Michael Bernhard Valentini Art

Jacques Callot (French, 1592-1635) ‘ Ne voila pas de braves messagers qui vont errants par pays étrangers ? / Are these not fine messengers, straying through foreign lands ? ‘ • An...

"Wolfbat Leopard Snake" is a 6 color enamel ink silkscreen print measuring 29in x 21.5in, and is part of an edition of 25. The ink splatters in the background are part of the design...

Wallscape VI (Il Famoso) by Frank Schott from a series of photographic observances capturing urban textures and palimpsest color palettes in Italy 48 x 60 inches / 122cm x 152cm edi...

Johannes Sadeler I (Flemish, ∗ 1550 in Brussels, Belgium – † 1600 Venice, Italy) Jonah Spat Up by the Whale (Sheet II) Engraved by Sadeler after an image created by Theodor Bernard...

François Nicolas Martinet (French, 1731 - c. 1800) Le Pigeon Ramier de Madacascar (The Wood Pigeon of Madagascar) • 18th century hand colored Copper Plate engraving • Plate No. 192 from : L' Histoir e des oiseaux, peints dans leurs aspects apparents et sensibles, published in 1790 (“The History of the Birds, painted in their appearing and sensitive aspects“) • Glased & ebonized hardwood frame contemporary to the engraving, ca. 43 x 33 cm A rare pigeon print...

Engraved by Claudine Bouzonnet-Stella (French, 1636-1697) After Jacques Stella (French 1596-1657) The Wedding Procession - Le Cortege nuptial • Copper engraving on laid paper • Sh...

(after Anthonie Van Dyck) Engraving on cream laid paper, 9 1/4 x 6 3/8 inches (234 x 161 mm), full margins. Water stain throughout bottom, diagonal creases in the area of the bottom right corner, paper tape along top edge on recto. A very well inked impression. __________Flemish painter and engraver Paulus Pontius was born in Antwerp in 1603, and it was in this city that his full life would unfold. At the young age of 13, he was apprenticed to the still life painter Osias Beert, and subsequently to Lucas Vosterman, who was heavily associated with the workshop of Peter Paul Rubens. Vosterman trained Pontius in the skill of engraving, which he took to immediately, finding he had great skill at recreating paintings. Pontius was able to capture the minutiae of light and shadow found on the canvas, and mastered the ability to accurately render the subtleties of brushwork in this alternate media. His success as an engraver cemented his role in the workshop of Rubens, and in 1624, when Vosterman found himself at odds with Rubens, and left Antwerp for England, Pontius assumed his role as foremost engraver in the workshop. It was in this year that Pontius took up lodgings in Rubens's home, and continued to live there until 1631, when courtship and marriage (the first of three) brought him away. After the death of Rubens in 1640, Pontius embarked on a very successful career engraving reproductions of master works by artists including Rubens, Anthony van Dyck, Jacob Jordaens, Pieter van Avont, Abraham van Diepenbeeck...

Etching with drypoint on hand made laid Japan paper with a deckle edge, 8 9/16 x 11 5/8 inches (220 x 296 mm), full margins. Signed, dated and titled in pencil in the margin, recto. ...

Etching and aquatint on hand made F.J. Head & Co watermarked cream laid paper, full margins. Signed and dated in pencil, lower right margin. From the edition of 160 (from a total of ...

Alphonse Mucha "Lorenzaccio, a play in five acts and an epilogue by Alfred de Museet" Plate #114 Image Size: 15" x 11" 1896 Alphonse Mucha was born in Southern Moravia on July 24, 1860. At the age of seventeen the artist left his home, to work as a painter of stage decorations...

Etching on antique cream laid paper, 7 7/8 x 5 1/8 inches (201 x 130 mm), full margins. Edition of 150. Printed by Federick Reynolds. Signed and dated in pencil, lower right. Arms wa...

Frame size: 43 1/4 x 32 inches Printer: Imprimerie Maeght, Levallois-Perret, France Publisher: Maeght Editeur, Paris Edition size: 75, plus proofs Catalogue Raisonné: Axsom 26 Signe...