Paul Guiragossian Art

Violin Serenade - Blue Grass in the Nude Acrylic Abstract Expressionist on Paper A nude reclining in an emerald green chair gives an interesting o...

Colorful and dynamic abstract expressionist figurative mixed media painting, a large-scale contemporary piece, featuring several collaged and textural elements that contrast from the...

Flowers in a Vase, intensely and seductively colored: almost in a Japonaise style. Swooning purples and reds, ecstatic lemon yellows, Jostling shapes, lyrical and soft-edged, refuse ...

Arresting woman and faces figurative abstract oil painting by Renard (American, 20th Century). Unframed. Signed "Renard" on verso, an undiscovered bay area figurative artist...

Wonderful abstract expressionist painting titled "Spirit of the Buffalo" by Santa Cruz artist Addison Robichaud (American, 20th Century). Presented in a wooden frame. Signed "Robicha...

"La Cage Aux Fowls" A tongue in cheek swipe at the artist and his muse, the nude and of course the chicken. An oil on canvas circa 1980, signed G. Lester of Ardsley, New York (Americ...

Large-scale abstract with multi-colored brains layered on a neutral background by Bay Area artist Michael Pauker (American, b.1957). Unsigned, but was acquired with a collection of h...

Large-scale vertical abstract of brains in a neutral color palette of black & white by Bay Area artist Michael Pauker (American, b.1957). Unsigned, but was acquired with a collection...

Artist: Matt Carone, signed lower right Dated: 1995 Dimensions: 80.25"H x 56.25"L In a fine wooden black and gold gilded frame. Provenance: Freitas Revilla Gallery. Matt Carone (1930-) South Florida artist and gallerist. The Italian- American New Jersey native took up painting in the 1940s after Hans Hoffman asked him to model in a class in which Nicolas Carone, Matt's brother was a student. He has never stopped painting since that seminal experience in Abstract Expressionism. His work reveals a dynamic gestural vocabulary that’s confident, rich in color and texture, and charged with emotion. Matthew Carone opened his famous, influential gallery on Las Olas Boulevard in Fort Lauderdale in 1959, and in the following decades, he built a roster that included such artists as Wolf Kahn, Leon Kroll, Wifredo Lam, and the great Chilean surrealist Roberto Matta. Meanwhile, Carone quietly continued his own work as a painter, urged on by Matta on his many visits to the area. His works range from pure abstract expressionist painting to figurative expressionism to an almost Surrealist calligraphic abstraction. Carone lived with and posed for Hans Hoffman, and was friends with Roberto Matta, Conrad Marca-Relli, Paul Jenkins, Franz Kline and Wolf Kahn. His paintings, according to Palm Beach Post art critic Gary Schwan, “reveal a spontaneity that recalls the automatic writing of the surrealists. The figures radiate motion, tension and sexual heat in contained spatial constructions.” This painting depicts nude figures reminiscent of the nudes in the famous Pablo Picasso painting Demoiselle D'avignon. His later paintings, perhaps closer to Jackson Pollock or Cy Twombly than Matta’s animated stick figures and skeletal machines, step toward the path of patterned abstraction without venturing onto it. Like Pollock, whose lyrical loops carried the private rhythms of an artist enamored of dance, and Twombly, whose staccato, sketchy lines reflect a different temperament, Carone’s inspirations flow directly from a subconscious informed by a lifetime of association with some of the century’s most important artists and their works. Not only is Carone identified with the pioneer generation of Abstract Expressionists, but also critics have seen affinities with Surrealism in his work, as well as development parallel to those of the CoBrA group.” Earlier paintings by Carone, an accomplished musician and violinist, often suggest ensembles of musical instruments, particularly those with strings. Like the drip paintings of Pollock, these works, with their powerful sense of movement and lyrical compositions, sometimes seem like musical passages captured on canvas or paper. SELECT ONE PERSON SHOWS Boca Raton Museum of Art, Boca Raton, FL Palazzo Panni Museum, Arco di Trento, Italy Fox-Martin Gallery, Housatonic, MA Lurie Galleries, Boca Raton, FL ArtSpace/Virginia Miller Galleries, Coral Gables (Miami), Florida Georgetown College, Georgetown, Kentucky Schramm Galleries, Fort Lauderdale, Florida Granville Galleries, Coral Gables, Florida Coral Ridge Yacht Club, Fort Lauderdale, Florida Museum of Art, Fort Lauderdale, Florida The Gallery, Fort Lauderdale, Florida Gallery 99, Bay Harbour Island, Florida Mercer University, Macon, Georgia P.N.Y.K. Gallery, Kent, Connecticut Simons Rock College of Bard, Great Barrington, Massachusetts Freites-Revilla Gallery, Boca Raton, Florida GROUP SHOWS Museum of Art, Fort Lauderdale, Florida Society of the Four Arts, Palm Beach, Florida Schramm Galleries, Fort Lauderdale, Florida Roko Gallery, New York, New York Loft Gallery, Coral Gables Florida Lowe Art Museum, Coral Gables, Florida Brandeis Art Festival, Palm Beach, Florida Drawing Exhibition, Museum of Art, Fort Lauderdale, Florida Ute Stebich Gallery, Lenox, Massachusetts Florida Pavilion, New York World's Fair, 1965 The Lantern Gallery, Ann Arbor, Michigan The Little Gallery, Philadelphia, Pennsylvania Tampa Bay Art...

Oil on canvas, signed lower right, and artist certificate of authenticity is available. Koko's latest collection of paintings are based on the Story of 'Swan Lake,' the ballet comp osed by Tchaikovsky. The series of paintings capture the graceful movement of ballet and classical music. The painting titled "Lakeside - Odette and the Prince" is the classical ballet dance duet between the swan princess...

9 Geometric Figures is an abstract painting from a series of work by Los Angeles based artist Koko, exploring the energy of architecture and people. The unique and bold brushstrokes...

Large-scale abstracted vanitas with goldfish, table, candle and skull by Bay Area artist Michael Pauker (American, b.1957). Unsigned, but was acquired with a collection of his work....