Noel Howard Art
American
Noel Howard studied Fine Art at Scripps College in Claremont, California, and continued her education at UC Berkeley, where she received a Master’s degree. She painted in Northern California, the Berkshires, Switzerland, France and Italy.(Biography provided by Robert Azensky Fine Art)
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Artist: Noel Howard
Vision in Lavender Landscape by Noel Howard
By Noel Howard
Located in Soquel, CA
Abstracted landscape by California artist Noel Howard (American, 20th Century). Layers of watercolor create a dreamlike landscape, as if the scene is just slightly out of focus. Ther...
Category
1970s American Impressionist Noel Howard Art
Materials
Paper, Watercolor
Northern California Coastline, 1970s Sunset Beach Landscape
By Noel Howard
Located in Soquel, CA
Dreamy landscape in warm tones of a sweeping Northern California coastline and glowing sunset sky, by Noel Howard (American, 20th Century)., c.197...
Category
1970s American Impressionist Noel Howard Art
Materials
Oil, Canvas
Still Life with Succulent Meditation
By Noel Howard
Located in Soquel, CA
Still life with succulent on a royal blue tile floor, with a section of an oriental rug, pillows, and a mug of tea visible in the periphery by Noel Howard (American, 20th Century). S...
Category
1970s American Impressionist Noel Howard Art
Materials
Crayon, Conté, Laid Paper
Figures & Flowers, Surreal Abstract Meditation
By Noel Howard
Located in Soquel, CA
Surreal abstract figurative of a dreamy, meditative scene including multiple figures and flowers, blended with sill-life and landscape elements by Noel Howard (American, 20th Century...
Category
1970s Symbolist Noel Howard Art
Materials
Conté, Crayon, Laid Paper
Four Panel Still Life, 1970s Artist's Studio with Succulent Plant & Blue Tile
By Noel Howard
Located in Soquel, CA
A unique four panel still-life depicting a snap-shot of the artist's 1970's studio by Noel Howard (American, 20th Century). A drawing within the drawing with colored pencils, some cl...
Category
1970s American Impressionist Noel Howard Art
Materials
Crayon, Conté, Laid Paper
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"Train Station, " Max Kuehne, Industrial City Scene, American Impressionism
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Train Station, circa 1910
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8 1/4 x 10 1/4 inches
Signed lower right
Provenance:
Private Collection, Illinois
Max Kuehne was born in Halle, Germany on November 7, 1880. During his adolescence the family immigrated to America and settled in Flushing, New York. As a young man, Max was active in rowing events, bicycle racing, swimming and sailing. After experimenting with various occupations, Kuehne decided to study art, which led him to William Merritt Chase's famous school in New York; he was trained by Chase himself, then by Kenneth Hayes Miller. Chase was at the peak of his career, and his portraits were especially in demand. Kuehne would have profited from Chase's invaluable lessons in technique, as well as his inspirational personality. Miller, only four years older than Kuehne, was another of the many artists to benefit from Chase's teachings. Even though Miller still would have been under the spell of Chase upon Kuehne's arrival, he was already experimenting with an aestheticism that went beyond Chase's realism and virtuosity of the brush. Later Miller developed a style dependent upon volumetric figures that recall Italian Renaissance prototypes.
Kuehne moved from Miller to Robert Henri in 1909. Rockwell Kent, who also studied under Chase, Miller, and Henri, expressed what he felt were their respective contributions: "As Chase had taught us to use our eyes, and Henri to enlist our hearts, Miller called on us to use our heads." (Rockwell Kent, It's Me O Lord: The Autobiography of Rockwell Kent. New York: Dodd, Mead and Co., 1955, p. 83). Henri prompted Kuehne to search out the unvarnished realities of urban living; a notable portion of Henri's stylistic formula was incorporated into his work.
Having received such a thorough foundation in art, Kuehne spent a year in Europe's major art museums to study techniques of the old masters. His son Richard named Ernest Lawson as one of Max Kuehne's European traveling companions. In 1911 Kuehne moved to New York where he maintained a studio and painted everyday scenes around him, using the rather Manet-like, dark palette of Henri.
A trip to Gloucester during the following summer engendered a brighter palette. In the words of Gallatin (1924, p. 60), during that summer Kuehne "executed some of his most successful pictures, paintings full of sunlight . . . revealing the fact that he was becoming a colorist of considerable distinction." Kuehne was away in England the year of the Armory Show (1913), where he worked on powerful, painterly seascapes on the rocky shores of Cornwall. Possibly inspired by Henri - who had discovered Madrid in 1900 then took classes there in 1906, 1908 and 1912 - Kuehne visited Spain in 1914; in all, he would spend three years there, maintaining a studio in Granada. He developed his own impressionism and a greater simplicity while in Spain, under the influence of the brilliant Mediterranean light. George Bellows convinced Kuehne to spend the summer of 1919 in Rockport, Maine (near Camden). The influence of Bellows was more than casual; he would have intensified Kuehne's commitment to paint life "in the raw" around him.
After another brief trip to Spain in 1920, Kuehne went to the other Rockport (Cape Ann, Massachusetts) where he was accepted as a member of the vigorous art colony, spearheaded by Aldro T. Hibbard. Rockport's picturesque ambiance fulfilled the needs of an artist-sailor: as a writer in the Gloucester Daily Times explained, "Max Kuehne came to Rockport to paint, but he stayed to sail." The 1920s was a boom decade for Cape Ann, as it was for the rest of the nation. Kuehne's studio in Rockport was formerly occupied by Jonas Lie.
Kuehne spent the summer of 1923 in Paris, where in July, André Breton started a brawl as the curtain went up on a play by his rival Tristan Tzara; the event signified the demise of the Dada movement. Kuehne could not relate to this avant-garde art but was apparently influenced by more traditional painters — the Fauves, Nabis, and painters such as Bonnard. Gallatin perceived a looser handling and more brilliant color in the pictures Kuehne brought back to the States in the fall. In 1926, Kuehne won the First Honorable Mention at the Carnegie Institute, and he re-exhibited there, for example, in 1937 (Before the Wind). Besides painting, Kuehne did sculpture, decorative screens, and furniture work with carved and gilded molding. In addition, he designed and carved his own frames, and John Taylor Adams encouraged Kuehne to execute etchings. Through his talents in all these media he was able to survive the Depression, and during the 1940s and 1950s these activities almost eclipsed his easel painting. In later years, Kuehne's landscapes and still-lifes show the influence of Cézanne and Bonnard, and his style changed radically.
Max Kuehne died in 1968. He exhibited his work at the National Academy of Design, the Art Institute of Chicago, the Carnegie Institute in Pittsburgh, the Memorial Art Gallery of the University of Rochester, and in various New York City galleries. Kuehne's works are in the following public collections: the Detroit Institute of Arts (Marine Headland), the Whitney Museum (Diamond Hill...
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Bali Landscape
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The beauty of fresh roses in a vase
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"Monhegan Island, Maine, " Edward Dufner, American Impressionism Landscape View
By Edward Dufner
Located in New York, NY
Edward Dufner (1872 - 1957)
Monhegan Island, Maine
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Signed lower right
With a long-time career as an art teacher and painter of both 'light' and 'dark', Edward Dufner was one of the first students of the Buffalo Fine Arts Academy to earn an Albright Scholarship to study painting in New York. In Buffalo, he had exchanged odd job work for drawing lessons from architect Charles Sumner. He also earned money as an illustrator of a German-language newspaper, and in 1890 took lessons from George Bridgman at the Buffalo Fine Arts Academy.
In 1893, using his scholarship, Dufner moved to Manhattan and enrolled at the Art Students League where he studied with Henry Siddons Mowbray, figure painter and muralist. He also did illustration work for Life, Harper's and Scribner's magazines.
Five years later, in 1898, Dufner went to Paris where he studied at the Academy Julian with Jean-Paul Laurens and privately with James McNeill Whistler. Verification of this relationship, which has been debated by art scholars, comes from researcher Nancy Turk who located at the Smithsonian Institution two 1927 interviews given by Dufner. Turk wrote that Dufner "talks in detail about Whistler, about how he prepared his canvasas and about numerous pieces he painted. . . A great read, the interview puts to bed" the ongoing confusion about whether or not he studied with Whistler.
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Noel Howard art for sale on 1stDibs.
Find a wide variety of authentic Noel Howard art available for sale on 1stDibs. If you’re browsing the collection of art to introduce a pop of color in a neutral corner of your living room or bedroom, you can find work that includes elements of blue and other colors. You can also browse by medium to find art by Noel Howard in paper, chalk, conté and more. Much of the original work by this artist or collective was created during the 1970s and is mostly associated with the Impressionist style. Not every interior allows for large Noel Howard art, so small editions measuring 18 inches across are available. Customers who are interested in this artist might also find the work of Barbara Wilson, Diane Baldwin, and Jesse Don Rasberry . Noel Howard art prices can differ depending upon medium, time period and other attributes. On 1stDibs, the price for these items starts at $575 and tops out at $1,600, while the average work can sell for $650.