Sergio Lopez Art

William Sibberns (American). Ecstasy Man, 2001. Pastel on paper, 12 x 18 inches. Measuring 18 x 24 inches framed. Signed and dated on page and on vers...

Really well executed male study Charcoal on paper. Matted Drawing in good order Image 25" x 18". matted 33" x 25"

William Sibberns (American). Standing Male Nude with Upraised Leg, 2011. Pastel on paper, 12 x 18 inches. Measuring 18 x 24 inches framed. Signed a...

William Sibberns (American). Big Cigar Man, 2010. Pastel on paper, 8 x 10 inches. Measuring 16 x 18 inches framed. Signed and dated on page and on ver...

Charles-Emile Jacque (1813-1894) Two sheeps in the countryside Charcoal on paper Signed lower left 19 x 21 cm Not framed Charles Jacque was born in 1813 in Paris. He was part oft...

This is a dynamic and unique charcoal on paper, framed on a beautiful custom white box frame - all archival materials. The painting perfectly captures the movement of the horse and t...

SALE ONE WEEK ONLY "Portrait Study" is a well-detailed portrait study of an older nude man. It is signed and dated by the artist. Michael Hodges has written about Robert Schefman...

Stately mid century portrait of a man, done in charcoal in 1956, by William Clothier Watts (American, 1867-1961). Signed and dated "Willi...

This 17.5 x 35 inches black and white chalk drawing on paper represents a Greek landscape. Two olive trees are in the foreground, with the countryside extending behind in the distant horizon. Tzannes is an American painter of Greek origins. In his twenties, he visited Kythera, the Greek island of his father's birth. Since then, the island has become the primary reference of his creativity. Using black and white to represent this landscape gives the mighty hundred-year-old olive trees a monumental presence. The viewer is drawn into the timeless, spiritual quality of the Greek landscape. Despite the absence of color, Tzannes' mastery of drawing creates a tangible effect of the Greek light...

Girbent's realistic charcoal drawing of a woman in the Louvre is highly evocative and transmits a moodiness in shades of gray.

On October 8, 1871, one of the greatest fires of modern times broke out in Chicago. Engulfing the entire city within hours, it left over 90,000 people homeless and destroyed thousands of buildings, causing many people to flee into the water to escape the flames. Among the property destroyed were the proudest cultural and civic institutions of the city. While the financial center was rebuilt within a year and trade was greater in 1872 than it had been in 1870, it took over a decade for the city’s cultural resources to recover from the disaster. Many of the city’s best artists did not even return to Chicago for several years. Foreign aid poured in from around the world, with half coming from England alone. It is not surprising therefore, that in 1872 it was an English artist that should have designed the mural for City Hall commemorating the Great Fire...

Girbent's realistic charcoal drawing of a woman in the Louvre is highly evocative and transmits a moodiness in shades of gray.