Urs Lüthi Art

BROOKE SHADEN The Painted Spirit, 2020 Photo on Velvet Fine Art Paper 10 × 10 in. Unframed 18.25 x 18.25 in. Framed Edition 1 of 15 Channeling the light and darkness inherent in hu...

BROOKE SHADEN Hung Out to Dry, 2021 Photo on Velvet Fine Art Paper 10 × 10 in. Image 18.25 x 18.25 in. Framed Edition 3 of 15 Channeling the light and darkness inherent in humanity...

This black and white image is of an excited group of school children in Gambia, West Africa This impression is #1 of an edition of 10. It is printed on Hahnemuhle Photo Rag Ultra Smooth paper that meets the highest industry standards regarding density, color gamut, color graduation and image sharpness. This white 100% rag paper guarantees archival standards. Benno Thoma was born in the university city of Maastricht on the southern tip of the Netherlands in November, 1956. He strives to stimulate our senses in his photographs and to move his audience to touch, feel and experience his vision. Thoma's photographs show us the beauty in each aspect of the composition. There is a tactile feel to his material, a positive energy that comes from the light that gives nuance to the subtle colors created. Arranged together with the beauty and dignity of the human body his technique invites us to become one with the scene. He travels around the world to create his images and strives to bathe his subjects in the natural light of that locale. Above all he captures the sense of place, its uniqueness -- cultural, natural or architectural. His newest photographs manipulate the element of water and light to express his vision of the male body – in both its innocence and vulnerability. Thoma uses movement and composition to capture the beauty of the body. The German publishing house of Bruno Gmunder has published five monographs of the work of Thoma. His photographs chronicle the luxurious properties of the Kempinski Hotel Group, the beautiful young actors of Bel Ami...

Signed and numbered limited edition photograph of a polar bear by Thomas Mangelsen (American, b. 1945). Signed "Thomas Mangelsen" in the lower right corner and numbered "794/950" in the lower left corner. This particular image is no longer produced. Presented in a double mat of light grey and tan, in a wood frame. Image size: approx. 21"H x 31"W Renowned American nature and wildlife photographer Thomas D. Mangelsen (American, b. 1945) has traveled throughout the natural world for over 40 years observing and photographing the Earth’s last great wild places. A Nebraska native, Mangelsen’s love of nature, his life outdoors and business success were heavily influenced by his father. An avid sportsman, Harold Mangelsen took his sons to favorite blinds along the Platte River in Nebraska to observe the great flocks of ducks, geese and cranes that migrate through the valley. From these adventures, Mangelsen learned important lessons for photographing in the field, most notably patience and understanding animal behavior. In 1965, Mangelsen began studying business at the University of Nebraska. In 1967, Tom transferred to Doane College in Crete, Nebraska, where he changed his major and graduated with a bachelor’s degree in biology. Tom continued postgraduate study in zoology and wildlife biology at the University of Nebraska and Colorado State University. In 1970 Mangelsen moved to Nederland, Colorado. He spent two years living in the Rocky Mountains in an old mining shack without electricity or running water with his English setter, black lab and raccoon. Tom continued to work on his photography and studied arctic alpine ecology at the University of Colorado’s Mountain Research Station near Nederland. There he met Bert Kempers, a CU film producer, who later hired Tom as cinematographer and film editor for his company Westwind Productions, making educational and nature documentaries. Tom longed...

This photograph is printed on Japanese Paper. The price is for an unframed photograph. The Robin Rice Gallery is pleased to announce, 25 Years of Polaroids, a new exhibit by Jose ...

BROOKE SHADEN A Storm to Move Mountains, 2011 Photo on Velvet Fine Art Paper 10 × 10 in. Image 18.25 x 18.25 in. Framed Edition 7 of 15 Channeling the...

Buried (Stranger than Paradise) - 1999 Edition of 10, 58x56cm, Analog C-Print, hand-printed by the artist on Fuji Crystal Archive Paper, based on the Polaroid. Artist inventory N...

"Queen of Spades" - 2016 - C Print on Fuji Pearl, 50x38x2 inches Edition 1 of 7 Custom white box frame Kathleen Wilke blurs the lines of poetry and fiction through her underwater photography...

BROOKE SHADEN The Creation of Blood and Bones, 2014 Photo on Velvet Fine Art Paper 10 × 10 in. Unframed 18.25 x 18.25 in. Framed Edition 3 of 15 Channeling the light and darkness i...

Sunset (Till Death do us Part) 90x112cm, Edition 1/5, 2005 Analog C-Print, hand-printed by the artist, based on a Polaroid. Artist Inventory No. 9493.01. Mounted on Aluminum with...

Reinventing oneself, III - 2019, 20x20cm, Edition of 7 plus 2 Artist Proofs. Archival C-Print based on the original Polaroid. Signature label with certificate. Artist inventory...

Officer's Wives Club (29 Palms, CA), diptych - 1999 Edition of 23/25, 40x40cm each, installed 40x87cm, including gap. 2 Analog C-Prints, hand-printed by the artist, based on the 2 Polaroids. Signed on back with Certificate. Artist inventory number: 316. Mounted on Aluminum with matte UV-Protection. 29 PALMS, CA is a film / art piece that explores and chronicles the dreams and fantasies of a group of individuals who live in a trailer community in the Californian desert. The world depicted in the film is inspired by the photographs of German artist Stefanie Schneider in that it combines the notions of reality and fantasy and explores the resonance of both within a desert landscape and a transient culture. The characters portrayed in the film, (an actress, a singer, a DJ, a motel owner and his wife, a US army soldier, a mystic, a princess, a recluse, a movie ticket seller, two hitchhikers, a doctor, and so on), are to be played by both actors and non-actors. The story is constructed through the interpretation of real-life communications (i.e. phone calls, emails, conversations) that have taken place as the individuals depicted in the story try to make sense of events that have occurred in real life. In this sense, the story is, in part, a biography and social commentary, and the characters are the exaggerated alter egos of the individuals who play them. The structure of the plot is fairly simple. An actress working as a telemarketer is inspired by a singer who is new to town and is featured on the local radio station. The radio station runs a program for lonely hearts and a charismatic DJ uses the show to reveal the hopes and dreams of the town's “hottest women”. One night a panicked German female caller captivates the community with a painful story about a sexy “Smoke Jumper” (a mysterious and super real alpha male). Everybody in town is listening to the program and nobody is quite sure what to say. Life in general continues and we witness and explore the various interactions. The actress meets the singer and they become famous. The US Army soldier dies on his way to battle. The foreign princess discovers that the jewels she has come to sell are fake. The motel owner‘s wife has an affair with the pool boys and so on. All the while the community is united by their loyalty to the “Lonely Hearts” radio show and through the disturbing revelations of the German woman...