernist art is the thing that I keep returning to.” - Michael Pauker Bay Area artist and art educator Michael Pauker was born in New York in 1957 and knew he wanted to be an artist from the age of 15. He earned a Bachelor’s in Fine Arts at SUNY Purchase in his native state of New York. In 1989 he went on to earn an M.F.A at Mills College in Oakland and was awarded the City of Oakland Artist Fellowship in Painting. He has been a Bay Area resident since 1988. His work has been exhibited widely across the U.S., as well as in Japan and Costa Rica, and is included in the collection of the Fine Arts Museums of San Francisco. Exhibitions include: 2007 Contemporary Art Museum, San Jose, Costa Rica 2007 “The Ebay Art Project,” Works/San Jose, San Jose, CA 2003 “Found Imagery: The Art of Collage,” Fresno Art Museum,Fresno, CA 2003 “Cut, Copy, Paste,” De Saisset Museum, Santa Clara, CA 2003 “20th Annual Exhibition,” Berkeley Art Center, Berkeley, CA 2002 “40 by 40,” Adam Baumgold Gallery, N.Y., NY 2002 “Works on Paper,” Bryant St. Gallery, Palo Alto, CA 2002 Dolby...

Still Life with Oranges and Owls is an Original Painting by Eleanor Woolley. Painted in the Artist's Gloucestershire Studio this miniature painting shows a still life of a selection of objects arranged by the Artist. Twos stone owls sit atop a stack of books, with two small oranges and a pear. A small jug of flowers slightly obscures the window. We can see out into the garden, where there are texturally painted trunks...

Color, texture, light and shadow interplay in this dark jewel tone abstract by an unknown Bay Area abstract expressionist artist (American, 20th Century). Signed indistinctly ("Cydo"...

Stunning abstract Bay Area Figurative Movement piece titled "Napoleon's Ambition" by Katherine Barieu (American, 1917-2010), 1982. Signed and dated lower right corner. Presented in grey painted slat shadow box frame. Image size: 16"H x 16"W. Framed size is 17"H x 17"W x 1.50"D. Born in 1917, Katherine Barieau was among the artists associated with the University of California at Berkeley in the 1950s. She remained active in the regional art scene throughout the following decades, producing abstract and figurative work in oil, acrylic, watercolor, mixed media and collage. The daughter of Scottish immigrants, Barieau was raised in Cambridge, MA. She graduated from Wellesley College (BA 1938) and later settled in California. Her art studies culminated with her enrollment in the art department at the University California, Berkeley (MFA 1953). A quote from a 1992 artist statement reads, "I was caught up in the wave of Abstract Expressionism and influenced by the riches in the Unconscious (I had a Jungian therapist). I have never ceased to experiment with media and searching to find how best to express inner ideas. It was wonderful to be exposed to established and active painters, to have a chance to study with experienced painters, to have friends who were also exploring and involved." Her teachers included John Haley, James McCray, Glenn Wessels and Felix Ruvolo. Her friends included fellow UC students Paul Wonner, Theophilus Brown and Jerrold Davis - as well as Richard Diebenkorn after this return to Berkeley in 1953. Barieau also studied with the California watercolorist Alexander Nepote, and with the New York School Abstract Expressionists Esteban Vicente and Kyle Morris...

In creating this piece, I poured my soul into every stroke, aiming to capture the raw beauty and fleetingness of life with vivid, emotive brushwork. The blossoms, bold and spirited, ...

Still life with Jug is an Original Painting by Eleanor Woolley. Painted in her Gloucestershire Studio this painting depicts a little rectangular jug, a maquette of an acrobat on their head and a bowl of fruit. Items selected by the Artists to make this quirky still life...

Colorful and dynamic abstract expressionist figurative mixed media painting, a large-scale contemporary piece, featuring several collaged and textural elements that contrast from the...

Jim’s of Lambertville is proud to offer this artwork by: Vaclav Vytlacil (1892-1984) He was born to Czechoslovakian parents in 1892 in New York City. Living in Chicago as a youth, he took classes at the School of the Art Institute of Chicago, returning to New York when he was 20. From 1913 to 1916, he enjoyed a scholarship from the Art Students League, and worked with John C. Johansen (a portraitist whose expressive style resembled that of John Singer Sargent), and Anders Zorn. He accepted a teaching position at the Minneapolis School of Art in 1916, remaining there until 1921. This enabled him to travel to Europe to study Cézanne’s paintings and works of the Old Masters. He traveled to Paris, Prague, Dresden, Berlin, and Munich seeking the works of Titian, Cranach, Rembrandt, Veronese, and Holbein, which gave him new perspective. Vytlacil studied at the Royal Academy of Art in Munich, settling there in 1921. Fellow students were Ernest Thurn and Worth Ryder, who introduced him to famous abstractionist Hans Hofmann. He worked with Hofmann from about 1922 to 1926, as a student and teaching assistant. During the summer of 1928, after returning to the United States, Vytlacil gave lectures at the University of California, Berkeley, on modern European art. Soon thereafter, he became a member of the Art Students League faculty. After one year, he returned to Europe and successfully persuaded Hofmann to teach at the League as well. He spent about six years in Europe, studying the works of Matisse, Picasso, and Dufy. In 1935, he returned to New York and became a co-founder of the American Abstract Artists group in 1936. He later had teaching posts at Queens College in New York; the College of Arts and Crafts in Oakland, California; Black Mountain College in North Carolina; and the Art Students League. His paintings exhibit a clear inclination toward modernism. His still lives and interiors from the 1920s indicate an understanding of the art of Cézanne. In the 1930s, his works displayed two very different kinds of art at the same time. His cityscapes and landscapes combine Cubist-inspired spatial concerns with an expressionistic approach to line and color. Vytlacil also used old wood, metal, cork, and string in constructions, influenced by his friend and former student, Rupert Turnbull. He eventually ceased creating constructions as he considered them too limiting. The spatial challenges of painting were still his preference. During the 1940s and 1950s, his works indicated a sense of spontaneity not felt in his earlier work. He married Elizabeth Foster in Florence, Italy, in 1927 and they lived and worked in Positano, Italy for extended periods of time. Later on, they divided their time between homes in Sparkill, New York and Chilmark, Massachusetts, where Vyt, as he was affectionately called, taught at the Martha's Vineyard Art...

In this oil painting, I sought to capture the delicate interplay between strength and ephemeral beauty. The dandelions, poised against a field of gold and green, embody nature's flee...

In this oil painting, I sought to capture the delicate dance of light and shadow, blending expressionism with a touch of fine art realism. Each stroke is infused with emotion, as if ...

A beautiful 1950's French expressionist oil on canvas depicting flowers and fruits in a window by Philippe Marie René Picard. Bright and colourful still life on a good scale. Signed lower right. Artist: Philippe Marie René Picard (French, 1915-1997) Title: Flowers & Fruits in a Window Medium: Oil on canvas Size: 21 x 32 inches (54 x 82 cm) Philippe Marie René Picard was born in the small village of Neuvy-le-Roi in France. His parents were Albert Picard and Marie Lehoux; he had a total of six siblings. After studying at the Lycée Descartes in Tours, he entered the studio of the artist François Sicard. He was then accepted to the École supérieure des beaux-arts de Tours from 1932 to 1934, where he was a pupil of Maurice Mathurin. In 1935, he entered the School of Fine Arts in Paris, then in 1936-1938 the studio of Fernand Sabatté, and finally Charles-François-Prosper Guérin studio. Phillippe Marie exhibited at the Salon des Indépendants 1945, where the city of Paris bought the first painting. He then exhibited regularly at the Salon des Indépendants until 1989. In 1946 when this painting was created, he exhibited for the first time in Stockholm. At the end of the same year, he was noticed by Youki Desnos and exhibit at the Fontan gallery in Paris. In 1947 and 1948, he participated in a group exhibition at the Marquié Gallery in New York under the title: School of Paris - Paintings with Eugène Boudin , Jean-Baptiste Corot , Braque , Andre Lhote , Élisée Maclet , Camille Pissarro and Henri Rousseau. He travelled to Sweden from October to November 1949. It will be his only trip abroad. Subsequently, he made several important exhibitions in Sweden. He continues to exhibit in Sweden, Germany, Switzerland, Venezuela, Lebanon, Spain...