Burne-Jones, Philip Art

Bernard Hemy - Bernard Benedict Hemy (1844 - 1910). Marine and Coastal painter in oil and watercolor. Born in Newcastle to Henry F. Hemy, brother...

Francis Jamieson was a painter in oil and watercolor of highland landscapes and coastal scenes. (The work of this highly prolific artist is curious since the oils and watercolors have two quite distinctive styles and subject matter. The oil paintings are most frequently seen and these are highland landscapes or loch scenes - sometimes they appear to be signed with pseudonyms such as 'W. Richards' and 'Phil Hips' - the location is usually inscribed on the reverse. The watercolors are often coastal scenes with boats and figures on a shore, painted in a more traditional Victorian style, and possibly pre-date the oils. F. E. Jamiesons's beach scenes were published as postcards around 1920 by G. Ajelli & Co. of London on a textured card to give the appearance of oils. Jamieson is known to have traveled widely in the South of England between the wars selling his work but does not appear to have exhibited.) This quote in parentheses is taken from Jeremy Wood's excellent book 'Hidden Talents - A Dictionary of Neglected Artists Working 1880-1950'. - Work by Francis Jamieson can be seen at the usual sites. Please note that on all these sites you will find F. E. Jamieson variously listed as Francis E. Jamieson, F.E.Jamieson, Frank E. Jamieson, Frederick E. Jamieson etc. You may also find some listings under his various pseudonyms of Arnould Pienne, Charles Maurice, Graham Williams...

William Stephen Coleman British, (1829-1904) By the Fish Pond Oil on canvas, signed & dated 1898 Image size: 23 inches x 35 inches Size including frame: 30.25 inches x 42.25 inches A beautiful painting by William Stephen Coleman of a woman with two girls in a semi classical style by a Mediterranean pond. The woman is depicted resting on a terrace with her young daughter asleep on her lap, whilst another child catches goldfish in a bowl. This tour de force would have most likely been painted by Coleman as an exhibition piece. William Stephen Coleman was a figurative painter who was born in Horsham in 1829. He was one of 12 children born to a physician named William Thomas Coleman and his wife Henrietta (née Dendy). Three of his siblings Rebecca Coleman (b1837), Helen Cordelia Angell (1847–1884) and George Coleman also became artists, inheriting their artistic talent from their mother’s side of the family. Coleman developed an interest in nature from an early age, producing drawings as a hobby. Despite his ability, he initially followed in his father’s footsteps and trained as a surgeon. However, this proved unsuccessful and by the age of 21 he had turned back to art, later gaining employment with the Dalziel Brothers, a firm of wood engravers who specialised in natural history illustrations. Sometime during the late 1850’s he moved to London where he married his first wife Henrietta Augusta Boultbee in 1858. Around the same time, he began producing illustrations for books; the first of which was entitled ‘Common Objects of the Country’ and published in 1858. He subsequently published two of his own books ‘Our Woodlands. Heaths, and Hedges’ in 1859 and ‘British Butterflies’ in 1860. After the death of his wife in 1860, his sister Rebecca and brother George went to live with him in Garway Road, Paddington. Rebecca would often assist him with the wood blocks for his illustrations. As well as working as an engraver, he also began producing classically influenced paintings featuring figures in landscapes. Initially these were executed in watercolours but later extended to oil paintings. He began exhibiting at the Dudley Gallery in 1865 and was one of the original committee members. He continued to exhibit there until 1879 and was a committee member up until 1881. By 1869, he had also begun to work on pottery decoration and in 1871 was asked by Minton’s to establish an Art Pottery Studio at Kensington Gore. Whilst at Minton’s, he produced figure designs for their ceramic ware. His sister Rebecca also worked at Minton’s and they moved to Belle Vue in Chelsea to be closer to the studio. From 1881, he lived at 3 St John’s Wood Studios, Queens Terrace in Paddington and in 1888 moved to 43 Broadhurst Gardens in Hampstead. In 1893 one of his classically inspired works ‘The Gold Fish Bowl...

Henry King Taylor was a marine and coastal scene painter who lived in London. He exhibited at the Royal Academy from 1859 to 1864 with titles includi...

Georgine Lara English Village landscape A painting by Georgina Lara depicting a 19th-century English village scene offers a charming and evocative portrayal of a bygone era, captur...

A very tranquil scene of fishing boats moored in harbour with a sunlit sea beyond. Painted with a most attractive palette of blues and greens and with a pleasing composition that le...

Pausing for Conversation by William Yates (British, second half 19th century) signed oil on canvas, unframed canvas: 18 x 32 inches provenance: private collection, England condition:...

Well-painted English late 19th century RIver landscape, with river, Church Cottage at Sunrise Daniel Sherrin 1868-1940 signed L. Richards This is a framed original oil painting on c...

John Seymour Lucas RA British, (1849-1923) The Surrender of Don Pedro De Valdez to Sir Francis Drake Oil on canvas, signed & dated 1889 Image size: 19.5 inches x 30.5 inches Size including frame: 27 inches x 38 inches This fantastic historical scene by John Seymour Lucas depicts the surrender of Don Pedro De Valdez to Sir Francis Drake, aboard the Revenge during the Spanish Armada off Portland on 1 August, 1588. Don Pedro de Valdez was the commander of the Squadron of Andalusia and was on board the Nuestra Señora del Rosario when it was taken in action by Drake in the Revenge. A full sized version of this painting is held by the National Trust and can be found at Buckland Abbey, Devon. John Seymour Lucas was born in London on 21 December, 1849 to Henry and Elizabeth Lucas (née Seymour). He was the nephew of the portrait painter John Lucas and two of his children, Sydney Seymour...

Antique 19th century English fishing vessels In the English Channel William Henry Williamson was a gifted, London painter of coastal scenes, ...

Wonderful Autumn/Fall landscape by one of Englands finest landscape painters. Born as Benjamin Williams, the artist added the surname Leader (his Father’s middle name) to distingui...

David Bates British, (1840-1921) The Plough Team, Bredon’s Norton Oil on canvas, signed & dated 1908, further inscribed verso Image size: 15.5 inches x 23.5 inches Size including frame: 21.5 inches x 29.5 inches A lovely landscape painting of a plough team on a country track near Bredon’s Norton by David Bates. Bredon’s Norton is a village located in the Cotswolds, on the slopes of Bredon Hill in South Worcestershire. The America women’s rights activist Victoria Woodhull Martin moved to the village in 1901 and by 1908 had set up an agricultural school for women at her Norton’s Park estate. The Antarctic explore Raymond Priestley also lived there. Although Bates was living in Surrey at the time of this painting, he would have been familiar with the area after having lived and worked in Worcestershire for some considerable time. He would have also most likely been aware of Victoria Woodhull Martin and the school. David Bates was born in March, Cambridge in 1840 to Benjamin Bates a shoe maker and Sarah Bates. By 1851, the family had moved to Upton upon Severn in Worcestershire and from 1855 Bates became an apprentice at the Royal Worcester Porcelain Works in Worcester. There he developed his artistic talent, painting flower decorations onto vases and plates. At some point after 1861, he became a full time artist and made his debut at the Royal Academy in 1863, continuing to exhibit there until 1893. He also exhibited at the Royal Birmingham Society of Artists, Suffolk Street and the Grosvenor Gallery. He married Elizabeth Higgs from Worcester in 1867 and they lived at Cherry Orchard, Bath Road in Worcester where their children were later born. Their second child John Bates Noel (1870-1927) became a landscape artist and their younger son David Samuel...