Antiquities

ITEM: Statuette of a Sogdian rider MATERIAL: Pottery CULTURE: Chinese, Tang Dynasty PERIOD: 618 – 907 A.D DIMENSIONS: 560 mm x 510 mm x 175 mm CONDITION: Good condition. Includes The...

Chicken-head ewers are among the most distinct and emblematic pottery pieces from the dynamic yet innovative era spanning from the Han (206 BC - AD 220) to the Tang (618~907) dynasti...

Vintage Asian Indian Silver Bracelet Beautiful cuff bracelet with pierced and pearl shaped edge design High grade silver Width 4 cm weight ...

ITEM: Statuette of a horse with rider MATERIAL: Pottery CULTURE: Chinese, Tang Dynasty PERIOD: 618 – 907 A.D DIMENSIONS: 520 mm x 420 mm x 180 mm CONDITION: Good condition. Includes ...

This figure appears to be a terracotta statuette, possibly representing a court official or a deity given the distinct headgear which could signify a rank or divine attribute. The style of the figurine, with its facial features and remnants of paint, suggests it could be a part of funerary art, which was common in Chinese culture during these periods. Date : Northern Wei...

A Chinese export silver bowl circa 1890, with later blue glass liner. The bowl is pierced and has wonderfully detailed chrysanthemum decoration and sits on a plain collet foot. The r...

A Set of 4 Chinese Export Silver Candlesticks with Glasgow import marks for the firm of George Edward & Sons, 1899. The Scottish firm was one of the few UK companies that stocked Chi...

Fine rare Antique Indian Hindu Mughal style Jade bracelet Period early 20th century Fine quality celadon type jade decorated with silver and semi precious stones Condition: Fine...

This statue appears to be a stone sculpture of an apsara, a celestial nymph from Buddhist and Hindu traditions. Despite its fragmentary state, the sculpture conveys grace and movement. The apsara is captured in a dynamic pose, perhaps once part of a larger tableau, playing a flute-like instrument. The facial features are serene yet expressive, with faint traces of pigmentation hinting at the sculpture's original polychromy. The black stand was made in Hong Kong at the time of the acquisition. Date : Northern Wei...

A Chinese Export Silver Card Case embossed and chased with figural scenes on a matte background, including playing Go and horse-riding....

Antique Laos bronze gong, a kind of Laos musical instrument which produces a loud and sonorous sound. Gong stick is included. Age: Laos, 19th Century Size of gong only: Diameter 40 ...

ITEM: Kylix MATERIAL: Pottery CULTURE: Greek, Apulian PERIOD: 4th Century B.C DIMENSIONS: 56 mm x 165 mm x 115 mm CONDITION: Good condition PROVENANCE: Ex Belgian private collection,...

This is a Japanese wooden bowl. It is a folk craft that was used in daily life. I don't know what kind of wood it's made of, but it's sturdy. Since it is made by hand, it has a dist...

19th century Qing period Chinese storage basket intricately hand woven with bamboo and cane. Iron hinges and pull. Measures 20" X 20" X 16" tall . Warm aged patina. Wonderful condition.

Step into the enigmatic world of Majapahit culture with this exquisite 15th-century terracotta handmaiden figure, a mesmerizing testament to Java's rich heritage. Believed to have once borne offerings of oil or fruit above her head as symbols of blessing and protection, this sculpture exudes an aura of ancient reverence and spirituality. Hailing from the esteemed Trowulan region in East Java, this remarkable piece has journeyed through centuries before finding its place in the esteemed private collection of Anacleto Spazzapan. Documented in the Majapahit catalog on pages 170/171 as figure number 36, this sculpture has been meticulously studied and authenticated by Professor Agus Aris Munandar, a prominent authority in Indonesian archaeology. Professor Munandar, born in 1959, is currently the professor of Indonesian Archaeology at the University of Indonesia in Jakarta. His extensive research focuses on Hindu-Buddhist archaeology, iconography, and the ancient history of Indonesia and Southeast Asia. He served as a member of the Indonesian team of experts at National Cultural Heritage from 2015 to 2018 and previously held the role of Head of Institute and Research at the Faculty of Humanities at the University of Indonesia. Now the head of the Department of Archaeology at the University of Indonesia, Professor Munandar has authored numerous articles and 19 books, many of which delve into Majapahit culture and artifacts, solidifying his reputation as a leading scholar in the field. Professor Munandar's endorsement, complemented by a preface from Professor Massimo Vidale of the University of Padua, offers invaluable insights into the religious and decorative significance of Majapahit terracotta...

Antique large Burmese wooden Buddha sitting in Mara Vijaya (calling the earth to witness) posture on a base. Age: Burma, Early Shan Period, Early 16th Century Size: Height 123.8 C.M...

Antique Burmese wooden Buddha sitting in Mara Vijaya (calling the earth to witness) posture on a base. Age: Burma, Shan Period, 18th Century Size: Height 52 C.M. / Width 23.8 C.M. /...

ITEM: Scarab with pseudo-hieroglyphic, Anra-type MATERIAL: Steatite CULTURE: Egyptian PERIOD: Second Intermediate Period, 1700 – 1550 B.C DIMENSIONS: 10 mm x 15 mm CONDITION: Good co...

This is a Fukuro Obi made in Japan around 1960s. Obi is a belt of varying size and shape worn with both traditional Japanese clothing like Kimono.Obi are categorised by their desig...

This is Obi made in Japan around 1970s. It is made with Silk and it is in good condition. Obi is a belt of varying size and shape worn with both traditional Japanese clothing like...

Antique Thai wooden Buddha sitting in Mara Vijaya (calling the earth to witness) posture on a base. Age: Thailand, 19th Century Size: Height 24.9 C.M. / Width 19.5 C.M. Condition: N...

Boxwood netsuke depicting a snake coiled around itself. Signature engraved under the base. Origin: Japan Period: Meiji late 19th century. Dimensions: 4 x 3.5 x 2 cm. State of co...

Tai Lue Burmese wooden Buddha sitting in Mara Vijaya (calling the earth to witness) posture on a base. Tai Lue is a tribal people living in Burma, it is difficult to find Buddha fro...

Antique Burmese wooden Buddha sitting in Mara Vijaya (calling the earth to witness) posture on a base. Age: Burma, Shan Period, 18th Century Size: Height 44 C.M. / Width 17 C.M. / D...

This is an old Japanese work board. This was used to roll mochi into balls. That is why traces of wheat remain. In the past, when food conditions were harsh, rice cakes and other f...

The plate depicted here exhibits the intricate floral patterns and lotus motifs that are typical of Southern Song designs. The central floral motif captures the essence of Oriental b...

ITEM: Scarab with spiral design MATERIAL: Steatite CULTURE: Egyptian PERIOD: Second Intermediate Period, 1700 – 1550 B.C DIMENSIONS: 12 mm x 9 mm CONDITION: Good condition PROVENANCE...

This is an old Japanese wooden board. It is a single board with beautiful wood grain. I think it was probably the top of an exhibition stand. It was already in this state when I fou...

Graceful and simple beauty in the tea set decorated with floral patterns Period : Qing Dynasty, Yongzheng Period Production Date : C 1725 Made in : Jingdezhen Destination : Netherla...

Antique 19th Century Oriental Japanese Cloisonné Vase - Impressive Large Piece! This stunning cloisonné vase from the 19th century boasts remarkable craftsmanship and intricate deta...

A Yue celadon vessel from the Jin Dynasty period, notable for its characteristic greenish-glazed pottery which was prominent during this time. The vessel features a globular body wit...

This is an old Japanese horse figurine. It was made in the early Showa period (1920s-1940s). It is mainly made of paper. (Various materials are used). It is a very elaborate creati...

ITEM: Scarab with prenomen for Amenhotep II MATERIAL: Steatite CULTURE: Egyptian PERIOD: New Kingdom, XVIIIth Dynasty, 1143 – 1417 B.C DIMENSIONS: 15 mm x 11 mm CONDITION: Good condition PROVENANCE: Ex American egyptologist collection, active in the early part of the 20th century, brought to the US with the family in 1954. Comes with Certificate of Authenticity and Export Licence. If you are from outside the European Union, we will have to apply for the export licence again for your country, this takes 4 to 6 weeks. Amenhotep II, the seventh pharaoh of the 18th Dynasty of ancient Egypt, ruled during the New Kingdom period around the 15th century BCE. Renowned for his military prowess, Amenhotep II expanded the Egyptian empire through numerous campaigns, solidifying control over territories in Nubia and the Levant. His expeditions into Syria and Canaan, notably the Battle of Megiddo, showcased his strategic acumen as he secured victories against local rebellions and coalitions, leaving behind inscriptions and reliefs that celebrated his triumphs. Beyond his military endeavors, Amenhotep II also left a mark through his architectural projects, albeit less pronounced compared to other pharaohs. He oversaw the construction of temples and monuments across Egypt, contributing to the cultural landscape of the time. Additionally, Amenhotep II was known for his personal interests in sports and physical activities, with depictions showcasing him engaging in hunting, chariot racing, and archery, reflecting the pursuits of Egyptian nobility and emphasizing the ideal of the warrior-king. While Amenhotep II's reign brought stability and prosperity to Egypt, his legacy is overshadowed by some of his predecessors and successors. Despite his military successes and contributions to Egyptian architecture, he is not as widely celebrated as figures like Thutmose III or Ramses II.

The jar features a balanced and robust form, typical of the Transitional period, which was a time of significant change and innovation in Chinese porcelain art. The decoration is exu...

This is a Japanese wooden bowl. This is a set of 5 pieces. It is a folk craft that was used in daily life. I don't know what kind of wood it's made of, but it's sturdy. Since it is ...

This is a Japanese wooden bowl. It is a folk craft that was used in daily life. I don't know what kind of wood it's made of, but it's sturdy. Despite its size, it is made from a sing...

A pair of antique Sukhothai pottery brown glazed jars with naturally running glaze on the body, natural shell and barnacle from shipwreck. Age: Thailand, Sukhothai Period, 14th - 16...

This pottery has a bulbous body with two small, protruding handles near its widest part. The pottery features horizontal bands of patterns, which include a sequence of geometric shap...

Antique Large Pair of Japanese Bronze Mixed Metal Vases - Exquisite Meiji Period Artist Pieces! These stunning Japanese bronze mixed metal vases, dating back to the Meiji Period cir...

This is an old Japanese wooden board. It is a single board with beautiful wood grain. I think this was probably used for the top of the work table. It was already in this state when...

Italian/French Enamel and Silver Snuff Box. Late 19th Century, the interior lid impressed 22, no other visible marks. The rectangular hinged box with an interior gilt wash, the lid ...

All our reclaimed tiles are genuine antiques. We believe in investing in your interiors, and choosing reclaimed and repurposed tiles means breathing new life into tiles that have alr...

ITEM: Scarab as a commemorative of Ramesses II or prenomen of Shoshenq III MATERIAL: Black steatite CULTURE: Egyptian PERIOD: New Kingdom to Third Intermediate Period, 1279 – 664 B.C...

Hand carved bamboo vase/brush pot/bitong. This hand-carved Chinese bamboo bitong or dried flower vase dates from the late Victorian period, circa 1880. The bitong, or brush pot, is...

It is the rare earthenware among those excavated from the Ca Mau Ship, and it is a green-glaze work that is especially unique. Although it is in very worn condition, it is a valuable...

The crane, a traditional symbol of longevity and auspiciousness, is prominently placed at the center, creating a harmonious and aesthetically balanced effect. The border of the dish ...

The dish is decorated to the centre with a moulded appliqué dragon chasing the flaming pearl surrounded by a carved stylised foliage band at the cavetto. The moulded fluted exterior ...

This cute square box could have been used as an incense burner, and flowers could have been inserted one by one. Period : Qing Dynasty, Yongzheng Period Production Date : C 1725 Mad...

This guardian figure represents a fusion of human and beast, a common motif symbolizing protection in Chinese lore. Crafted from pottery, the figure is a testament to the era's sculp...

During Yongzheng era, such miniatures were appreciated for their craftsmanship and aesthetic value. They were also often used in scholars' studios as part of the 'wenfang', or study ...

This is a Japanese wooden bowl. It is a folk craft that was used in daily life. I don't know what kind of wood it's made of, but it's sturdy. Since it is made by hand, it has a dist...

ITEM: Romano-Egyptian cartonnage mummy mask depicting a female head MATERIAL: Linen and Gesso CULTURE: Egyptian, Roman period PERIOD: 1st Century B.C – 1st Century A.D DIMENSIONS: 20...

From San Eugenio, Artigas Dept., Uruguay Sharp crystal cluster in a parallel formation of scalenohedral calcite crystals on matrix  with lustrous translucent grape purple amethyst c...

A pair of pottery dignitary tomb figures from the Ming Dynasty era.

Flying two heavenly beings depicted in the stone. They are celestial beings called an Apsara. While having the same fragment and shape, another work I uploaded exhibits small dots on...

This is a Japanese wooden bowl. It is a folk craft that was used in daily life. I don't know what kind of wood it's made of, but it's sturdy. Since it is made by hand, it has a dist...

This is a Japanese wooden bowl. It is a folk craft that was used in daily life. I don't know what kind of wood it's made of, but it's sturdy. Since it is made by hand, it has a dist...

ITEM: Statuette of a Fat Lady MATERIAL: Pottery CULTURE: Chinese, Tang Dynasty PERIOD: 618 – 907 A.D DIMENSIONS: 655 mm x 265 mm x 210 mm CONDITION: Good condition. Includes Thermoluminescence test by Laboratory Kotalla (Reference 05B101123). Includes Certificate of Authenticity from Dutch gallery PROVENANCE: Ex Belgian private collection, acquired from Dutch art gallery Comes with Certificate of Authenticity and Export Licence. If you are from outside the European Union, we will have to apply for the export licence again for your country, this takes 4 to 6 weeks. Due to the fragility and size of this piece, it can only be shipped within the European Union, United Kingdom and neighbouring countries that can be transported by road by private courier (door to door). This beautifully-finished ceramic attendant was made during what many consider to be China’s Golden Age, the Tang Dynasty. It was at this point that China’s outstanding technological and aesthetic achievements opened to external influences, resulting in the introduction of numerous new forms of self-expression, coupled with internal innovation and considerable social freedom. The Tang dynasty also saw the birth of the printed novel, significant musical and theatrical heritage and many of China’s best- known painters and artists. The Tang Dynasty was created on the 18th of June, 618 AD, when the Li family seized power from the last crumbling remnants of the preceding Sui Dynasty. This political and regal regime was long-lived, and lasted for almost 300 years. The imperial aspirations of the preceding periods and early Tang leaders led to unprecedented wealth, resulting in considerable socioeconomic stability, the development of trade networks and vast urbanisation for China’s exploding population (estimated at around 50 million people in the 8th century AD). The Tang rulers took cues from earlier periods, maintaining many of their administrative structures and systems intact. Even when dynastic and governmental institutions withdrew from management of the empire towards the end of the period – their authority undermined by localised rebellions and regional governors known as jiedushi –the systems were so well- established that they continued to operate regardless. The artworks created during this era are among China’s greatest cultural achievements. It was the greatest age for Chinese poetry and painting, and sculpture also developed (although there was a notable decline in Buddhist sculptures following repression of the faith by pro-Taoism administrations later in the regime). It is disarming to note that the eventual decline of imperial power, followed by the official end of the dynasty on the 4th of June 907, hardly affected the great artistic turnover. During the Tang Dynasty, restrictions were placed on the number of objects that could be included in tombs, an amount determined by an individual’s social rank. In spite of the limitations, a striking variety of tomb furnishings – known as mingqi – have been excavated. Entire retinues of ceramic figures – representing warriors, animals, entertainers, musicians, guardians and every other necessary category of assistant – were buried with the dead in order to provide for the afterlife. Warriors (lokapala) were put in place to defend the dead, while horses/ camels were provided for transport, and officials to run his estate in the hereafter. Of all the various types of mingqi, however, there are none more elegant or charming than the sculptures of sophisticated female courtiers, known – rather unfairly – as “fat ladies...