Tony Oursler Art

Enamel paint on cardboard. Signed, titled, and dated on overleaf. Authenticity certificate by Fondazione Pablo Echaurren.

Large-scale contemporary abstract with multi-colored brains layered on a black background by Bay Area artist Michael Pauker (American, b.1957). Unsigned, but was acquired with a coll...

Judith Brown (December 17, 1931 – May 11, 1992) was a dancer and a sculptor who was drawn to images of the body in motion and its effect on the cloth surrounding it. She welded crushed automobile scrap metal into energetic moving torsos, horses, and flying draperies. Brown attended Sarah Lawrence College in Yonkers, New York (B.A., 1954), where she learned to weld from her teacher, Theodore Roszak, a pioneering abstract expressionist sculptor. This is done in a style similar to Leonard Baskin. Select Commissions Mural Sculpture, Lobby, Louisville Radio Station WAVE Fountain, commissioned by Architectural Interiors, New York City Model, designed and executed for Festival of Two Worlds, Spoleto, Italy Sculpture, designed for Electra Film Productions, NYC Noah's Ark, exhibited at Bronx Zoo, New York City, at Rochester Museum and Science Center, Rochester, New York, and at Hopkins Center, Hanover, New Hampshire Store Windows, executed Tiffany & Company Windows, New York City, Christmas 1957, 1959, 1962, October 1969, Spring 1979, and October 1980 Wall Sculptures: for Youngstown Research Center (1963-4), commissioned by Youngstown Steel Company, Youngstown, Ohio; for Hecht and Company, Landmark Shopping Center, Alexandria, Virginia, Daniel Schwartzman, Architect; for Lobby, 570 Seventh Avenue, New York City, Giorgio Cavaglieri, Architect; for Lobby, Cities Service Company's New Research Center, Cranbury, New Jersey; for Ottauquechee Health Center, Woodstock, Vermont Eternal Lights: for Congregation Beth-El, South Orange, New Jersey; for Congregation Sharey Tefilo, East Orange, New Jersey Menorahs: commissioned by Architect Fritz Nathan for the Permanent Collection of the Jewish Museum, New York City; commissioned by Smith College for the Helen Hill Chapel, Northampton, Massachusetts; commissioned by Jules Scherman, of Wisteria Press, Inc., New York City Altar Cross, commissioned by Smith College for the Helen Hill Chapel, Northampton, Massachusetts Landscape, Memorial Piece for Gustave Heller, YM-YWCA, Essex County, New Jersey Memorial Plaque for Robert A. Ferguson, Westchester County Airport, Purchase, New York Sculpture for Vice President's office, Atlantic Richfield Company, New York City Bronze Relief Sculpture for Gymnasium Lobby, South Richmond High School, Staten Island, New York, Daniel Schwartzman, Architect Poster, Stratton Arts Festival, Stratton, Vermont Medallion, commissioned by Brandeis University National Women's Committee, New York City Model for Fountain for the Plaza at Windsor, Vermont Bronze Sculpture, commissioned by Intramural, Inc. for Building Lobby, N/E Cor. 79th Street and Second Avenue, New York City Presentation Piece, commissioned by Graphic Arts Associates of Delaware Valley, Philadelphia, Pennsylvania Wall Mural, Noah's Ark, Roosevelt Hospital, New York City 1977: Designed and executed Hanes Hosiery "Million Dollar Award"; Designed and executed "Old Spice" Smart Ship Award 1978: Commissioned to design and execute the "Walter White Award" for the NAACP for presentation to Hubert Humphrey; Commissioned to design and execute the Award for the Honorees of the National Board YWCA's First Tribute to Women in International Industry 1979: Designed and executed Jewelry for the Museum of Modern Art, New York City; Designed and executed limited edition of Mazuzas for Brandeis University-National Women's Committee, New York City 1980: Bronze Cross commissioned for St. James Episcopal Church, Woodstock, Vermont 1982: Eubie Award, New York Chapter of the National Academy of Recording Arts and Sciences 1985: Two Sculptures, Marriott Hotel, Orlando, Florida 1986: Two large Sculptures for indoor reflecting pools, Palm Desert Hotel, Palm Springs, California; John Portman, Eight Sculptures for Peachtree Plaza Hotel, Atlanta, Georgia; John Portman, Beach House, Sea Island, Georgia 1987: Loan Installation, DeCordova Museum, Lincoln, Massachusetts 1988: Eleven foot outdoor Sculpture for Front Plaza, River Court, Charles River, East Cambridge, Massachusetts, H. J. Davis Development Corp.; Tomie dePaola...

SALE ONE WEEK ONLY Complicated exchanges between individuals engaged in conversations, an argument, boredom, a caring exchange, toasting, so many human interactions within an almost five and a half foot square painting containing up to 25 people has been magnificently composed and is continuously captivating. The dynamism and flow of humanity in “Mirror, Mirror” can be compared to the dynamism and flow of humanity found in Breughel’s “Wedding Dance” owned by and located at the Detroit Institute of Arts. Frederick Harold Cress was a British painter who migrated to Australia and won the Archibald Prize in 1988 with a portrait of John Bread. Cress was born in Poona, British Raj, but went to England with his parents in 1948, when he was ten. He was educated at the Birmingham College of Art in England, and migrated to Australia in 1962 as a "ten pound Pom", meaning that he only had to pay ten pound for his fare to Australia. Cress met the painter Anne Judell and married her in 1967; they divorced in 1991. He started his career painting figuratively, but became well known for his abstract work in the late 60s and 70s. He returned to figurative painting in the late 80s after he won the Archibald Prize with a portrait of his friend and colleague, John Beard...

Internationally acclaimed artist Martina Niederhauser presents a new collection that offers fresh perspectives on women, delving into the realms of emotion, beauty, identity, and the...

Graves, Morris (American 1910-2001). TWO BIRDS. Brown Ink on tan paper, not dated. Although signed in pencil, lower right, the signature proved fugitive dur...

Contemporary large-scale abstract with multi-colored brains layered on a textured black background by Bay Area artist Michael Pauker (American, b.1957). Unsigned, but was acquired wi...

America Martin "The Tennis Player" Oil & Acrylic on Canvas 72.5" x 72" Framed Exploring the identity of both her namesake and country, LA-based America Martin draws inspiration from...

Crow Steals the Moon by Rick Bartow,pastel on paper, black, white, blue, pink

This framed 27" x 14" watercolor on paper by artist Lisa Miceli depicts the abstracted movement of birds, figures, and aquatic imagery that the artist uses...

Urban abstract expressionism artist Tommy Lennartsson draws on the visual culture of street and pop art when creating his original vibrant mixed-media artworks. He employs a mix of a...

Jennifer Lowe has combined the landscapes, animals and the people of her native Montana with a unique approach to painting. Born in Missoula, Jennifer spent parts of her childhood working in the fields of her grandparent's homesteaded property in Montana's Grasshopper Valley. Lowe's paintings are rendered in the vivid color and rich texture of cattlemarkers and capture the whimsical images from her imagination and the memories of her Montana upbringing. Lowe constructs her own frames and decorates them with a folk art quality - each of which carries an element of the painting that it is made for giving her finished work a unique character. Jennifer began using cattlemarker (an oil-based paintstick) in 1985 while a student at Montana State University. Since graduating in 1987, Lowe has been featured in 22 shows throughout the west. Her work has been shown alongside such well known Western artists as Thom Ross, Howard Post...